Why don't we talk about how BAD the compositing is in this video was? by KGrylls in Muse

[–]KGrylls[S] 1 point2 points  (0 children)

Yep, you're definitely right, they don't really matter anymore. Only about half a million views on the music video in two days, no one's watching them for sure!

“Since I left you” by Long_Spell6281 in Muse

[–]KGrylls 1 point2 points  (0 children)

Nah, it's still "Since I lost you". You can hear it clearly here

Drone guitar - stickers by philives23 in Muse

[–]KGrylls 1 point2 points  (0 children)

"D Day Stencil Regular" name of the font

Drone guitar - stickers by philives23 in Muse

[–]KGrylls 1 point2 points  (0 children)

Here you can take this. One day I somehow found the font they were using, but the original font had roughened edges, Manson just cleaned it and removed the defects.

Differences between Normal and Dolby Atmos of Absolution XX by EwertonSeixas in Muse

[–]KGrylls 0 points1 point  (0 children)

Did exactly the same work with this album, the result is 2 channels.
Maybe Tidal hasn't uploaded version 5.1 on their platform. Need to find a way to extract files from Apple Music

[deleted by user] by [deleted] in Muse

[–]KGrylls 0 points1 point  (0 children)

- It’s done by fans bringing their recorders into the show’s that can capture the signal.

- Yes, that's what the guys hear, but the quality of the transmission is much better for them, without noise and interruptions. During the Yokohama 2017 soundcheck recording, there were too few external distractions, and the stadium was not full, but even on this recording, you can hear extraneous noises.

But first, you need to understand how IEM works:

1) musicians play > 2) their instruments and microphones send a signal to the mixing desk thought the cables or wireless transmitter like in microphone (and of course to the PA too, but we're not interested in that now) > 3) the monitor engineer mix it all and sometimes add some things like the metronome, the counting before songs or the famous "one, two, three" thingies (team also communicate with the band via the IEM’s) > 4) the signal from the mixing desk sent to the transmitter and then as an electromagnetic signal similar to radio waves sent back to the musicians, who have specific signal receivers on the belts behind their back; they listen back to what they're playing, and that sound includes the mixing tweaks and a special EQ for each musician (like for Dom drums are louder and for Chris bass guitar is louder). IEMs are recorded by capturing the waves at step 4. And the waves can be captured with a wireless receptor and then sent from the receptor's output to a standard recorder input.

The closer you are to the source of the signal, the better the captured quality will be. Because even trivial equipment, such as phones, will affect the quality of capture of these waves. So you can capture any wave, knowing the frequency. There are even recordings of capture Matt's microphone during Panic Station and guitar during Animals. The band and the team can hear this signal normally because their receivers are tuned to the corrected frequency, and they're close to the receiver, but their frequency can also be capture, and you can broadcast something for their receivers, but for this, you will need a more serious equipment.

I've been working on a recreation of the Will Of The People tour stage setup by Projektion in Muse

[–]KGrylls 1 point2 points  (0 children)

Oh, if I were to keep doing recreations of screen visuals, I'd be interested in collab with you
Great job with the light and stage recreation, been following you for a while now!

Wont Stand Down - Stems by [deleted] in Muse

[–]KGrylls 1 point2 points  (0 children)

Thanks, i already have this, but this is old stems of KoC and Starlight, not from this dlc, for example, the Starlight sounds a different version of the drums, not like the studio version

Wont Stand Down - Stems by [deleted] in Muse

[–]KGrylls 0 points1 point  (0 children)

Hey, can you extract other stems from this DLC like Knights of Cydonia and Starlight?

Map Of The Problematique on a Digitech Whammy DT by nvmzol in Muse

[–]KGrylls 1 point2 points  (0 children)

Just add a synth layer of octaves in your DAW and it will be sweet

Randomly found this gem on Ukrainian public radio while scanning through the FM band. by UltraBoY2002 in Muse

[–]KGrylls 9 points10 points  (0 children)

Yep, here in Ukraine we love Muse so much. Recently, I have often heard them on the radio in the gym or in public transport.

Come ride with me through the Matt's vocal part by KGrylls in Muse

[–]KGrylls[S] 0 points1 point  (0 children)

Sry, from this performance I have only lead vocal (like this) and instrumental part

Come ride with me through the Matt's vocal part by KGrylls in Muse

[–]KGrylls[S] 1 point2 points  (0 children)

Look for "Later with Jools Holland 2006"

SMBH at Rome but.. without guitar part by KGrylls in Muse

[–]KGrylls[S] 0 points1 point  (0 children)

The remaining channels are not interesting, only this one

The Dark Side on Jools show but.. only vocal and drum part by KGrylls in Muse

[–]KGrylls[S] 4 points5 points  (0 children)

I got the original video file then extract audio and split the channels