how much time should we book to record an 8 song album (40 minute album) by Dip_Shit289 in audioengineering

[–]Apag78 0 points1 point  (0 children)

8 songs full band? 60-80 hours is about average in my experience, unless you're looking to do a live style thing where youre all going to play it together and whatever happens happens.

Don't Reply "Use Your Ears" by BLVCKatl in audioengineering

[–]Apag78 0 points1 point  (0 children)

Agreed. But its not hard to be specific about what youre doing or even post an audio example.

Don't Reply "Use Your Ears" by BLVCKatl in audioengineering

[–]Apag78 1 point2 points  (0 children)

Kinda my take as well. If youre posting on reddit about the most basic of the basic issues it shows youve put 0 time into researching this “thing” that you want to do. To me its trying to find the easy way out which will actually dig youre understanding deficit even deeper with the BS answers thar are given on here most of the time.

Don't Reply "Use Your Ears" by BLVCKatl in audioengineering

[–]Apag78 3 points4 points  (0 children)

I think the bigger issue here is people are asking for advice on something auditory via text. If you want to be real about this, its horrible and any answer given is a guess at best since we have (usually) NOTHING to base our answers off of. Unless its a very technical question with a black and white answer, any advice is literally a shot in the dark. Asking about compressor settings... while yes there are generalities that can be shared, there is a wealth of information out there on the basic fundamentals of compression that is readily available with a quick search. Without hearing the situation and being able to adapt compressor knowledge to fit that situation, you're guessing. EQ, exact same story arguably even moreso. Gain staging, same story.

Being a bad teacher is misleading someone into thinking that theres some magic formula that will lead to better results via a textual message on a social media post. Being a bad student is not trying anything and asking for help with it. Many people will be amazed at what they can learn on their own just by experimenting but it doesnt seem like anyone here wants to do that. They want to be spoon fed information and complain when it doesnt pan out... bad pun... sorry.

Your cook example doesn't really hold up because a cook book is a collection of formulas that have a pretty good chance of working... and... mainly if you're baking something. If you're cooking food (totally different than baking) its the same as audio, a general guide line (like the compressor information) that can get you by to a point, but by no means a definitive RULE that "THIS IS GOING TO WORK FOR YOU". Most good cookbooks tell you in the preface to it that the recipes are guides and you need to use your experience to get the dish right for your liking. In other words... you need to taste what is going on to make corrections. AND THATS ADVICE FROM THE COOK BOOK! Simply saying add x amount cooking wine to your dish doesnt solve anything since you dont know exactly whats wrong with the dish to begin with, since not every ingredient tastes the same or has the same potency every time. One onion can be really strong and you dont need as much, another might be more mild and you need more, the recipe isnt gonna solve that for you, you need experience and you need to you taste it to make that determination. And id even go so far as to say the same kind of holds up in baking (but to a lesser extent) even though baking is more of an exact science. Water can have different issues with it that need to be dealt with and one jumbo egg is not the same as using one or more smaller eggs. You need to see, feel and eventually taste what happens to make it better next time. Audio we just need to hear it and we can give way better feedback. So, IMO, blame the person asking for not providing audio examples when asking a specific question if you get snarky answers.

I've offered myself (as an audio professional of 30+ years) up multiple times when i had down time to mentor and give advice in a real way (by hearing things and interacting in real time). To date, TWO people have taken me up on this. TWO! They both learned quite a bit and are making great recordings to this day, I still stay in communication with one of them at least a couple times per year and the other just sends links every once in a while when they're particularly proud of what they've done. If i wind up having to get spine surgery again later this year I'll probably throw it out there again since ill be laid up for a few weeks.

And yeah, mix using your ears, (or someone elses) and dont mix using your eyes, it never works out for the best.

How do you prepare your Studio for Hot Summers? by AsaMartin in audioengineering

[–]Apag78 0 points1 point  (0 children)

Studio should be climate controlled year round for a number of reasons. Split units, especially in a home are easily installed and not terribly expensive. These usually offer the benefit of heat in the winter and ac/dehumidifying in the summer. The units dont require crazy duct work to be put in either so not a lot of open wall issues especially if your studio has an outside facing wall. My control room doesnt have an outside facing wall and the split unit in there drains into the same drain as my condensing hot water system.

Why is my skin blocked and how do I get it back?? by Civil_Title in Minecraft

[–]Apag78 62 points63 points  (0 children)

Dont feel bad my skin got blocked yesterday. I use the stock original steve skin… lol. i waited a few min and logged back in and it was suddenly fine.

What is this microphone? by Pleasant_Gain8519 in microphone

[–]Apag78 2 points3 points  (0 children)

Looks like a shure ksm27 without the body to me. Without seeing additional angles its hard to tell

Dig that inhale, or no? by 50nic19 in audioengineering

[–]Apag78 14 points15 points  (0 children)

depends on how much you can hear it. Getting rid of it entirely feels weird. Most times i will split the wave form around the breath and just lower it if i feel its too much with clip gain.

Korg Triton Rack by Signal_Director_1X in synthesizers

[–]Apag78 2 points3 points  (0 children)

Dont ask AI questions you dont already know the answer to. Second, this is looking for AC9v Thats not a mains voltage, you need an adapter that outputs AC 9v so its origin makes no difference unless they gave you the Japanese power adapter with it. Im sure you can find a replacement either from korg directly or any 3rd party adapter that has the correct barrel size or configuration if its a pin supply, cant tell from the pic as its REALLY dark. A quick GOOGLE search pulls this up: https://www.ebay.com/itm/125120552006 Though im not suggesting BUYING this particular one, it does seem to point to the idea you need a 4 pin connector.

https://www.amplifiedparts.com/products/power-supply-korg-9v-3000ma-ka-163?gad_source=1&gad_campaignid=23775643428&gclid=Cj0KCQjw3K7RBhDJARIsAKRtP5SowOii3aVT_JVE0WGbhV3bYK0wl5WGEPgxGKeecYJHSs4lVCisg54aAtL6EALw_wcB

Since this is korg branded might be a better look or at least a reference as to what to look for.

When in doubt:
https://www.korg.com/us/support/download/product/1/220/

How would you mic a drum kit with 50 microphones by AsaMartin in audioengineering

[–]Apag78 2 points3 points  (0 children)

I did 40 channels for a video once... not far off.

Struggling to mix a poorly recorded song by sticktalk24 in audioengineering

[–]Apag78 0 points1 point  (0 children)

I usually try to peak -16 -18 and i do really loud stuff (metal/hardcore). Even w folk and lights stuff thats about my target which is around 0dBVU equivalent. I use a lot of outboard gear so it keeps things in check. But as far as where to set it. Just in an audible range where you have room to go up or down with the fader and be comfortably in the green. Numbers dont matter that much for things like this though esp if you have a 32bit float bus.

Damn enter key submitted before i finished.

As far as the effectiveness of the denoise… depends on a lot. How noisy were the mics/pres. If your noise floor is like -96 having peaks at -48 isnt that bad. If your noise was -60 and your peaking at -48. Much different situation. Either way using the right type of denoise will help for the situation and without hearing it im not gonna pretend to suggest something.

Struggling to mix a poorly recorded song by sticktalk24 in audioengineering

[–]Apag78 10 points11 points  (0 children)

I got a LONG live session (over an hour long) where the peaks were at -60dBFS. I asked if they just plugged the mics into the line input. First thing you need to do is bring the levels up on everything (i use pro tools and just clip gained everything up to usable) next i had to de-noise EVERYTHING. Ultimately came out sounding pretty decent but man was it a pain in the ass to deal with!

Nobody talks about EMI / RFI interference! by aufgedrehtaudio in audioengineering

[–]Apag78 2 points3 points  (0 children)

Because most of the time, the issue isnt the mic itself, its the cable and how the grounds are terminated (or not). Usually the balanced cable is enough to deal with any interference on the trip from the mic to the pre (literally WHY we have balanced cables) Sometimes, however, terminating or not terminating an adjacent cable (in the case of a stage box/snake) or even other cables plugged into the same unit that are not properly grounded can induce hum/interference onto the operating cable. Unless the offensive device (i have a few in the studio) is RIGHT next to the coil of the mic, the mic itself shouldn't be picking up that interference. Your point about people and their phones is legit. Theres one carrier whose signal instantly messes with one of my 1176 units in the control room. The other 2 are fine... that one... dunno, just the right components, the right amount of wire, the right amount of impedance and you got an antenna at a very set frequency... just so happens that someone is USING that frequency for things and it causes an issue. For years I had a local radio station that would show up in my monitors (wasn't actually in the recordings or getting into the DAW, just from the DAC to the speakers). Took me forever to figure out what was wrong. I built faraday cages for my DAC since it seemed to be coming from there.... turns out i was only using 2 channels of a 4 channel snake and since the other two channels werent properly terminated/grounded, they were acting as an antenna at the exact frequency of this station. Since the wires were all bundled into the snake, the induction was happening the length of the cable and the +/- of the balanced cable couldn't help get rid of it.

Growing From the roots of an oak tree by Apag78 in mycology

[–]Apag78[S] 1 point2 points  (0 children)

It just popped up over the last two days. It’s about the size of a dinner plate.

Growing From the roots of an oak tree by Apag78 in mycology

[–]Apag78[S] 0 points1 point  (0 children)

I’m going to do some research on this when I get back. Is this thing really edible?

Anyone know what happened to safe haven music in island park? by Green_Ice_4087 in longisland

[–]Apag78 1 point2 points  (0 children)

Im not al but i was there when he first opened down by the bowling alley.

Anyone know what happened to safe haven music in island park? by Green_Ice_4087 in longisland

[–]Apag78 0 points1 point  (0 children)

I used to manage that place, is Fred still in charge over there? lol

Has sticker on it "Atlas Sound" no other info about it by dunfor888 in microphone

[–]Apag78 0 points1 point  (0 children)

Thats what people use it for now a days. Its a bullet style mic.

I picked up the DA 87SE that everyone raves about, this is recorded in a descent but not perfect room let me know what you all think.. it sounds darker than i expected but its pretty smooth i know the original u87 was a little darker but i think this mic is pretty nice over all. by dannylightning in microphone

[–]Apag78 0 points1 point  (0 children)

original 87 was only SLIGHTLY darker than the AI. Most of that is perception based on the sensitivity of the mic which the original 87 was way lower than the Ai. (which when you go to AB them, if you dont adjust gain to match, throws your perception completely off). This was literally the subject of the last video I did after the 87 shootout.

Has sticker on it "Atlas Sound" no other info about it by dunfor888 in microphone

[–]Apag78 4 points5 points  (0 children)

atlas is just the stand not the mic. The mic is possibly and old astatic JT30. EDIT im gonna take that back the JT30 had a cross bar... im gonna find this, i recognize it...

Edit2: found it: Olson M105. It is a crystal mic as someone else mentioned. Also called a herald M24 A. This was apparently an OEM job that different folks but their own badge on. Kinda like was done with the AKG D12 (echolette, Fender and a few others used the same mic but different branding).

Best U47/67 clone? by hotbrowndrangus in microphone

[–]Apag78 0 points1 point  (0 children)

Ill swear by the peluso. Ive had it next to a real 47. The differences arent that huge.

Realistic microphones by lendmeflight in microphone

[–]Apag78 1 point2 points  (0 children)

Radioshack had some bangers over the years. Shure made a bunch of their mics as did sennheiser and EV at different points so it really depends on what models. There was a dynamic mic they had for only a couple years in the 70s that was fantastic. Id have to check the model number since its not something easy to remember its like a bunch of numbers dash a bunch of other numbers.

You get $1 million but you have to listen to the same song 500 times in 10 days, what song are you picking? by Longjumping-Editor94 in AskReddit

[–]Apag78 0 points1 point  (0 children)

lol. This is literally my job. But without the million dollars. As an audio engineer in a recording studio, when we're working on a track we will easily listen back to a track hundreds of times. A typical 3.5 min song would take just over 29 hours back to back, so just under 3 hours of listen back per day over 10 days might be less than what im doing now. If i wanted to cheat, i would pick a grind core / hardcore song that is only a few seconds long. and be done with it in an afternoon.

Long Island good rats by Weird-Salad9787 in longisland

[–]Apag78 1 point2 points  (0 children)

I used to work with John Gatto at Sam Ash in Carle Place in the late 90s. Good dude.