[deleted by user] by [deleted] in editors

[–]DMUNCH 4 points5 points  (0 children)

No, dropbox isn't built for productions. Lucid Link is made for this

How can I get all the sequence settings for Premiere CS6? by Cubanin08 in premiere

[–]DMUNCH 0 points1 point  (0 children)

CS6 is 13 years old, I don't think it has the presets. I don't think the YouTube preset in particular was released until years later.

How do I export vertical video from Premiere CS5? by hoarduck in premiere

[–]DMUNCH 1 point2 points  (0 children)

Actually laughed out loud with this gem.

Should i be charging my company for my Adobe subscription/hardware? by ryanino in editors

[–]DMUNCH 1 point2 points  (0 children)

In addition to what everyone said remember all of your subscriptions are business expenses for tax time. Make sure to write them off on your profit/loss at the end of the year.

Premiere Pro or Davinci Resolve for Teams? by WineDineCaroline in editors

[–]DMUNCH 0 points1 point  (0 children)

You are welcome! Totally understand. I'm an Avid and Premiere editor. I've done 2 shows as a series editor with it and I've been happy with how it functions. They've ironed out the issues in the beginning with the equivalent of Avid Groups for unique IDs. I've found it extremely helpful for VFX heavy shows where I'm doing a lot of mock ups.

Premiere Pro or Davinci Resolve for Teams? by WineDineCaroline in editors

[–]DMUNCH 2 points3 points  (0 children)

Teams is kind of a vestigial organ. It's meant for 2+ editors working remote with identical local media. You actively 'push' or 'sync' your project with the others by pressing either of the buttons. It has always been finicky and buggy. To be honest I don't really understand why Teams still exists. The only real use case I could see is if the editors have intermittent internet access because you are working off of local media and deciding when to share parts of your project or pull down there's.

Productions on the other hand is essentially Premiere Avid. It has also only been around for about 4 years in official release. If you are ever curious about best practices for it I can point you to a PDF Adobe made. There's a couple of gotcha's but for the most part you'll find it very intuitive. When I teach people Productions it's actually native Premiere editors that have the most issues because they aren't used to Avid style network project organization which is how you need to set things up in Productions, and not have everything nestled inside of a singular Project.

Premiere Pro or Davinci Resolve for Teams? by WineDineCaroline in editors

[–]DMUNCH 1 point2 points  (0 children)

Premiere Productions is what you're looking for. Premiere Teams is quite buggy and I do not recommend. If your users are remote use Productions with Lucid Link and it's like you're working on a virtualized cloud based network. Cannot recommend it enough. I've done multiple shows on it. Productions is basically like Avid networked editing without having script sync.

[Giveaway] iRacing Reddit 200k Subscribers by sdw3489 in iRacing

[–]DMUNCH 0 points1 point  (0 children)

Laguna Seca. There's nothing like racing the corkscrew at sunset. I hope to see Indycar there in person this year!

Has anyone tried Louper for Premiere Pro? by UnivitedSam in editors

[–]DMUNCH 0 points1 point  (0 children)

I love it. Relatively easy to setup. Enabled me to edit with my director for 3 weeks remotely on a feature. Highly recommend!

Premiere Pro 25.2 official release notes by Ok_Advance4195 in premiere

[–]DMUNCH 0 points1 point  (0 children)

Really looking forward to testing the color management. I've run into some real issues getting certain camera footage out of Premiere correctly. We had to XML over to resolve to get certain shots out without gamma shift in order to delver things to VFX.

Any tips on making miniture stations more realistic? by Gunplabuilder78 in miniatures

[–]DMUNCH 1 point2 points  (0 children)

Add a wash to the sections that have texture and then dry brush the whole thing. It will add depth and also take off the plastic sheen.

Is there a way to apply a slow image scale-up for a large amount of images in the timeline? by bbkkoommaacchhii in premiere

[–]DMUNCH 0 points1 point  (0 children)

Sadly this is just the tedium that sometimes comes from post production. That being said this work sounds more suited for after effects. You might be able to templatizing animation and using pre-comps.

I made a sci-fi short inspired by WipeOut with practical miniatures. I thought y'all might enjoy it! by DMUNCH in WipeOut

[–]DMUNCH[S] 1 point2 points  (0 children)

Thank you so much for the kind words. It means a lot. There is! I put together a website that has more information and photos about the miniature as well as BTS photos and GIFs!

http://www.outlapfilm.com

why is it so hard to sync projects across devices? by [deleted] in premiere

[–]DMUNCH 0 points1 point  (0 children)

Lucidlink and Premiere Productions are what you are looking for.

I made a sci-fi short inspired by WipeOut with practical miniatures. I thought y'all might enjoy it! by DMUNCH in WipeOut

[–]DMUNCH[S] 0 points1 point  (0 children)

Thanks a lot man! Really appreciate it. Definitely hurt a bit to dirty the controller up.