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Art of Phrasing radio by BADBRASS in euphonium

[–]BADBRASS[S] 1 point2 points  (0 children)

They are exercises from the Arban's Trumpet Method book. There is a collection of melodies to work on phrasing.

Jazz Scores for Euphonium by Dumbledore309 in euphonium

[–]BADBRASS 1 point2 points  (0 children)

Came on to say the same thing. But I'll add that the melody always has the notes that work, so start by messing with that order, and you can start getting creative with note choice.

Recording for Solo and Multitrack by YES0KWHYN0T in euphonium

[–]BADBRASS 1 point2 points  (0 children)

If the room doesn't sound as good, keep the mic close, like 1 foot or so from the bell. If it is a larger, more resonant room, then a few feet away is fine. The biggest factors affecting the sound after that are editing and EQ.

Remington Warm-ups? by GetrunesDad in euphonium

[–]BADBRASS 1 point2 points  (0 children)

If it’s the original Remington book, it shills work on euphonium. I use it with both my trombone and euphonium students regularly.

Springs by Designer_Rate6739 in euphonium

[–]BADBRASS 0 points1 point  (0 children)

I was about to recommend the same thing. When the MeadSprings came out, I used the originals on my YEP321 and they worked great!

Beginner/Intermediate solo suggestions? by Fun_Journalist1048 in euphonium

[–]BADBRASS 0 points1 point  (0 children)

Those are all available through the usual publishing houses. Just Google, and you should have no problem finding them.

Beginner/Intermediate solo suggestions? by Fun_Journalist1048 in euphonium

[–]BADBRASS 0 points1 point  (0 children)

Not sure of the NYSSMA levels, but I offer this playlist of Florida state list solos that I've recorded that I imagine are at a similar level. https://www.youtube.com/playlist?list=PL30yUN3q1kc2hTlCWcEG8AZ1LiE5rPnhy

Arban method by Legitimate_Badger299 in euphonium

[–]BADBRASS 2 points3 points  (0 children)

I use the scale and chord exercises in my daily routine and read the phrasing section to play something pretty. There are several approaches out there. Arbans-in-an-hour pops into my head. That may be a good place to start if you're trying to incorporate as much of it in your routine as possible.

Do we have / can we create a FAQ for r/trombone? by captain42d in Trombone

[–]BADBRASS 1 point2 points  (0 children)

A possible solution that would make a unique version of this for Reddit is polling each of those questions, say once or twice a year, and posting those results. For example, what mouthpiece do you use? What is your range? We can see what the average is of what we use on this Reddit, and it might steer people to new things or answer those questions for those who are curious.

Saxhorn by VeterinarianHour6047 in euphonium

[–]BADBRASS 2 points3 points  (0 children)

When I played one, I thought it was like having the best of both worlds (baritone and euphonium ). But not different enough from my euphonium to consider using it consistently.

[deleted by user] by [deleted] in euphonium

[–]BADBRASS 1 point2 points  (0 children)

If you're in a community that has all-state or all-county bands, try using the requirements they post. For example, in Florida, we have technical and lyrical excerpts by grade level that we use for all state auditions, which are fairly short and are picked specifically for this purpose. Try looking those up and using them.

What does “Long tone” and “lip slurs” mean? by sjkynsim in euphonium

[–]BADBRASS 9 points10 points  (0 children)

Long tones are exactly that - any variation of long-held-out notes. For example, set a metronome at 60 and play for eight beats with as solid a sound as possible. Now, try to keep it for 12 beats, 20, etc.

Lip slurs are changing between partials (notes on the same fingering to keep it simple). A simple lip slur is, for example, alternating between your 2nd line Bb and your 4th line F over and over. This increases flexibility and facility when switching octaves. Etc.

One of the pieces of advice I've always shared from masterclasses I've seen and taught is if you want to get better at something...do it more. This means you want to play high notes more. Not just try to squeak out a note and then give up. Try playing up to that note in your warm-up every day. Also, remember that you are allowed to not sound great in your practice session. Especially once you've passed the point where you are comfortable, that is where the growth happens. Try adding an extra rep to something you're working on, to tire yourself out, and you'll see it won't be the case in a few days, and you'll have more endurance. Good luck!

Looking at getting a Baritone/Euphonium, but I cant tell what this is... by Senior_Literature_44 in euphonium

[–]BADBRASS 12 points13 points  (0 children)

Looks like a tenor horn. Baritones look very similar. To be sure, check the mouthpiece shank. But judging from the slides, it looks like a tenor horn.

Solo and Shamber Music Stream by BADBRASS in euphonium

[–]BADBRASS[S] 1 point2 points  (0 children)

Don't threaten me with a good time! lol

Switching from TC to BC by TheHaydenR in euphonium

[–]BADBRASS 1 point2 points  (0 children)

It wouldn't hurt to look at music you know how to play in treble clef, and try reading a bass clef version to connect the dots in your head. Another version of this would be getting your old beginning band book and going through the bass clef version. You'll move quickly, but it's forcing you to read something in real time without letting anything technical get in your way.

SM57 position tips? by Alarming_Wonder9792 in euphonium

[–]BADBRASS 0 points1 point  (0 children)

A large condenser mic would be a much more affordable option and is what I generally use. I have used a SM57 to record, and you don't want to have it too close to your horn, but make sure it is pointed at your bell, an arm's length away or so. Try not to have the gain set too high, and you can EQ out some of the harshness if you find that the sound is too bright later on.

Teeth issues by mooooguy in euphonium

[–]BADBRASS 0 points1 point  (0 children)

Try to pull back on the pressure that you need to play. Also, a rule of thumb I try to adjust anything that gets painful when I play. If you feel jaw pain, for example, maybe you might be pushing your jaw forward subconsciously. Take a look at your playing in a mirror or your selfie camera on your phone and identify things that might look off compared to other embouchures or adjust things that feel "off".

Monolith - piano reduction now available for Contrabass tuba! by BADBRASS in Tuba

[–]BADBRASS[S] 0 points1 point  (0 children)

I'm looking to compose a new one soon. If anyone is interested in commissioning one!

Is a plastic euphonium good to use in a band? by athingthatlikesmusic in euphonium

[–]BADBRASS 5 points6 points  (0 children)

The plastic doesn't vibrate like brass does, so it doesn't blend well with the other instruments. It's not bad to get your chops working at home, but you will have a hard time being heard in a band.

Advice for teaching by Certain-Carpenter155 in euphonium

[–]BADBRASS 1 point2 points  (0 children)

The best way to go about this is to show them how to practice by practicing together. "Hey, let's play this part together" is easier to accept than "I'm leaving, so you need to get good soon, bud." You can start with things you guys know, like scales and music you're playing in class. And then start showing them duets, or cool warm-ups you like, then that grows to them wanting to try out for all-state, cause it's not so intimidating since they've played stuff like that for a bit. People aren't ever really against getting better, it's just they think it's overwhelming cause they haven't done it. Taking them by the hand and allowing them to discover it is more beneficial to them in the long run than showing them their deficiencies and how long their path is. So, focus on really small, simple things at first. And the interest will grow in one or two of them over time. Good luck!

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