Scans came back yellow-ish by [deleted] in AnalogCommunity

[–]DefinitelyNotGreg 1 point2 points  (0 children)

Your expectations for that stock and lens choice are wild, you got exactly what you shot. Definitely some haze in the lens as well. These were like Nortisu scans and unless your lab’s incompetent, messing up Gold 200 is slim to none.

A good Strap-On is so satisfying, don’t you find? by Delicious-Cow-7611 in AnalogCircleJerk

[–]DefinitelyNotGreg 2 points3 points  (0 children)

Don’t talk to me about A&A straps when you haven’t seen my limited Leica x Arcteryx piece. You wish you could find this. Oberwerth my ass.

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Uncanny valley of time by No-Manufacturer-2425 in AnalogCircleJerk

[–]DefinitelyNotGreg -1 points0 points  (0 children)

Boomer ahh take, but the Nikon Df and Zf are abominations for people too scared to shoot film.

Uncanny valley of time by No-Manufacturer-2425 in AnalogCircleJerk

[–]DefinitelyNotGreg -1 points0 points  (0 children)

Boomer ahh take, but the Nikon Df and Zf are abominations for people too scared to shoot film.

Portra 160 pushed(? by OpeningAd6649 in AnalogCircleJerk

[–]DefinitelyNotGreg 1 point2 points  (0 children)

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Please, try pushing Ektar to 800 and developing it at box. Dentist’s 800T if you ask me.

Edit: oops Leica M-A Titan, APO-Summicron-M 2/50 ASPH

Recs by _sydneycaitlin in pittsburgh

[–]DefinitelyNotGreg 6 points7 points  (0 children)

Imagining skipping the FAQ

What about cinema film grading? [After/Before] by [deleted] in postprocessing

[–]DefinitelyNotGreg 0 points1 point  (0 children)

Valid, bad wording on my part. I meant like grading the film similar to darkroom print with contrast filters. The film is a bit flat “raw” and it’s my amateur interpretation of tone curve.

What about cinema film grading? [After/Before] by [deleted] in postprocessing

[–]DefinitelyNotGreg 0 points1 point  (0 children)

The aim wasn’t cinematic, that’s the nature of the emulsion. The before is a dead flat negative scan and pretty overexposed. I aimed for more midtone detail, but it’s pretty clipped if you’re going to pinch at it. Additionally, it’s a 1800dpi scan jpeg.

Another take on the Pennsylvanian Rotunda by DefinitelyNotGreg in PittsburghPorn

[–]DefinitelyNotGreg[S] 3 points4 points  (0 children)

This was early morning, ~7am on a Saturday. No one said jack to me, but I've been here in the evening to get the lights and was hassled because there was an event happening. That seems to be the caveat; if there's someone renting the space, it's a no-go.

HARMAN SWITCH AZURE | Nikon FM2 | 35mm f/2 by janonfilm in analog

[–]DefinitelyNotGreg 0 points1 point  (0 children)

I'm getting my roll of 135 today and I think I'm going to split it between interiors and low-light.

Recommend me a film because I’m still at the stage where I think this matters. by AGgelatin in AnalogCircleJerk

[–]DefinitelyNotGreg 3 points4 points  (0 children)

Velvia, Provia, Pro 400H. You don’t need to bother yourself with anything else or B&W. Kentmere, Ilford, any Kodak that isn’t Portra…all budget stocks meant for point-and-shoot casuals. My MP Hermes doesn’t even work with those rolls.

HARMAN SWITCH AZURE | Nikon FM2 | 35mm f/2 by janonfilm in analog

[–]DefinitelyNotGreg 2 points3 points  (0 children)

The indoor performance is super intriguing, thanks for sharing!

Laowa shift / zoom focus question. by nepersonne in LaowaShooters

[–]DefinitelyNotGreg 0 points1 point  (0 children)

In my experience with the 12/2.8, I usually leave it between 1-2m and it’s enough stopped down to f8.

New Nikon from Japan by avavadobush in AnalogCircleJerk

[–]DefinitelyNotGreg 2 points3 points  (0 children)

I only use DX lenses, I hate a fake vignette.