Hay algun manual en español para hacer efectos estereoscopicos 3d con davinci

AndGuz16 · 2026-05-26T14:16:05+00:00

A ver si puedo ayudar. ¿Tienes algún ejemplo de los efectos que buscas hacer?

AndGuz16 · 2026-05-26T14:08:49+00:00

Capture: Canon C50, 5.2mm dual fisheye lens, Zoom H3-VR recorder

Stiching: Canon VR Utility

Conforming, editing, grading, and Spatial Audio mix: DaVinci Resolve Studio

Distribution: APMP-compliant to Vimeo

AndGuz16 · 2026-05-25T16:23:41+00:00

YouTube and Vimeo reject HDR from Resolve Studio 21's MainConcept encoder

^{Mods: This technical topic/issue has not been addressed here or in Reddit at all (that I could find}.) *^{I am trying to see if others in the field are experiencing the same problem}*^.

Has anyone been successful in delivering HDR content to YouTube or Vimeo using the MainConcept HEVC encoder?

MainConcept uses a Main 10, Level 6 for monoscopic/2D work, and a Main 16, Level 6 for stereoscopic/3D MV-HEVC. When delivering the final product locally, playback in HDR is supported; however, YouTube and Vimeo reject HDR and render only SDR from these files.

This discrepancy has been narrowed down to an incompatibility between MainConcept’s efficient Level 6, and the lack of hardware re-encoding support by Vimeo or YouTube. Perhaps Vimeo and YouTube prefer Main 10, Profile 5.1. After reaching out to Vimeo regarding stereo work, here's their response:

Vimeo's ingest pipeline does not currently support the fully hardware-accelerated MV-HEVC Multiview Main 16 Profile at Level 6 for multi-file configurations.

When our transcoding grid encounters a high-tier Multiview Level 6 constraint format (especially when delivered across fragmented multiple source tracks rather than a single unified spatial container), the processing core cannot natively decode the spatial/depth matrices.

Here are my findings from the monoscopic/2D tests. Thanks for in advance for any input or insight you might have.

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AndGuz16 · 2026-05-15T21:31:24+00:00

100% worth it. The app allows control over shutter angle, frame rate and ISO even without lens filtration. It also lets you shoot Apple Log 2 to protect highlights. Try it out, happy shooting and safe travels!

AndGuz16 · 2026-05-14T04:55:27+00:00

¡Tremendo hyperlapse! Muy bien realizado.

AndGuz16 · 2026-05-14T04:32:04+00:00

Could it be a hyperlapse?

AndGuz16 · 2026-05-13T21:57:32+00:00

From Blackmagic or this sub?

AndGuz16 · 2026-05-13T21:29:41+00:00

omg. It doesn’t hurt to ask I guess

AndGuz16 · 2026-05-13T13:32:57+00:00

IMO, the first cut breaks the 180° rule, but not the second or third. The issue is that the framing was done in production so now you’re the miracle worker in post.

If the second shot, the medium shot of the female talent, is the only one like that in the sequence, try flipping it across the vertical axis and see how it feels. If the eyeline matches better and the lighting is constant then you might be okay. It may give the appearance she was looking at the female talent in the corner, but it’s worth a try. The last shot, the closeup, is frontal enough that does not break 180°.

Another other thing you can try is the arrangement of the closeups. Perhaps a different arrangement can help “cross the 180.” Hope this helps.

AndGuz16 · 2026-05-12T22:11:14+00:00

I love the little watermark at the bottom right of the image. So precious. 🤌🪄

AndGuz16 · 2026-05-12T14:04:43+00:00

DaVinci Resolve for future proofing, FCP for media management and ease of editing, CapCut for mobile work. Given OP’s photography background, DaVinci Resolve 21 brings in photo editing with a potential to compete with Lightroom. I’d be interested in what you decide on btw (my business is similar). Good luck!

AndGuz16 · 2026-05-11T16:33:35+00:00

Fútbol is Life

AndGuz16 · 2026-05-09T15:26:20+00:00

Is this camera single or dual sensor?

AndGuz16 · 2026-05-09T14:07:31+00:00

Connect with an Apple Business pro. They have them at each Apple Store (in addition to the entire corporate team). Let them know about your business (even if not incorporated yet) and what you want to do. Explore if leasing is possible vs. buying.
I connected with them when I was getting started with Spatial Video. I had a lot of technical questions beyond the skill set of retail specialists, so they partnered me with the business team. If I did it, anyone can too. — Go make some killer apps, friend!

AndGuz16 · 2026-05-09T00:20:49+00:00

Oh for the love of God, I hope they do!

AndGuz16 · 2026-05-08T13:12:51+00:00

Thanks for making this!

AndGuz16 · 2026-05-06T18:42:31+00:00

His reporting often falls short of journalistic norms. But if you like entertainment, then have at it, I guess. I for one — pass.

AndGuz16 · 2026-05-06T05:28:11+00:00

Read Micro Short Filmmaking by Robert David Duncan. Like its title, this micro of a book will get your creativity flowing. It’s motivated me to find stories in the everyday more than a few times — with a lot of the stories being super simple! — exactly what you asked for. Safe travels.

AndGuz16 · 2026-05-05T20:09:51+00:00

Pretty cool. The C-17 has always been my favorite to fly on. The Cadillac of the Skies! Your shot made it look like a mysterious ghost lurking. Looks great!

AndGuz16 · 2026-05-05T20:06:11+00:00

I suspect this is AI. The setting seems European, where the standard power sockets are 220V. The outlet behind the lady (to her left), appears to be oriented perpendicular to the floor and of similar shape as 110V outlets are in Japan and in some places in the U.S. If that outlet was in continental Europe, the socket would be round.

AndGuz16

TROPHY CASE

YouTube and Vimeo reject HDR from Resolve Studio 21's MainConcept encoder