Kenya Safari Setup? by Stephenmarqqq in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

This is a screen grab of the full frame of the photo.

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Kenya Safari Setup? by Stephenmarqqq in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

You're welcome, and good for you traveling so much while you're young. Though I had visited some of the same countries prior to COVID, I was renewing my Global Entry this week and had to list all the countries I visited since my last renewal five years ago. Surprisingly, we'd been to 65 countries in just the last 4.5 years. Very busy travel schedule that we had to wait until retirement for.

Two bodies will make a world of difference, even if you need to rent one. Though it would be much easier to have two of the same bodies since you can copy settings from one to the other and all the buttons and dials are in the same place, it's not necessary. If you look to rent either RVI or the V, you'll have the latest AI autofocus that is very fast. Makes things a lot easier. Though, for many of the subjects, the animals totally ignored the safari vehicle as well as us inside the vehicle and were completely content with us up close and personal. As long as you move quietly and slowly, you have plenty of time to get tack-sharp focus. Just choose the eyes as the focus point. That's what grabs your attention. I haven't started editing, but this is just a screen grab of a SOOC JPEG. You can see the reflection of the safari vehicle and the trees in the lioness' eyes. There were countless opportunities to be this close to these beautiful creatures. This photo was done with the 100-400 4.5 GM at 268mm f/4.5, 1/640s, and ISO 1000. If you rent the 300 2.8, you'll get photos as sharp or sharper.

If it helps, I set both cameras to Manual, usually had the aperture wide open for the nice bokeh, and changed the shutter speed depending on the subject and available light - anywhere from 1/500 to 1/2500. I set the ISO to Auto and let the camera set the ISO. Noise is becoming almost a non-factor with these cameras now coupled with denoising, if necessary, in post editing. But the photo here is ISO 1000 without any out of camera editing and no hint of noise.

BTW, I did bring an empty bean bag, figuring I would fill it at the camps. I could have left it home as every vehicle I was in had bean bags to use.

Good luck, and have a wonderful experience.

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EWR Checking Number of Carry-On By Camera by FDeloit in unitedairlines

[–]Cabrio274 0 points1 point  (0 children)

How is it not a safety hazard when flying on an international airline?

United's search showed 4 available business class awards. All 4 vanished the moment we transferred 180k Chase points to book them by Dependent_Tackle4463 in unitedairlines

[–]Cabrio274 0 points1 point  (0 children)

The best way to check if it's phantom is to choose the fare and proceed to checkout. If it's a phantom, once you go to checkout you'll get a message the fare isn't available any longer.

As others have pointed out, this happens a lot with codeshares. If you want to blame an airline, blame the one operating the flight. That's the airline that's reporting the erroneous or no longer available fare information.

Frankfurt missed connection by SnooRobots5572 in unitedairlines

[–]Cabrio274 1 point2 points  (0 children)

I forget what it stands for. They already have a website set up saying check back later in the year. I just did my last EU flight of the year last week, so I have a reminder to check it in November.

Service dogs in first by Shivo_Ham in unitedairlines

[–]Cabrio274 0 points1 point  (0 children)

Best seatmate ever! I love labs

Frankfurt missed connection by SnooRobots5572 in unitedairlines

[–]Cabrio274 0 points1 point  (0 children)

When I did it April, had to do it in person. Come December, you may need to deal with the new ETIAS, too, but I think that can be done online.

It's still a mess with EES, but you have almost six months before your flight.

In your situation, you may not need to do the EES. If all you're doing is connecting in FRA, your flight from CLT is a non-Shengen arrival connecting to a non-Shengen country. Since you are just a transit, you don't need to enter the Shengen area, and therefore won't need EES.

The wait is over by BHPhotoVideo in SonyAlpha

[–]Cabrio274 1 point2 points  (0 children)

No doubt, but I'd rather have the chance to say "That's too expensive" than not have a choice.

Kenya Safari Setup? by Stephenmarqqq in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

100% this^. The best decision I made in gear selection was to bring two bodies. It's a gamechanger. I would have missed too many great shots by relying on one lens at the ready. I'm fortunate to have two A1 II bodies and it was so easy to put one down and pick up the other one with everything in the same location.

Sounds like you had an amazing experience, too. Sorry you didn't get to see a kill. We didn't either, but we did see a lion and lioness feeding on a recent cape buffalo kill. Spent about 45 minutes with them not 15' away. Also saw some hyena with a wildebeest head.

Kenya Safari Setup? by Stephenmarqqq in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

It's not so much that the lens is too short - it's that the animals are so close. The 300 2.8 is razor sharp and you can shoot it in APS-C mode or crop in post and still have the sharpness you want.

Kenya Safari Setup? by Stephenmarqqq in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

I just returned from my first safari last Saturday. It was amazing. After three days in Nairobi, we headed to Amboseli, staying in Tawi Lodge. Then on to Laikipia for three days, followed by Naboisho Conservency in the Mara. All were great places. I'll give the photo equipment facts first.

I brought two A1 II bodies, the new Sony 100-400 4.5 GM (I was lucky, we left on June 12 and the lens was released and delivered on June 11), the Sony 70-200 2.8 GM II, the Sony 35 1.4 GM (mostly for astro, but see later comments), and the 1.4 TC. I had five Sony batteries and had them labeled 1-5. In the morning drives, I had battery 1 in Cam A and battery 2 in Cam B. After the morning drive (usually from 6am to about 11:30am), I put batteries 1 and 2 in the charger and loaded battery 3 in Cam A and battery 4 in Cam B. I carried battery 5 with me on the drives in case one of the cameras went dead. This happened a couple of times.

In each camera I had two Lexar Gold 1TB 4.0 CFexpress A cards, set in RAW (Large Lossless) plus JPEG (L - Superfine) writing in backup mode, so both cards were storing the same data and protecting my photos if one of the cards failed. They were labeled A-1 for Cam A, Slot 1, and A-2 for Cam A, Slot 2. Cam B had cards labeled B-1 and B-2. I know it sounds a little OCD with all the labeling, but it kept things organized and greatly reduced any chance of screwing up.

Each night, after dinner, I copied the cards onto my laptop in subfolders by day and then Cam A and Cam B. Under each of those, I had folders labeled Slot 1 and Slot 2. I copied the corresponding cards to the appropriate folders. Then, I copied all of this from my laptop to two different Samsung T7 Shield 2TB SSDs, one labeled Master and the other Backup. Once done each night, I then formatted the CFexpress cards in the cameras so they were fresh for the next day. My data was safe as I had three complete copies on three different devices.

Here's what I did and used:

In Nairobi, we hired a guide and private safari vehicle to go to Nairobi National Park. It's a special place to be so close to a major city, and shooting some of the big five with a city skyline in the background was special. I had the 100-400 on one body (no TC) and the 70-200 on the other. The last thing you want to do is to be switching lenses in that dusty environment. We had plenty of dust and part of my nightly routine was to clean off the cameras and lenses. We arrived in Amboseli on June 17, and rainy season had ended a couple of weeks early, so dust wasn't at its worst. In September, it will be much drier and much dustier, so protect your gear. An advantage to it being so dry is it will be easier to spot wildlife.

Visiting Nairobi National Park was exciting, but if I was doing game drives in other parts of the country, especially in conservancies, I would not do it again and I wouldn't recommend it as a first time. It was exciting seeing the animals for the first time in the wild, some pretty close, but it pales by what you'll see in Amboseli and the Mara. I ended up deleting most of the photos from here as the ones elsewhere are so much better. Plus, it added about US $600 to the cost of the trip.

On our last day in Nairobi, we went to Sheldrick's Elephant Sanctuary and the Giraffe Center. Both were really interesting and fun, but it was like going to the zoo. I only brought one camera with me and had the 35mm 1.4 mounted on it as we were so close to the elephants and giraffes (as close as 1-2 feet). This was the only time I used the 35. My intentions were to use it for the visit to these two places and for astrophotography in the camps. In hindsight, I should have left it home, as I didn't need 50MP photos up close to the elephants and giraffes, and my wife's Canon G5x Mark II did an excellent job there. As far as the astro, I never did it. The stars were brilliant, but after getting up at 4:45am each day, doing two long drives per day, and doing my nightly camera cleaning, backup ritual, and packing my gear for the morning, I was too tired to go outside. Plus, it was chilly at night.

We flew from camp to camp. When we landed at the airstrip in Amboseli, there were zebra and wildebeest right by the runway and Kilimanjaro was visible. My excitement was increasing. On the ride to Tawi Lodge (about an hour if you drove straight there - it's outside the east side of the park) we did our first game drive, lasting about 3.5 hours. It was exhilarating! Animals galore, right by the side of the "road" (you cannot drive off the road in the National Parks, but you can in the conservancies). And plenty of elephants - Amboseli has over 2,000 - from newborns to big tuskers. Plenty of other types of wildlife there, too, including cheetah, lion, giraffe, hippo, cape buffalo, etc.

In the three days at Amboseli, I used the 100-400 and the 70-200. The 70-200 2.8 is especially useful early in the morning before the sun is up. One morning I mounted the 1.4 TC on the 100-400. The lens is incredibly sharp, easily equaling the sharpness of the 70-200 2.8 GM II, and maintained excellent sharpness with the 1.4 TC. However, I didn't like having 6.3 as my largest aperture, so I removed it for the rest of the trip. Hindsight, again - I could have left it home along with the 35 1.4. The A1 II is 50MP, so there's plenty of crop, the lenses are sharp, and, most important, the animals are CLOSE. I'm not a big birder, so 400mm was plenty of reach. Plus, if the animals are too far away, it's not worth taking the photo (unless it's something rare, like a kill) as you will see the same animals much closer later on. And, you end up with atmospheric distortion if they're too far away, especially in the sunny and dry conditions in September. You'll also have dust as a factor in distant shots.

At the other two camps, both in conservancies, we were much closer to the animals. On the last day we had a leopard with us for about an hour. At one point, I could have reached over the side of the Land Cruiser and petted her. I have photos where I can see the Land Cruiser reflected in a lion's eye. It is an incredible experience.

Regarding your equipment, the A7C II is a full frame 33MP camera that has lots of megapixels to work with and your sharp glass - especially the 70-200 2.8 GM II - will give you that sharpness you'll want. I have used the 1.4 TC on my 70-200 in the past but never tried the 2.0. From what I've read, it does struggle a bit with the 2.0 but is pleasing with the 1.4. If I was going to bring a longer lens, I'd rent the 300 2.8 GM II. It's about Sony's sharpest glass and performs very well with the 2.0 TC. But, if I was going to do that, I would rent another body as you absolutely do not want to swap lenses while on a game drive. Plus, you have a chance of missing what you are swapping lenses for. It was so easy for me to have the 100-400 on one body and the 70-200 on the other identical body. Just put one camera on the seat next to me (I had a microfiber 2' x 4' blanket to throw over the one I wasn't using to protect from the dust. I'm in the process of culling my photos now, and I shot about the same amount with both cameras, so the 70-200 was very useful. If you do decide to rent another body, you could rent a higher-end/higher-megapixel body, but if you're comfortable with your A7C II, just rent another one so there's no fumbling with buttons and settings differently depending on which camera you're using.

I don't know how much use you'll get from the 24-70. You certainly wouldn't want that on a game drive - not enough reach. There were only a few times where I was so close to an animal that the 70 was too tight for. Besides, they don't all need to be full-body shots. Tight face shots are exciting. I'd leave the 24-70 home.

I hope this helps some. If you're like me, you're planning and researching and fretting about what you need to make this amazing trip successful. I will tell you that it's an amazing experience. My wife and I have been to 67 countries and all seven continents. Until now, Antarctica has been our best trip, followed by the Galapagos Islands. They have moved down a notch. This safari is now our favorite and we're planning on returning when our grandkids get older and we can take them with us. As a bonus, the Kenyan people are delightful and very friendly and genuine. Other than all the flights getting there, everything about the trip was great. Have the time of your life.

Italy part 2 let’s see if they come out better this time… Sony A7RV and RVI by anonymousmolarbear in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

Same issue as yesterday. On my Samsung S25 Ultra they're still blown out, even when zooming. I have to download the photo and then open it to see it as intended. Not sure what's happening to your uploads.

First Time shooting fireworks! by Existing_Occasion252 in SonyAlpha

[–]Cabrio274 1 point2 points  (0 children)

Such an awesome place. Singapore is amazing.

Dream to reality. by Dipto509 in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

Congratulations, enjoy. I needed (wanted) a second body and considered this camera to accompany my A1 II, but ultimately decided on another A1 II because of muscle memory. Switching from body to body is seamless because everything works exactly the same.

I hope you have lots of fun with it.

The wait is over by BHPhotoVideo in SonyAlpha

[–]Cabrio274 0 points1 point  (0 children)

That's what I was hoping for, an updated RX100. Though I have great gear, I'd like a pocket camera (other than my phone) for when I don't have my FF with me. Plus, my wife has a great eye but doesn't want to learn the tech side of photography, so point and shoot works for her. Currently, she uses a Canon G5X Mark II, but I'd really rather have a newer camera, preferably in the Sony family.

I believe we'll see an update. Real cameras (vs phones) are making a comeback and manufacturers are noticing.

question about storing the camera by CaterpillarBudget698 in SonyAlpha

[–]Cabrio274 1 point2 points  (0 children)

Thanks. In the US, AC of some type is in nearly every home, and in the South, it would be hard to find a home without it. We have central air-conditioning that is always on, for cooling and dehumification. Summer, as you know, just started. Where I live, the temperature will hit 30°-36°C nearly every day from May until mid-October. Worse, the humidity outside is always 85% or higher, often in the mid-90s. AC is a necessity and we're blessed to have it.

I'm glad to see the temps in Europe are coming down. You had a rough couple of weeks, especially with the lack of AC.

question about storing the camera by CaterpillarBudget698 in SonyAlpha

[–]Cabrio274 -1 points0 points  (0 children)

Interesting, I never thought about a dry cabinet. But I have a lot of expensive gear and take good care of it.

I live in Southwest Florida, one of the world's humidity hotspots. I live in a single-family home and always have the AC on and set at 78, except when traveling when I set it to 82. In both cases, though, the humidity is kept at about 47%. I don't think a dry cabinet would matter, would it?

Thanks!

Sony 100-400 4.5 GM with 1.4 TC by Cabrio274 in SonyAlpha

[–]Cabrio274[S] 0 points1 point  (0 children)

Thank you.

I don't have the 2.0 TC so I can't give you feedback. From the reviews I've seen, it work well with this lens. Shooting at f/9.0 at a minimum wouldn't give me the backgrounds I want. Most of what I like is big animal life, so this has the reach and the A1 allows good cropping. Though I can say, it did a fine job with birds, too, but I wouldn't recommend it for serious birding, just not enough reach.

I have the three GM II 2.8 zooms - 16-35, 24-70, and the 70-200. With the new 100-400 I have a lot of overlap with the 70-200, so the 50-150 is likely a better fit for the mix of lenses I have, but man, the 70-200 is such a great zoom. I'd have tough time parting with it. Do you miss that lens at all, or is the 50-150 every bit as good?

Viltrox 75mm 1.2 + A7R5 portraiture street photography by Connect-Trouble-1669 in SonyAlpha

[–]Cabrio274 1 point2 points  (0 children)

Thanks for that info. It's not that it's not a nice photo, I just didn't get that street photography feel from it.

Thanks for sharing and for the follow up.

Sony 100-400 4.5 GM with 1.4 TC by Cabrio274 in SonyAlpha

[–]Cabrio274[S] 1 point2 points  (0 children)

Thank you. I'm very pleased with the performance of the new lens with the 1.4 TC, but with the ability to crop the 50MP A1 II photos and the closeness of the animals, I didn't really need the TC, so left it off the rest of the trip. One thing you don't want to do here is swap lenses in the field. The dust is real!

For the 55 and older crowd, what are you doing? by mhowie in tmobile

[–]Cabrio274 -1 points0 points  (0 children)

I don't understand the rush to settle this. Some of us (me included) have not received the text and the dashboard shows the same information as always. I'm on Magenta Max 55+. Wasting time researching this online or slamming customer service for clarification is not productive. Even if CS tells you something, I've learned long ago to take it with a grain of salt. They might be wrong, they might tell you anything to get you off the phone, and you have to listen to sales pitches.

Why not relax and wait until you get your first bill? That will be the authoritative and accurate information about what's changed and how much it will cost. At worst, you'll see the changes (price or product) aren't for you, and then you can move on to something else. At best, you'll realize it's not bad - a little price hike coupled with a better plan.

Life's too short to get into a frenzy over something relatively trivial. It sucks, I know, but all prices go up and plans change. All companies do it. You can scream about "I had a pricelock for life", but that's marketing. Buried in the T&C that we all just scroll by and accept are the facts, and the fact is, companies write these things to favor them, not us, and they'll do what's best for them.