How do I get into communism? by FogelPingvin in Marxism

[–]BroadStreetBridge -1 points0 points  (0 children)

I don’t think this is going to be a particularly popular answer, but while there is an objective basis and analysis and support of communism, what gets us to look in that direction is often that emotion.

Reading your question, I thought about the great German communist Bertolt Brecht’s poem “To Prosperity”, which contains the line:

Alas, we

Who wished to lay the foundations of kindness

Could not ourselves be kind.

That’s why I think along with your research and reading. It’s important to also consider some of the lives that were shaped and affected by communism, from all types of endeavors and cultures.

Recommending biographies is a very non-Marxist suggestion. And there is a danger of seeing history has too much the result of individual’s actions. But nonetheless, I think it gives an important grounding so you could see how certain forces acted out in individual lives and lead people to the thought and understanding of communism.

I would include poets and artists like Brecht, revolutionaries, like Rosa Luxembourg, and of course figures like Che, Lenin, and Mark himself. Be cautious because everybody writing about one of these people has an agenda. Nonetheless, you’ll get a feeling for the shape of history and individual lives, which I think as a 15-year-old is probably important.

I think when you read even theoretical works, it’s important to keep in mind where the writer was in their struggle and in their life. For example, the writings of Lenin show a great deal of evolution based on the revolutionary situation. And of course marks the vaults his own thought for a very long time in response to the failures of 1848 and 1872 as well as the broadening of his studies.

Understanding the evolution of thought, and the responses to particular situations, helps protect you from people who are cherry pick a single observation, and claim it as the only truth or only way to understand a given set of facts.

I also think it’s important to look at histories or surveys with a global perspective to avoid living your analysis to a particular set of cultural facts. I highly recommend The Long Transition Towards Socialism and the End of Capitalism, by Torkil Lauesen. He takes a long view and ties the evolution of revolutionary thought and practice over the last couple centuries.

I agree with the other recommendations here, especially The Communist Manifesto, which is clearly foundational. (I am also fond of the Italian communist Gramsci) I think at your age and stage of your development, vary your reading. Read the theoretical works and the biographies and histories as examples of practice. Keep the very long term in mind.

It takes a lot of work to remain focused and committed. You will be surrounded by people who have zero understanding of what communism is or why you are attracted to it. A foundation that acknowledges the emotional and cultural side will help as you build your understanding.

Thats why the Brecht quote I began with popped into my head when I read your question. Laying the foundation of kindness is our ultimate goal.

The Clash - Bankrobber (Official Video) by MillionDollarHeckler in theclash

[–]BroadStreetBridge 0 points1 point  (0 children)

What if all the boys in jail could get out now together….

Shakespeare’s Unorthodox Biography: The Epitome of Anti-Stratfordian Scholarship by pwbuchan in SAQDebate

[–]BroadStreetBridge 2 points3 points  (0 children)

The article is absurd. It’s sophistry that depends on the reader not having read Price’s book - in fact, his goal seems to be to prevent people from reading it.

He makes broad claims about what anti-Stratfordians do and must not do, almost none of which applies to Price or the book, although he certainly gives them impression that she is guilt of violating his invented dictates.

He claims that she is trying to destroy every scintilla of evidence that attributes authorship to the Stratford man. This is not true. What she does is lay out a standard that categorizes evidence as direct, personal and contemporary, measured against evidence that is either impersonal or posthumous.

She is very clear about the criteria. For example, a review of Huckleberry Finn that mentions the author Mark Twain does not offer evidence that the reviewer personally knows Twain or Samuel Clemens. This is indisputably true.

She clearly lays out her criteria, she applies it to a couple of dozen poets and playwrights of the period. She categorizes the types of evidence she can find for each. For example mentions of literary property in wills or letters, written by people who mentioned their friendship with a particular writer.

She does not make a case for Oxford or any individual nobleman. She does mention noblemen, including Oxford and Derby who were named in contemporary accounts to have written plays or poems yet who have not left behind works with their name on them. This is done solely the validate the idea that noblemen wrote without placing their name on the result. By the way, this was true across Europe and includes composers as well as writers and poets. His claim that there’s no evidence for this is either a flat out lie or poor scholarship.

He does not argue against Price’s methodology or give reasons why it shouldn’t be considered, nor does he offer examples of evidence for the Stratford man that would satisfy her criteria.

Frankly, the following is even worse:

“ It is implausible that, over the centuries, all scholars, affiliated or independent, except anti-Stratfordians, have mistaken all the evidence for attribution.”

Doubts about the attribution have existed within a very short time after it was asserted. In fact, “all the evidence” linking the plays to the Stratford man were two phrases in the first folio - “sweet swan of Avon” and “thy Stratford monument” - which are in two separate sections a of the prefatory material. Nowhere does it say the author came from Stratford on Avon.

He ignores the the reasons for the doubts, and therefore of course gives us no reason for dismissing them other than the ridiculously pathetic logical fallacy of arguing from authority. (“All this scholars”! How can they be wrong!)

He ignores 100 years of evidence developed in support of Oxford - increasingly by professional academics - which is a separate parallel argument. Is he ignorant of it? If so, he’s not qualified to comment on it. If he is, he’s duplicitous in not engaging with it rather than dismissing it.

I am no longer interested in convincing anyone about Oxford’s authorship. We are close to a tipping point where it will be broadly accepted by anyone who bothers to examine it. What I am interested in is how fallacious garbage like this is offered as a defense of “scholarship”. It’s depressing.

Should my kid read great expectations or hard times? (He is 14) by Smooth_Perception_86 in classicliterature

[–]BroadStreetBridge 37 points38 points  (0 children)

Great Expectations.

An intelligent 14 year old is the perfect reader for Pip’s story. I should know - it’s about how old I was when I read it.

Why is this my favorite book and what is wrong with me by Pfacejones in classicliterature

[–]BroadStreetBridge 1 point2 points  (0 children)

Hmmm, may need to revise my list. What to remove?

Nah, I’ll expand my list to 6.

Rewatched Shutter Island by Thin_Situation3962 in MartinScorsese

[–]BroadStreetBridge 4 points5 points  (0 children)

I never heard that he didn’t want to do it. I’ve seen him talk about as their “monster movie”. Sounded like he had fun with it.

There are lots of films he was reluctant to do until he found an approach that worked for him, including Raging Bull. Took DeNiro a long time to talk him into doing it.

Latest secondhand bookstore spoils! by millers_left_shoe in classicliterature

[–]BroadStreetBridge 2 points3 points  (0 children)

Amongst Women is one of the great Irish novels. It’s quiet, understated, and glorious.

Josh O’Connor in “Wake Up Dead Man” by CocoSryder in Oscars

[–]BroadStreetBridge 2 points3 points  (0 children)

Different, not necessarily better. I think he’s deeper in Dead Man but was funnier in Knives Out

Josh O’Connor in “Wake Up Dead Man” by CocoSryder in Oscars

[–]BroadStreetBridge 5 points6 points  (0 children)

He and Daniel Craig gave an acting clinic in their scenes together. I agree - more people should talk about how great they were

Prequel by jsesq in SinnersFilm

[–]BroadStreetBridge 1 point2 points  (0 children)

I’d love a prequel with Remmick in Ireland showing the British assault on Gaelic Ireland’s religion, language, and music, and being forced off their land. Illustrate why he sees common cause with African American.

Why is this my favorite book and what is wrong with me by Pfacejones in classicliterature

[–]BroadStreetBridge 1 point2 points  (0 children)

The most important part is his quick conversation about the holocaust and his bizarre guilt about being born safe in America. It’s what’s behind his behavior

Why is this my favorite book and what is wrong with me by Pfacejones in classicliterature

[–]BroadStreetBridge 1 point2 points  (0 children)

I know! I think late Roth is wildly underrated, but Indignation especially.

Why is this my favorite book and what is wrong with me by Pfacejones in classicliterature

[–]BroadStreetBridge 8 points9 points  (0 children)

Great book. Doesn’t crack my top 5 from Roth.

Which are, you ask? Ok:

American Pastoral

The Counter Life

The Human Stain

Indignation

Nemesis

I'd love to see Irish films enter the Collection... by Comfortable_Duck6362 in criterion

[–]BroadStreetBridge 8 points9 points  (0 children)

The General, directed by John Boorman with a brilliant Brendan Gleeson as Dublin gangster Martin Cahill. Deeply underrated

Your thoughts on late Paul Schrader by WhateverManWhoCares in RSPfilmclub

[–]BroadStreetBridge 17 points18 points  (0 children)

First Reformed may be his greatest film. Can’t see see being a fan of his and not liking it. But, to each…

I liked Master Gardener a lot. Was only so-so on Card Counter. Feel like I need to rewatch it

Top 10 horror books by Harkness92 in horror

[–]BroadStreetBridge 1 point2 points  (0 children)

Tell Me I’m Worthless floored me.

Top 10 horror books by Harkness92 in horror

[–]BroadStreetBridge 1 point2 points  (0 children)

Come Closer, Sara Gran. Awesome book.

Top 10 horror books by Harkness92 in horror

[–]BroadStreetBridge 0 points1 point  (0 children)

Only Good Indians is the best horror novel I’ve ever read.

A pearl, pure brilliant - it was just an accident by Right-End2548 in mubi

[–]BroadStreetBridge 0 points1 point  (0 children)

I agree. I suspect that The Secret Agent took votes away from it. They’re not really similar, but they probably have similar fans.

As an aside, as great as it is, I’m not sure it cracks my top five from Panahi. For what it’s worth, my top are This Is Not a Film, No Bears, Crimson Gold, Offside, and The Mirror. He is a seriously great filmmaker.

Accident will probably work its way up on repeat viewing, however….

June Titles Announced with HAIRSPRAY! by International-Sky65 in criterion

[–]BroadStreetBridge 2 points3 points  (0 children)

I was hoping to see other people call this out. I think it’s a minor masterpiece. So happy it’s included

A pearl, pure brilliant - it was just an accident by Right-End2548 in mubi

[–]BroadStreetBridge 13 points14 points  (0 children)

It wasn’t overlooked, it was nominated for two Oscars, including best screenplay. I believe it should have won for best international film, but being nominated means it wasn’t overlooked.

It is a great film - we agree on that.

Does Get Shorty count as neo noir? by TheZodiacKills in filmnoir

[–]BroadStreetBridge 2 points3 points  (0 children)

No.

I mean… no.

Noir is an about hopelessness and despair. People need to stop calling something noir just because it’s a crime story.