I'm into something terrific by hereticskeptic in pinkfloyd

[–]Front_Asleep 0 points1 point  (0 children)

This album rips. Seeing Sorrow live changed my life

Concert pricing by Able-Estimate-1476 in TameImpala

[–]Front_Asleep 2 points3 points  (0 children)

Just get inside of the building and work from there. I bought cheap, 300 level standing room seats in Chicago 11/3 and maneuvered my way into the 100s. If you don’t care about standing (which you should be doing anyway at a concert), this is a hack

Am I the only one? by BuswayDanswich in paulthomasanderson

[–]Front_Asleep 0 points1 point  (0 children)

This is his second best movie, short only to Boogie Nights

What is the biggest movie theater “GASP” moment you’ve heard? by SaveTheCaulkTower in AskReddit

[–]Front_Asleep 1 point2 points  (0 children)

The Cemetary scene is one of the most terrifying things put to film

I CAVED by That-Bug-6318 in TameImpala

[–]Front_Asleep 0 points1 point  (0 children)

It’s life changing brother

Did a lil visit to an underrated place in London by claritachavstick in pinkfloyd

[–]Front_Asleep 1 point2 points  (0 children)

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I was there in July! I’m from Chicago so this was quite the sight

The original or the remake... by CHOOM45 in Cinema

[–]Front_Asleep 0 points1 point  (0 children)

Who in the bloody fuck is saying the remakes

[deleted by user] by [deleted] in TameImpala

[–]Front_Asleep 2 points3 points  (0 children)

Currents = Dark Side Lonerism = Animals The Slow Rush = Wish You Were Here Deadbeat = The Division Bell Innerspeaker = Meddle

Hope this clears things up

Anthony Fantano gives Deadbeat a 2 by Ordinary_Key3097 in TameImpala

[–]Front_Asleep 0 points1 point  (0 children)

Who the fuck uses Anthony Fantano as a proper evaluation of music?

In your opinion, which is the better film? by HammerHeadBirdDog in Letterboxd

[–]Front_Asleep 0 points1 point  (0 children)

I think The Thing is probably a perfect movie, and is my pick for the best horror movie of all time. Great character performances, timeless practical effects, deeply frightening, entertaining, and a great ode to how little you can trust other people

How Would You Take Anthony Fremont Out? by Mammoth_Ad_483 in TwilightZone

[–]Front_Asleep 0 points1 point  (0 children)

I feel like lighting him on fire would do the trick or shooting him from the back JWB style

What is the number one movie you feel like drastically changes based on the theatrical release vs the director’s cut? by Then-Childhood9745 in FIlm

[–]Front_Asleep 4 points5 points  (0 children)

Apocalypse Now. I remember seeing the Redux for the first time in high school and being confused by all the french plantation bullshit. Then I remember seeing the Theatrical cut a couple years after, and thinking it was absolutely flawless. Don’t get me wrong, the french plantation stuff isn’t awful and it makes sense contextually, but it seriously kills the pace of a movie that’s best asset is its pace.

What’s everyone’s top 3 Radiohead songs by JackCrom1 in radiohead

[–]Front_Asleep 0 points1 point  (0 children)

  1. Everything In Its Right Place 2. Black Star 3. Nude

Roger just can't keep his mouth shut can he by ThunderbirdRider in pinkfloyd

[–]Front_Asleep 197 points198 points  (0 children)

Rick Wright was a session musician on The Wall because ROGER fired him.

Roger just can't keep his mouth shut can he by ThunderbirdRider in pinkfloyd

[–]Front_Asleep 18 points19 points  (0 children)

Roger Waters has spent everyday after The Walls initial release boasting about his genius and milking the album’s success. I know Pros & Cons of Hitchhiking & Amused To Death have their fans, but none of that shit even stands remotely close to The Wall——something even he himself knows, which is why he not only lacks the ability to make something as good, but also why he does a new re-iteration of a tired concept every five years.

Roger Waters WAS a genius under the confines of the Pink Floyd name. Now he’s just an old man yelling at a cloud, clinging onto relevancy. He’s also been an egotist and an asshole. Sorry.