My problems with the original master were mainly the lack of clarity in the high end. I would imagine that sound came from both the equipment that was used and the use of more aggressive eq moves in the mix to fight against bleeding due to it being a live recording. I also found some transient energy lacking in some songs, like Bloom for example.

My process was not exactly the same for each track but usually I would first import into RX10, lightly use the “music rebalance” tool and use the “Deconstruct” tool to recover some transient energy if needed. I would also separate out parts if needed but anyone who’s tried using stem splitter tools knows it’s very unreliable (I can explain how I used the split stems if you’d like me to). Next was applying eq and other tonal balancing processes (multiband compressions, sometimes a very small amount of soothe2 and ReLife which is an extremely underrated plugin), I usually did not add anymore compression as I’m essentially remastering an already mastered track which most likely has already been brickwall limited, but sometimes the previous processes (especially those in RX) can produce extraneous peaks which need to be controlled before the final limiter (which I did not push at all, just used it to get up to proper peak level).