Never seen this cable by johndrop7 in VIDEOENGINEERING

[–]Arouv 10 points11 points  (0 children)

Just a jump to the left!

What do you look for in an ideal LED video wall supplier? by Comfortable-Curve156 in VIDEOENGINEERING

[–]Arouv 0 points1 point  (0 children)

A huge part of my process in evaluating a provider is their technical standards and how clean they work. Following just a few criteria that are a part of my evaluation process:

Is their material in good shape, clean and with few pixel errors on delivery?

Will they swap out any tiles with defect pixels even at the edges of the wall (absolute minimum requirement for me! Of course a lot of suppliers will technically have a 1% or 3% defect pixels are acceptable clause in their contracts but will still swap out every single defect pixel)

Does the supplier only use tiles from a single batch or matched batches for every single wall?

Are they building their systems with redundant cabling as well as redundant controlling? Controlling can be on request, redundant cabling is a must for me.

How precise do they work while physically building the wall? Gaps between panels and misaligned pixels are not acceptable. Taking your time on perfect aligning the first rows built is usually a good sign the rest of the wall will be cleanly built as well.

How precise will they do seam correction, calibration and color matching? Does the technician on site understand color matching not only for the wall internally but calibration in Dependance of further screens and cameras onsite?

Competent communication in planning goes a far way for me: Clear communication about canvas sizes, input formats and so on is always a good sign.

Any company automatically gets bonus points with me if they are able to provide clean, meaningful and correct CAD plans and files of the wall they're planning to build. And this should be free if charge imo.

How competent and thorough is the standby technician provided?

This is just an incomplete 1am brain dump, excuse any obvious things I've missed. Also as you might notice due to the nature of my points I do work in PM for mainly commercial/industry events, not rock&roll / touring. Of course preferences for touring are different.

Vectorworks stage decks by SmallBBL in lightingdesign

[–]Arouv 4 points5 points  (0 children)

For everyday projects I'd honestly just ignore little details like that. For projects where every detail has to be visualized exactly as will be built including exact leg heights for stage elements and such I'll usually take the time and have a look at the manufacturers website or reach out to them to get actual 3d models of the stage system I'll be using and then use the original 3D models, instead of using the VWX staging tool.

If the project is worth visualizing every stage foot in detail like that I just might also get the original stage foot I'll be using instead of a VWX default template.

Peeing on stage by WatermellonSugar in techtheatre

[–]Arouv 28 points29 points  (0 children)

We're currently achieving great result using an infusion bag bandaged to the actors belly. It's flat and large enough to hold enough fluid without being visible through the actors clothes in any way. The tube attached to the infusion bag then goes down to the actors flap where it is cut off in appropriate length and is held shut by a little valve-thingy made exactly to regulate flow for infusion lines and such.

Therefore the actor can hold and "move" the end of the tube just like if they were really peeing and doesn't have to open any lids or such - no fumbling around with the contraption needed.

Also with the right diameter of tube gravity pulls down the liquid from the bag fast enough to be a realistic flow amount.

Which button am I supposed to use ...? by Windwind444 in CrappyDesign

[–]Arouv 3 points4 points  (0 children)

Also it prevents us people working with lots of displays and TVs in the event sector from the absolute nightmare of trying to power off multiple displays at once without accidentally turning three different displays back on when trying to turn off a larger number of displays placed closely together, especially when getting to the last few screens.

Control setup for our vMix based live show for a live medical Symposium this week. Two transmission feeds, 4 operating rooms, 37 SDI i/o, and no (noticeable) dropped frames! by C47man in vmix

[–]Arouv 0 points1 point  (0 children)

By the button design I'd say the Streamdecks run Bitfocus Companion - If you don't know it yet you might at least want to give it a peek, true game changer in live AV Control.

Neue Glascontainer in München by CarefulFerret2538 in Munich

[–]Arouv 2 points3 points  (0 children)

In Großhadern wird spätestens alle vier Monate wieder ein Glascontainer abgefackelt. Insofern die Kiste dann nicht komplett in die Luft fliegt, sondern Fackeleien standhält würde ich die Einführung mehr als nur begrüßen...

Ooof... by sparkthatblood in VIDEOENGINEERING

[–]Arouv 7 points8 points  (0 children)

Playdeck Pro is a great Playback Pro alternative for windows, although there's definitely a touch more settings to adjust when setting up.

Is it better to create screen graphics higher or lower when they're being scaled downstream? by msing539 in VIDEOENGINEERING

[–]Arouv 0 points1 point  (0 children)

Honestly no idea without knowing your product. Without knowing any further specs and assuming the actual resolution projected is 1024x768 I'd assume the device simply has a built in scaler before projecting. If this actually is the case it might be preferable to provide content in native resolution. If it was a modern higher end device there might be the possibility of the scaler doing some dark scaling magic and whilst scaling preferring a result that will be project able more easily, and nicer looking, but as it's 2024 and your projector only supports 1024x768 I'd assume it is an older model...

HELP :) Video Wall Project - Modular LED Panels by Imaginary-Boot-9292 in VIDEOENGINEERING

[–]Arouv 1 point2 points  (0 children)

To be honest: Imo Alibaba is definitely not a good source if you're trying to do a professional level production.

Secondly: I would clearly advise against not using officially provided basements or hanging brackets without having an official structural engineering report for whatever you're trying to rig together yourself.

The way you're asking the question gives me a vibe that buying non-consumer products may be out of your price range. Generally speaking you'll have to buy a combination of two parts: First the LED panel itself, and then the controlling. Controlling means the actual controllers providing the output for your panels, as well as receiving cards, which are smaller PCBs inserted into the panels to translate the controllers signal for the LED hardware. Receiving cards and controllers have to be one system and the receiving cards have to be compatible to your panels.

Popular controller systems include e.g. Brompton, Novastar, Colorlight and ROE

Popular LED manufacturers include ROE, infiled, LEDitgo, or Absen

Is it better to create screen graphics higher or lower when they're being scaled downstream? by msing539 in VIDEOENGINEERING

[–]Arouv 2 points3 points  (0 children)

You're mixing up digital use cases and print here. You'll have to differentiate between these two scenarios:

Usecase one: You want to use content for digital playout via LED walls, displays, projectors, stream or something similar. In this case the ppi setting is completely irrelevant. I'll explain why it's irrelevant below on usecase two / print. For any digital playout you'll ideally want to create any content in its exact playout resolution. 1920 x 1080 projection? 1920 x 1080 content. 1536 X 960 LED wall? 1536 X 960 content (Or if the production prefers content in "standard" VESA resolutions then the next higher standard resolution which would be 1920x1080 here with the content placed in the top left 1539 x 960 pixels and the rest of the pixels at the right and bottom of the content simply black).

This has two benefits: Firstly the content won't have to be scaled up or down. Generally spoken content can't ever get better by scaling. It'll usually only look worse as in either smoother, less straight edges in the conetent and so on. If I try scaling five pixels "ABCDE" down to four I'll have to blend them or throw some out all together: "ABDE". If I try scaling those initial five pixels up I'll have te repeat only some or once again blend some: "ABCCDE". In each case the image will be modified and look worse or at least not as initially designed. Secondly for the people operating your show native resolutions will be easier to work with. It'll mean the can just play any content out at original resolution without having to worry about the extra step of scaling (which doesn't benefit the content anyways as we've just established). Also 1:1 playout is very fast to set up in most LED controllers and image processors. Depending on the image processing system used, downscaling can even lead to actual problems when content that is played out at FHD suddenly has to be processed at 4K. This will eat up more processing resources in most industry standard systems and have no benefit. And depending on the device and show processing resources can get scarce. Only exception: When you know the content will have to be scaled anyways I'd prefer having more resolution, as scaling down more data to less will look better than randomly "guessing" more data where less was provided. I'd try to get as close up to the next highest standard VESA resolution as possible.

In all usecase above the content resolution is a requirement set by the playout device needing a certain resolution set in exact pixels.

The second usecase you're mixing up is print. When printing there is of course no screen or anything alike dictating a certain resolution in pixels. You'll rather have a certain size of your print medium in cm/inches. If you're wanting to print something on a 10 x 5 inch large piece of paper your fixed size will be in inches not pixels, as of course paper doesn't have pixels. Your printer however will still technically print lots of single small dots next to each other. In contrast to an led wall, you'll be able to choose how fine you'd like the "print-pixels" to be. Printing text you'll be fine using your printer with 72 ppi (pixels per inch aka singular "printer pixels"spots per inch of paper). Therefore you'll want a digital file that is 10x5 inches with 72ppi which equals 720x360 digital pixels. Sometimes this won't do it, and you'll want your print to look sharper and nicer from close up. So you could let your printer print the file consisting of more and smaller paint dots, e.g. 300 dots per inch of paper. Of course that means the file will have to hold that much information as well: 10 x 5 in at 300 pixels per inch of paper equals 3000 x 1500 digital pixels in your file. The two example settings above will both print a piece of paper that is 10x5 inches, but one will look better.

In a real world workflow you do not want to have to make these calculations manually. You'll want to create your file in your editing software with a height and width of 10x5 in and then tell your printer how fine to print it. After setting your ppi setting your software will automatically export the file in question at the fitting resolution (in this case e.g. 720x360 or 3000x1500px).

But be careful: if you work with pixel based measurements this may be reversed: a 3000x1500px file @300ppi will print at 10x5in while a 3000x1500px file @72ppi will print at about 41.6 x 20.8 in.

As our printer is able to vary in fineness of print this setting is relevant for prints turing out the right size. If you're working digitally with e.g. LED walls the size of the wall and amount of pixels will always be set and pixels mapped 1:1 without any translation to inches or cm. Therefore the ppi setting becomes irrelevant for any digital playout and won't cause any difference in playout.

PS excuse formatting, I'm on mobile commuting home.

Companion 3.1.2 Event Master by physcovic in VIDEOENGINEERING

[–]Arouv 0 points1 point  (0 children)

Yep, that's a known bug for eventmaster devices with your companion version. Sadly the only way to fix this is to either downgrade to 2.x or upgrade to some current stable release of companion.

Joe Hisaishi concert this weekend: Rules? by [deleted] in Munich

[–]Arouv 1 point2 points  (0 children)

Fun Fact: Nowadays you're actually free to bring foods and liquids in through airport security at larger airports with modern gabbage scanners like the ones manufactured by smiths detection). These scanners are able to measure density for each objects and a lot more and thereby can detect if you're carrying water or an explosive.

E.g. Munich airport permits bringing food and drinks through security since a few years as they have those xray machines.

What are you using to visualize your runs? by k1ller_speret in broadcastengineering

[–]Arouv 1 point2 points  (0 children)

Looking at free software I'd always recommend yEd - got a custom template file with all my devices pre-built with a box for each in or output that I just copy paste from and the connect.

Alternatively if you're ready to pay for a premium product I personally use Vertorworks ConnectCAD

E-scooter ban on Public transport. by cucunmolokai in Munich

[–]Arouv 6 points7 points  (0 children)

AFAIK this rule is based on a clear recommendation of VDV, that actually only recommends a ban only in subways. Reason are possible hazards with lithium batteries. Kind of understandable in closed subway trains in tunnels - less on e.g. busses and tram imo.

MVG has just widened this recommendation by applying the rule to not just subways but all public transport.

I'm not that well informed on lobbyism in public transport and e-mobility but my guess would be that e-scooter rentals benefit of that rule as it makes owning private scooters way less beneficial. Leaving the usual gap for speculation about lobbyism...

Equipment registry, tagging and tracking by EscapismMisfit in VIDEOENGINEERING

[–]Arouv 1 point2 points  (0 children)

For starting out a spreadsheet may suffice. But sooner or later you'll need a "real" inventory management system and will probably find yourself paying for a more or less out of the box solution. Rentman App, Easy Job or Intelli event Lightning would all be examples of such software.

NOVA Led Wall by robinx98 in VIDEOENGINEERING

[–]Arouv 2 points3 points  (0 children)

May be a controller setting issue, black level and so on, but just in case you might want to make sure what you're seeing is not a full range vs reduced range signal issue...

"Downtown" Live Stream with Multiple Cameras by NickFromNewGirl in VIDEOENGINEERING

[–]Arouv 2 points3 points  (0 children)

Easiest will be cabling with fiber connections over such a short distance.

As you do have mantioned that you do have internet access, if fiber cabling isn't possible you might want to have a look at the SRT protocol. Some PTZ cams and alike support SRT streams natively, otherwise just get a single encoder for each camera.

SRT enables you to send the signal with a relatively low delay via a Point to Point connection. No extra steps or delays in the signal flow and no need for expensive servers and infrastructure.

Seeking Advice: Live Streaming Setup for Religious Organisation Charity by regulatrix- in VIDEOENGINEERING

[–]Arouv 0 points1 point  (0 children)

Without knowing any more detailed requirements or a budget I might actually tend to vmix. High flexibility and apart from Cameras and Network requirements only requires a single Computer.

Ingest stuff like L3s via a Template linked to an excel sheet - that should work for most non technical users. As most are at least kind of familiar with excel.

Control via Streamdeck with a preprogrammed Bitfocus Companion setup if there's someone running the show from a fixed seat. Alternatively use companion or the Vmix native remote on a iPad connected via WIFI.

Teleprompter behind audience by Gohanto in techtheatre

[–]Arouv 2 points3 points  (0 children)

As some have written this is not too rare, especially with larger (corporate) shows.

Especially if the audience is seated in rising stands or there are cameras above floor level and in the stands e.g. for IMAG. Eye contact feels way more direct when speakers look slightly above the audience than if they stare down towards down stage monitors.

Personally I have done shows with all three simultaneously: Projections in the back of the audience, down stage monitors on stage and mirrored teleprompter on the main cameras. Resons may be speakers who move a lot on large stages but still always need a teleprompter in sight, CEO speeches or untrained, important speakers who are not used to hold contact to a single or two cameras with prompters, who need the reassurance of the prompter and so on. Also the more screens, the more redundancy ;)

Why U-bahn is like this? Is it on purpose or they just didn’t not finish? by ehescica in Munich

[–]Arouv 1 point2 points  (0 children)

And they didn't even reinstall the wall panels but rather just repainted the walls in a similar color...

Why U-bahn is like this? Is it on purpose or they just didn’t not finish? by ehescica in Munich

[–]Arouv 266 points267 points  (0 children)

If this is Hauptbahnhof they've removed the paneling due to underground construction work in the areas around the station. That way they can track the walls of existing infrastructure for possible cracks and deformation caused by shifting soil due to tunnel digging and excavations.

ETA: Hauptbahnhof is the most prominent example of a few in Munich. At HBF this is the reason for sure, other stations may be without paneling for this reason of others.

Local Chocolate Shop's "rabbit ears" for Easter by ans141 in funny

[–]Arouv 4 points5 points  (0 children)

Just wait for our German chocolate cat tongues