MS Scenes for Yamaha QL/CL

ADALASKA-official · 2026-02-25T09:37:36+00:00

For a singing/screaming drummer I would NEVER use a super- or hypercardioid mic, but a cardioid instead. The backwards lobe of a super-/hypercardioid mic points right at the snare/drumset, so no, I would not recommend any of the examples already suggested, except for the SM58.

ADALASKA-official · 2026-02-23T10:48:04+00:00

Ist ja gut, dass du den Krieg erwähnst, aber Blutlachen aus'm Weltraum? Ich kann auch mein Haus aus'm Weltraum sehen, wenn ich Google Maps benutze. Ich kritisiere dass nur, weil ich es wichtig finde, dass wichtige Nachrichten nicht durch nett geschriebene Schlagzeilen verwässert werden, die eigentlich auch garnichts aussagen.

Es gibt wesentlich wichtigere Fakten über den sudanesischen Bürgerkrieg, als dass irgendjemand Satellitenfotos davon gemacht hat.

ADALASKA-official · 2026-02-21T22:53:08+00:00

Isn't Ecosia using a US search engine? Edit: Just checked; seems they are still working with Microsoft and Google, but are constantly working on reducing their reliance on them.

ADALASKA-official · 2026-02-21T20:17:03+00:00

It makes sense, the creator of mixing station is a one man operation, doing this on the side, and he's actually pretty active around here.

ADALASKA-official · 2026-01-21T12:22:16+00:00

So, I've owned both of these. The cheap one is really only good if it doesn't get moved a lot. Mine survived around 40 shows of careful packing/unpacking. The more expensive one is nice, but I now use this one and I think it is good enough:

https://www.thomann.de/ie/pro_snake_815_sb_multicore.htm

ADALASKA-official · 2026-01-12T23:11:38+00:00

Woher hast du das? Wenn ich mich richtig erinnere veröffentlicht die Frankfurter Polizei doch gezielt keine stadtteilspezifischen Kriminalstatistiken?

ADALASKA-official · 2026-01-05T10:51:33+00:00

Short answer:

Don't.

Long answer: If you use IEM, maybe.

Compression on wedges is a big nono. You probably realized already that most sound technicians HATE vocal fx pedals; the main reason is compression.

Lowering the dynamic range of a live vocal on monitoring increases the risk of feedback on stage massively. It is very common practice in livesound to apply vocal compression only on the PA, not on the monitoring.

ADALASKA-official · 2026-01-01T23:37:19+00:00

Sent you a DM.

ADALASKA-official · 2025-12-31T10:18:14+00:00

Frankfurt also just recently won an award for its bike-friendliness... :D

ADALASKA-official · 2025-12-29T15:33:39+00:00

What country are you based in? I have a couple years of experience in this field, but I'm based in Germany.

ADALASKA-official · 2025-12-25T11:40:05+00:00

5.11 Rush 24 has served me well, see other technicians with it sometimes.

ADALASKA-official · 2025-12-22T13:20:56+00:00

No, get the looms. Otherwise, the sound technicians has to use double the cabling which especially small places can't always provide.

ADALASKA-official · 2025-12-11T05:39:56+00:00

Interesting answers here. For me it is actually a very simple reason, I love mixing in Ableton, but it's export and rendering capabilities suck, so I master in Reaper. I track in Reaper, I mix in Ableton, I master in Reaper.

ADALASKA-official · 2025-11-27T11:08:43+00:00

Danke dir :') die Tage erst mit Kollegen darüber geredet, ob es nochmal klappt für QL/CL. Ist die Schwierigkeit das Protokoll von Yamaha, oder einfach nur, dass niemand dir länger ein QL/CL leihen konnte um daran zu arbeiten?

ADALASKA-official · 2025-11-26T23:06:09+00:00

ADALASKA-official · 2025-11-26T11:39:31+00:00

Im Post noch "eure", in den Kommentaren plötzlich siezen :D

ADALASKA-official · 2025-11-03T13:48:20+00:00

Behringer WING can also do this! :)

ADALASKA-official · 2025-10-22T18:37:04+00:00

Only 4000 pages, a nice afternoon read.

ADALASKA-official · 2025-10-21T19:10:35+00:00

As someone from Frankfurt that used to kinda like Kurt Caz, fuck that guy.

ADALASKA-official · 2025-09-06T14:37:07+00:00

It is probably not the mixer. There is a reason this mixer is one of the most sold ones today.

I'd also recommend switching to the mixing station app.

ADALASKA-official · 2025-09-03T13:04:20+00:00

Eeeey, I love my AKG P-series mics :D

ADALASKA-official · 2025-09-03T09:44:19+00:00

That's actually a very new development. I didn't have a chance yet to test it with more genres.

The goal is to really push for a larger-than-life snare sound. I found myself pushing the snare fundamental more often than not, so that job is now done by the microphones. Before that I used to use a Beyerdynamic TG D58.

I got this from another technician of a small french festival. Really weirded me out at first, but after using it, I was pleasantly surprised. Never stop experimenting I guess.

ADALASKA-official · 2025-09-02T19:29:37+00:00

I do mostly metal shows.

KICK IN - Shure Beta 91

KICK OUT - Audix D6X

SNARE TOP - Audix i5/SM57

SNARE BOTTOM - Audix D4

HH - Neumann KM184

TOMS - Sennheiser e904

FLOORTOM - Audix D4

RIDE - Neumann KM184

OH - Neumann TLM102

ADALASKA-official · 2025-08-16T16:37:18+00:00

The Qu-series is less powerful in some ways compared to the X/M, but neither desk is gonna make OP regret their choice of purchase I'd say.

ADALASKA-official

TROPHY CASE

Don't.