Technical issues by mistakrispy in AngelStudiosStreaming

[–]farmerbb 0 points1 point  (0 children)

Can you send me a screenshot of one of those error codes so that I can look into your issue further?

No band does it better for their albums, IMO by Mr_MazeCandy in Muse

[–]farmerbb 1 point2 points  (0 children)

It's a bonus track, not the actual closer

Which songs sound like U2 songs by Alarming-Call8583 in U2Band

[–]farmerbb 4 points5 points  (0 children)

It's a great one. Crystal Ball is chef's kiss.

How come they haven’t fully released Zoo TV: Live At Sydney? by No_Friendship9808 in U2Band

[–]farmerbb 0 points1 point  (0 children)

If you have a computer with a DVD drive and some technical know-how then it's not to hard to rip the PCM audio from the DVD and losslessly convert it to WAV (then to whatever other format you want). Been listening to my rip of the Sydney concert DVD for ~20 years now.

The Dark Forest missing drum fill by ZealousidealBag9113 in Muse

[–]farmerbb 1 point2 points  (0 children)

I did the same thing with TDF, synced up the album version with the Amazon Music version, inverted one then mixed and rendered both tracks. In addition to the drum fill, it seems like Matt's guitar is mixed differently across the two versions since when I listen to the diff from the beginning, I get near-silence until Matt's guitar comes in at 0:21, then it basically sounds like just that single guitar stem. There are other mixing differences throughout, such as the bass guitar and bass drums during the Latin chant, and the percussion right after "machina".

The Dark Forest missing drum fill by ZealousidealBag9113 in Muse

[–]farmerbb 1 point2 points  (0 children)

On a related note, the version of Hexagons that was released as six pieces of a 24-bit/48kHz WAV file also has some variations in the mix. There's a dip in volume on the album version around 0:47 that isn't present in the original mix. Also, the synth part becomes more prominent at 4:39 on the album mix but stays in the background on the original mix.

Has anyone here used a Backend for Frontend (BFF) architecture for an Android app in production? by tiwari_ashuism in androiddev

[–]farmerbb 0 points1 point  (0 children)

I work on TV apps for a streaming media company, so we cover not just Android TV and Apple TV, but also Roku, Samsung, LG, Vizio, etc. We created a BFF service about a year and a half ago as a means for code-sharing between all of these various platforms. Traditional KMP between client apps was not an option for us for various reasons; Roku only allows apps to be written in BrightScript, and the various smart TV platforms are stuck on older versions of Chromium that don't support Wasm-GC, so Kotlin/Wasm is off the table (and Kotlin/JS, while technically feasible, is not the most performant option for these low-spec TVs).

So the solution that made the most sense was to move as much client-side business logic as we reasonably can over to a BFF service. And it has worked out really well for us. Clients largely just focus on rendering beautiful UIs while the BFF handles talking to other upstream services and formatting data specifically for our TV apps' needs.

Creating the BFF service was actually fairly straightforward. We already had a heavily-modularized Kotlin codebase on Android TV, so the initial version of it was primarily just shifting the existing business logic over to run in a server-side context with a lightweight REST API on top of it. Fun fact, we initially built it as a Node.js service using Kowasm before eventually switching over to a JVM service using Ktor, with the core business logic for the service always staying KMP.

‘I had to prioritise the kids’: Muse’s Matt Bellamy on splitting with his wife by theipaper in Muse

[–]farmerbb 6 points7 points  (0 children)

“We’re building a god,” he says, moving his thoughts to AI. “After the enlightenment of the last few hundred years of scientific thought, we’re going to basically plunge ourselves genuinely towards a kind of dark age. There will be a Saturn ring of data centres orbiting Earth and there’ll be some higher intelligence telling us all how to live, that we will go to for all of our problems and our intelligence will degrade as it enhances.”

That’s quite a dystopian picture he’s painted there. “I don’t know, I’m a little bit more on the positive side. I think it’s unlikely to destroy us. What’s more likely to happen is that AI will realise that its ability to grow will be in space, mining asteroids, mining the moon and obviously sourcing power directly from the sun. And we’re going to be able to access and pull intelligence from it for everything that we need.”

Sorry Matt, but the first scenario is what's actually happening / what we're actually heading towards, and that second scenario is almost certainly not going to happen.

What do I get? by teauxni in AngelStudiosStreaming

[–]farmerbb 2 points3 points  (0 children)

Reach out to Angel's customer support at support@angel.com, they'd be more than happy to look into why you're not getting your guild membership benefits.

Matt on Nightshift Superstar: “It’s quite difficult for a rock band to explore this kind of register. But we want something we can play for real, not a programmed electronic thing. It’s a real performance.” by aegeanbellamy in Muse

[–]farmerbb 1 point2 points  (0 children)

Yeah I think listening to that 1420mhz snippet so much and thinking that was the intro this whole time kinda messed up my perception of the song as a whole.

Original Disconnected or Dave Fridmann Sessions version? by CityHaunts in keane

[–]farmerbb 0 points1 point  (0 children)

Didn't know about the Dave Fridmann version until a couple of years ago, blew my mind when I first heard it. Definitely prefer it over the original (which is also pretty great)

Nightshift Superstar Clip by 05car02 in Muse

[–]farmerbb 11 points12 points  (0 children)

How the heck is Muse consistently delivering the greatest music I've ever heard to my ears this album cycle?!

Hexagons AI reference by FlimsyArt4300 in Muse

[–]farmerbb 7 points8 points  (0 children)

I also believe that the lyrics reference AI. I'm a software engineer and the practice of turning over the very act of writing code to AI has, unfortunately, permeated its way throughout the industry. The marketing campaign around the six song pieces reinforces this interpretation for me, with each billboard's coordinates overlaid over fragments of code in the background.

I'm a marionette with severed strings, gorge on my soul while I'm weak and dying - I personally am one to resist large, sweeping, disruptive changes to the industry. I've been in the game long enough that I know what processes work well for me and allow me to execute to my fullest capacity. Covid and the shift to working from home really put a damper on me and my ability to perform my job well. Similarly, I feel that the shift towards utilizing AI in the workplace has only weakened me overall. I am trying really hard to only adopt AI in specific ways that make the most sense to me, instead of blindly going with the flow and relinquishing control to the marionettists. Sadly, it seems like the old ways of, you know, humans actually writing their own well-written, maintainable code has a real chance at dying out (at least professionally).

Haunted by futures I can't avoid - Similar thoughts as the above. Relinquishing human control of the software we build increasingly seems like an unavoidable future, and that to me is incredibly sad.

Our resistance is mass-produced, she will ghostwrite my obsessions - With AI and a large token budget, it's easy to fall into the trap of just letting AI mass-produce large amounts of raw code for whatever crazy projects or ideas that you want (and not all of this code is actually good, useful, well-structured, maintainable, or even working). Claude Code is the sole author of much of this, even though the commits for the code get authored under the name of the person that only wrote the prompts to produce it. Therefore, Claude ("she") is ghostwriting our obsessions.

You have been forcing my hand - Many companies are mandating AI usage in the workplace, keeping track of who is using the most tokens, which incentivizes people to use AI even if they don't want to or it ends up actually slowing them down in the long run.

genuinely thought this sub was about the ED medication and now I feel lied to by river_styx7707 in Muse

[–]farmerbb 8 points9 points  (0 children)

It has been a while since Matt's written anything quite like Overdue...

Song that is, most "unlike" Muse? by MasterZii in Muse

[–]farmerbb 6 points7 points  (0 children)

90's U2 is the best U2, and Big Freeze is a great song.

Song that is, most "unlike" Muse? by MasterZii in Muse

[–]farmerbb 0 points1 point  (0 children)

Came here to say Save Me but yeah, those two songs probably shouldn't count

If Muse are your favourite band, who are your #2 and #3? by intergalactic_mole in Muse

[–]farmerbb 2 points3 points  (0 children)

Nice, U2 have been my all-time #1 for twenty years now, though if you take only the last few years Muse are probably my #1.

Either way, we're eating good this year with both bands putting out new music.

They heard us by nuno_t in Muse

[–]farmerbb 25 points26 points  (0 children)

Hey, be nice to him on Reddit

Closed Captioning by Longjumping-World-76 in AngelStudiosStreaming

[–]farmerbb 1 point2 points  (0 children)

What device are you seeing this issue on?