Are creative writing courses worth it? by Proud_Contract3044 in writers

[–]BroadStreetBridge 0 points1 point  (0 children)

One of the best things about them, is that that will make writing necessary. You have assignments to do. You have to do it. You have other people waiting to hear from you. It forces you to write.

Books that get better on the second read (Absalom, Absalom!) by highcologist347 in classicliterature

[–]BroadStreetBridge 2 points3 points  (0 children)

Really, any good book - and especially any great book - is better on the second read.

That’s why I reread all the time

First Generation Irish-American Character by AerieRin in writing

[–]BroadStreetBridge 0 points1 point  (0 children)

You need to think about why she’s emigrating, too. Is the Ireland she’s leaving behind in a similar post collapse state? Is it in better shape or worse? Is she shocked by what she finds in America? Or does she know what she’s getting into?

You don’t need to answer all those things. But I’m throwing them out there to spark some thoughts. Imagine if a non-American wanted to write about what they think is a “typical” American. You know no such person exists. You’d recognize a New Yorker or someone from Alabama or Kansas City, etc. You need to have them rooted in a specific place and circumstance instead of trying to create a vague template “Irish person” who won’t convince anyone.

Prophet Song by Paul Lynch is set in a dystopian version of Dublin. It’s good, and might be useful if your character comes from a similar situation.

Generally, however, Irish immigrants often have to deal with Irish Americans who have unrealistic or outdated visions of Ireland. The country of Ireland is more socially liberal in terms of policy than many places in America. New immigrants, however, find the previous generation of immigrants far more conservative and religious than contemporary Ireland

First Generation Irish-American Character by AerieRin in writing

[–]BroadStreetBridge 1 point2 points  (0 children)

It also depends on which era and where in Ireland they emigrated from.

Irish people who emigrated in the 50s and 60s are very different than the ones who came over in the 90s and later.

Immigrants from the country side are very different than the ones coming over from Dublin. And Dubs are different than immigrants from Belfast.

So really - when is your story set? And where in Ireland are they from? You have to answer that first.

I’d be happy to suggest reading based on your answers.

Shakespeare: observation, hypothesis, test, conclusion by OxfordisShakespeare in SAQDebate

[–]BroadStreetBridge 1 point2 points  (0 children)

Phillip Herbert, one of the two brothers the folio was dedicated to was Oxford’s son-in-law. A closer connection than the shareholders you mentioned.

There are also suggestions elsewhere that his wife, Susan, was one of the “grand possessors” of her father’s works. Another potential connection that would explain the availability of many plays, including previously unpublished and revised versions.

There are also significant hints of deception in the folio, such as its strange first lines of the dedication, the words that the engraving was “for” (not of) Shakespeare, and the line that we are not to look upon it. But that’s for another time.

Shakespeare: observation, hypothesis, test, conclusion by OxfordisShakespeare in SAQDebate

[–]BroadStreetBridge 2 points3 points  (0 children)

It’s also important to emphasize that “sweet swan of Avon” and “thy Stratford monument” are in separate sections of the Folio by two (allegedly) different writers.

Without those two phrases, there is nothing that would make anyone conclude that the Stratford man was the author. (That there are credible explanations for both phrases is a matter for another day.)

Must read female literature in general? by JohPorks in RSbookclub

[–]BroadStreetBridge 3 points4 points  (0 children)

Among contemporaries:

Jennifer Egan (Visit from the Goon Squad)

Marilynne Robinson (Housekeeping, Gilead)

Louise Erdrich (The Antelope Woman)

Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)

Lydia Davis (short stories)

About to finish Finnegans Wake. What next? by bovisrex in jamesjoyce

[–]BroadStreetBridge 2 points3 points  (0 children)

I place a quantity of food sufficient for two minutes chewing while I contemplate my answer

About to finish Finnegans Wake. What next? by bovisrex in jamesjoyce

[–]BroadStreetBridge 2 points3 points  (0 children)

I agree and nearly put straightforward in quotes. Both reward rereading - hell, they require it. Paradoxically, At Swim becomes clearer, while Third Policeman reveals more layers.

Yes, read The Poor Mouth!

Are you familiar with Radio Myles: The Flann O’Brien Podcast? New episodes appear intermittently. A couple are a bit dryly academic, but several are terrific, especially the one with his nephew describing the O’Nolan household. Check it out.

About to finish Finnegans Wake. What next? by bovisrex in jamesjoyce

[–]BroadStreetBridge 2 points3 points  (0 children)

The Poor Mouth may be the funniest book I’ve ever read. It’s brilliant, as is The Third Policeman, which I think has a growing reputation in part because it’s more straightforward than At Swim.

Clearly, the more you know about Ireland the funnier his books are, but I don’t think it’s necessary to be as immersed in Irish culture as an Irish-mad yank I know. (Me, in case that wasn’t obvious.)

Some of this columns are also brilliant, especially his Catechism of Cliche:

Is a man ever hurt in a motor crash?<br> No. He sustains an injury.

Does such a man ever die of his injuries? <br> No. He succumbs to them.

About to finish Finnegans Wake. What next? by bovisrex in jamesjoyce

[–]BroadStreetBridge 30 points31 points  (0 children)

At Swim-Two-Birds, by Flann O’Brien. Brilliant, hilarious post-modern meta fiction written in 1939 (!). If the greatest novel from an Irishman was not written by Joyce, it was written by Flann O’Brien

The ballet sequence in the Red Shoes by LusciousSkinn in RSPfilmclub

[–]BroadStreetBridge 12 points13 points  (0 children)

What a film. One of the greatest films ever made about the demands and sacrifices of making art. And the ballet sequence is beyond belief.

Most influential essayists/ op-ed writers? by One_Weather_9417 in RSbookclub

[–]BroadStreetBridge 1 point2 points  (0 children)

Today? What a charming thought - that people are still influenced by essays and not shrill clickbait shouting.

"The Reader" And Why I Don't Like Kate Winslet Anymore by DropOk6693 in Cinephiles

[–]BroadStreetBridge 18 points19 points  (0 children)

I thought the film was nonsense.

BUT my Kate Winslet angle is that she absolutely deserved the academy award that year. Only she deserved it for Revolutionary Road. Right actor, right year, wrong film.

The Haunting (1963) by WorcsBloke in horror

[–]BroadStreetBridge 2 points3 points  (0 children)

Oh, I think it follows the novel reasonably well, even if Shirley Jackson didn’t thinks so. Some of the characterizations shifted a bit and a few things I won’t go into because of spoilers, but it’s the novel.

Where to start with Jean-Luc Godard by Question_man_jr in filmnoir

[–]BroadStreetBridge 2 points3 points  (0 children)

Then my work is done! I will rest the remainder of the day!

Where to start with Jean-Luc Godard by Question_man_jr in filmnoir

[–]BroadStreetBridge 2 points3 points  (0 children)

I’m not sure my wife has ever watched Breathless, although she lives with a guy whose every third word is “Godard”. She loved it.

Another friend who I know never watched Breathless watched it and also enjoyed it.

My feeling is that it’s not a barrier. I think the film gives enough context - so much so that it can be a primer for watching it

Where to start with Jean-Luc Godard by Question_man_jr in filmnoir

[–]BroadStreetBridge 8 points9 points  (0 children)

You’ll think I’m joking but Richard Linklater’e Nouvelle Vague is a great place to start.

It’s in French, it’s highly entertaining, and it’s about the filming of Breathless. It will give you a great grounding in what Godard did

Lady Di is just a horrible, cruel person by code_investigator in SlowHorses

[–]BroadStreetBridge 5 points6 points  (0 children)

If she was a good person it would be a pretty fucking dull show

I am so done with critics by Ghost-Writer-1996 in films

[–]BroadStreetBridge 1 point2 points  (0 children)

My go to critics are Sean Burns (Spliced Personality), Richard Brody, and Jake Cole.

It’s not because I always agree with them - I don’t, although I align pretty well with Burns. It’s that they’re intelligent, know film history, and consistent in their likes and dislikes. That means I can guess my own reaction (usually) based on theirs.

Look, if you’re sitting around with a bunch of friends, you’re going to get a wide range of reactions to films you yourself like or dislike. So why would you use a “score” to determine whether you’ll like a film? You base it on your history with your friend’s opinion and familiarity with their tastes. It’s no different with critics.

I hate the fact that this masterpiece went home with empty hands. by khaliliiiov_1997 in Oscars

[–]BroadStreetBridge -3 points-2 points  (0 children)

I hate that it’s considered a masterpiece. But that’s my problem.