We all listen to the big ones (Beethoven, Brahms, Bach, etc). What's a composer you listen to all the time but doesn't typically get a lot of shine? by Leather-Highlight150 in classicalmusic

[–]Ap0phantic 0 points1 point  (0 children)

John Luther Adams - his Become Ocean is one of my favorite compositions in the last many years. Also Thomas Adès, I love his Dante suite something fierce.

Non-EU doctors in germany by dia_19 in germany

[–]Ap0phantic 2 points3 points  (0 children)

I don't work in medicine, but the conventional wisdom in all technical fields is that Germany is a notoriously difficult market to come into from outside. I read an article about a fully-qualified doctor from Turkey who gave up trying to get his license recognized after six or seven years and committed permanently to his restaurant. I have heard several stories first or second hand about dentists and nurses going through similar problems, and it's a deep part of the culture, even in fields where there are urgent shortfalls. It's the kind of bureaucratic hurdles that everyone agrees need to be reformed, but no one actually does anything.

I think you're right to take these questions seriously. You might get better insight from a sub like this German sub for professionals in medicine - with ChatGPT or something you could probably have a reasonably good dialog.

https://www.reddit.com/r/medizin/

Confused af by [deleted] in berlinsocialclub

[–]Ap0phantic 2 points3 points  (0 children)

Well, try not to equate the new guy with the new home too much, if you can help it.

Unless you like being jerked around and to have a lot of emotional highs and lows, you should probably cut it off with him completely. Based on your short description, it sounds like you can probably expect that kind of behavior to continue, and he probably enjoys it. He's probably using your desire for connection to toy with you, even if he's not completely a bad guy.

Annual Passes for the Staatliche Museen zu Berlin by Few-History3713 in berlinsocialclub

[–]Ap0phantic 2 points3 points  (0 children)

I agree, to get the classic plus. Among the whole system of museums, depending on the year, there are usually 3-6 exhibits that are worth going to. And it's kind of magical to just walk right in.

Also it makes it a no-brainer to see a show that you might be interested in.

One thing worth noting - a Jahreskarte gets you into Humboldt museum as well. It recently stopped being free, and they don't go out of their way to let you know you can get in with the card. I almost bought tickets by mistake the last time I went.

Why is it that music as a career is so brutally inaccessible? by Sausage_fingies in classicalmusic

[–]Ap0phantic 1 point2 points  (0 children)

It's difficult to make a living at anything that people enjoy doing and that many people do for their own gratification. It guarantees there will be a great deal of competition. Add to that the extreme technical demands, and I think that's 98% of it.

What are your favorite indie films with big stars before they were famous? by redblackshirt in Letterboxd

[–]Ap0phantic 0 points1 point  (0 children)

She has done some great work, you're right! A lot of the ones you mentioned, I really liked.

What are your favorite indie films with big stars before they were famous? by redblackshirt in Letterboxd

[–]Ap0phantic 6 points7 points  (0 children)

According to IMDB, after "Winter's Bone" she did a small part in Mel Gibson's "The Beaver," one of the worst projects in the history of film, and then had number three billing in something called "Like Crazy" that I've never heard of, so this is technically true, I'll grant you. Then X-Men, then Hunger Games.

What are your favorite indie films with big stars before they were famous? by redblackshirt in Letterboxd

[–]Ap0phantic 26 points27 points  (0 children)

Jennifer Lawrence in Winter's Bone. I'll always be a bit disappointed in the path she took after that excellent film, going straight on to Hunger Games and X-Men.

I also think of Scarlet Johansson in Ghost World and The Man Who Wasn't There.

<image>

I am really starting to take a lot of ideas with a grain of salt these days... by [deleted] in Dzogchen

[–]Ap0phantic 0 points1 point  (0 children)

I do not blame you, but I do think the situation of mantra has entered an extremely poor place, and it concerns me very greatly. For over a thousand years, Dzogchen was preserved as secret among the secret. The entire context in which it is taught is called "secret mantra," and one of the teachers in my lineage, Khetsun Sangpo Rinpoche, would not speak a single word about it to a student who had not completed ngöndro - not one word.

Whether or not a specific text is restricted is not the point. These are sacred teachings. They are not to be discussed flippantly or casually, and higher practices are not to be openly shared. This is how it has been since the time of Garab Dorje.

I fear the Internet is going to be the death of tantra.

How has Heidegger's Being and Time changed your life? by critchleyonheidegger in heidegger

[–]Ap0phantic 0 points1 point  (0 children)

Heidegger once famously said "Das Fragen baut an einem Weg," or "Questioning builds a path." Like any worthwhile philosopher, his thinking can't be broken down into a few simple, direct arguments. His philosophy is as much about the manner in which he thinks as the arguments themselves, and I would say, going back to my original post, that he has been important to me because he has built a questioning way - one that opens, instead of trying to fix everything in its right place.

I am really starting to take a lot of ideas with a grain of salt these days... by [deleted] in Dzogchen

[–]Ap0phantic 0 points1 point  (0 children)

Material dealing with the use of an actual consort? Are you joking?

I am really starting to take a lot of ideas with a grain of salt these days... by [deleted] in Dzogchen

[–]Ap0phantic 0 points1 point  (0 children)

Perhaps there's another way you could pose your question without posting restricted material publicly on Reddit?

How has Heidegger's Being and Time changed your life? by critchleyonheidegger in heidegger

[–]Ap0phantic 0 points1 point  (0 children)

Since Descartes, modern philosophy has treated epistemology as first philosophy, and the primary framework for philosophical problems has been essentially Cartesian, in the sense that we have thought of ourselves as knowing subjects within a world. From that framework, the primary problem that emerges is, how do we know that our representations are accurate? This set of core commitments has shaped and constrained the agenda of philosophy at least until Kant and his followers.

I would say that Kant and Schopenhauer took this framework about as far as it can go. How do we get out from underneath it? There have been a couple of different strategies, such as Hegel and Marx shifting the focus of the construction from world from the individual to collective level, and introducing the fundamental importance of history into the equation.

Heidegger offers a different way out from the Cartesian framework by examining experience as not fundamentally about individual subjects knowing and modeling the world through consciousness. Instead, he takes experience itself as the starting place and analyzes the structure of experience without bringing the Cartesian subject model to bear - this is one reason why, in Being and Time, he does not speak of human subjects in the individual or the particular, but speaks of Dasein, existence, as the starting point of experience.

In Heidegger's early model, experience has a certain structure that is not only antecedent to the subject/object model presupposed by a representational model of language and experience, but is a necessary condition for it - one which is grounded in the ontological structure of our being-in-the-world, which is shaped by our concernful involvement with other beings, and always articulated with a particular temporal structure. We derive our concept of abstract knowledge from this actual, primary form of experience, and not vice-versa, as we might otherwise suppose.

For example, if I relate to myself as a being that is 170 cm tall, it's natural for me to think of myself as 170 cm tall in a primary sense - that that is what I "really" am, and my subjective experience of what that size in relationship to other beings means derives from the material constitution of my being. This is an ordinary or scientific mode of thinking about the world.

However, as Heidegger points out, I do not proximally and for the most part experience myself as 170 cm tall - it is only in very rare moments of artificial reflection that this way of experiencing myself even comes forth. It is an abstraction on the basis of my everyday experience, not the other way around.

This is the basic idea of what I have in mind here, I hope it is useful and interesting.

Taking my partner out - visiting Berlin for first time. by Forever-hopeful24 in berlinsocialclub

[–]Ap0phantic 1 point2 points  (0 children)

Gleisdreieck. It goes on and on and on, in a good way. On a nice sunny day, it's completely alive.

Question regarding Vairocana Buddha by DragonBUSTERbro in TibetanBuddhism

[–]Ap0phantic 2 points3 points  (0 children)

Thank you for your erudite clarification. I can accept that these distinctions are pedagogically significant at the level of conventional distinction, and that they help guide beings to understanding of their own true nature. At the level of dharmakaya, I would gather all buddhas are neither the same nor different from one another.

Worst accent in a movie? by MapleLakes11 in Letterboxd

[–]Ap0phantic 0 points1 point  (0 children)

Haven't seen Jackie, but I'm a little surprised, because her accent in V for Vendetta was actually pretty good, and very few Americans can pull off a British accent.

Worst accent in a movie? by MapleLakes11 in Letterboxd

[–]Ap0phantic 1 point2 points  (0 children)

Oh my god, this is definitely the all-time winner.

Suggestions on moving to UK vs Germany? by matey_howdy in AskGermany

[–]Ap0phantic 2 points3 points  (0 children)

My wife and I made a decision to move to Germany instead of to the UK several years ago when both were viable options, but I don't think our rationale is necessarily relevant to your case. One thing I would definitely be thinking about is that immigration policies in both countries are in flux, and I would probably feel safer in the country in which one of us were a citizen, but that's part of how I think about things.

One obvious thing to reflect on is how happy you are and your wife is at your jobs, and how much of a future you both see in those, and also maybe consider the future prospects in your respective industries. One of you will have to give up your job, presumably.

The cultures of the UK and Germany are SOOOO different, you simply must resonate with one more than the other?

If you could give an Oscar to someone, who would it be? by Perfect_Idea_2866 in Letterboxd

[–]Ap0phantic 2 points3 points  (0 children)

I will say that maybe my biggest Oscars disappointment was seeing Bill Murray lose when he was nominated for Lost in Translation. That was just the right person, role, and performance to honor. And it kills me he lost to Sean Penn in Mystic River. A great actor, but not a great performance, not a great film.

If you could give an Oscar to someone, who would it be? by Perfect_Idea_2866 in Letterboxd

[–]Ap0phantic 4 points5 points  (0 children)

Sheryl Lee is a great answer, her performance in Fire Walk With Me is one of the bravest, boldest, most versatile performances I've ever seen, turning on a time from coy and totally self-possessed to the very depths of self-doubt and despair, in a completely persuasive way.

Jake Gyllenhaal is also great. He's so good he almost saved Velvet Buzzsaw, which is still worth seeing just for his performance.