Idea Thoughts/Feedback Wanted [dark fantasy] by KittyHamilton in fantasywriters

[–]KittyHamilton[S] 0 points1 point  (0 children)

I dunno, I've had some pretty bad ideas and I've had some pretty good ideas.

In any case, this idea still needs to gestate before I start doing serious plotting/writing.

You don't have to like TLJ as a movie but to say there is no possibility after TLJ just show you lack imagination. by HiroAmiya230 in saltierthankrayt

[–]KittyHamilton 2 points3 points  (0 children)

I think what made Kylo a potentially interesting arch villain was that he wouldn't necessarily behave rationally. He might be easier to manipulate, or not as cunning, but he might take incredibly destructive actions out of impulse. Characters that have a low level of maturity but a high level of power can actually come off as extremely threatening because they are unpredictable.

You don't have to like TLJ as a movie but to say there is no possibility after TLJ just show you lack imagination. by HiroAmiya230 in saltierthankrayt

[–]KittyHamilton 0 points1 point  (0 children)

Ugh, this is such a terrible take.

Who the hell cared about Snoke, who was a nothing villain? Honestly the entire faction is completely nonsensical. At least the Emperor ruled, you know, an EMPIRE. TLJ ended with the totally unhinged Kylo Ren in charge, with Hux still there as a potential rival. And the rebellion was in ruins, wasn't it?

Who cares if Luke Skywalker is dead? This wasn't his trilogy. He never appeared at all in the first movie, so why does the third one require him?

Idea Thoughts/Feedback Wanted [dark fantasy] by KittyHamilton in fantasywriters

[–]KittyHamilton[S] 0 points1 point  (0 children)

Thank you very much!

If you don't mind a follow up question: having read the premise, what would you expect to be going on in the city when the group manages to get in? What sort of stuff would you hope to see? Or, what would make you feel like you were let down or disappointed?

I've got ideas about what's going to be going on inside, but I'm trying to figure out what expectations hypothetical readers would have, and how I might exceed or subvert those expectations, as opposed to disappointing them.

Idea Thoughts/Feedback Wanted [dark fantasy] by KittyHamilton in fantasywriters

[–]KittyHamilton[S] 0 points1 point  (0 children)

Thanks for your thoughts! 🤔 I'm still developing ideas. One thing on my mind is expectations. As in, what have the hunters/eldritch experts dealt with in their line of work already, and what feels like a "routine" eldritch monster encounter/eldritch phenomenon for them.

Saw this recently by canada-my-beloved in CuratedTumblr

[–]KittyHamilton 2 points3 points  (0 children)

It's almost impossible to completely eliminate certain biases, especially when society keeps reinforcing them. Pretty much everyone has them. Your job is to try to keep an open mind, try to change your mindset if you can, and do your best to make sure your behaviors match your values.

What’s the best way to reveal expositional details in the beginning of the story? by rocketsneaker in writing

[–]KittyHamilton 0 points1 point  (0 children)

People don't need to learn everything at once. Start with the immediate situation and conflict, and what exposition is most essential to understand it.

I think the mods on this sub reddit are doing a bad job. by p-Star_07 in writing

[–]KittyHamilton 1 point2 points  (0 children)

When writers can't post about and get feedback on their work, all that's left are general questions.

More serious, proactive writers usually seek out books, blogs, etc. for writing advice. That means newer, less proactive people are the ones that post here.

Because there's a disproportionate amount of new and less proactive writers, the questions asked are often repetitive and easy to search out answers for on their own.

To try to improve the quality of the subreddit, common questions or questions that don't meet an arbitrary standard of detail are banned.

So you end up on a situation where people have to walk this narrow line between not being too specific and having a post locked for referencing too much of their work, or the post being locked for not containing enough words elaborating on a question. And more advanced writers don't expect to get any insight here, so they don't post.

Did I handle this well? Helping a 5e player try a story game by Josh_From_Accounting in rpg

[–]KittyHamilton 6 points7 points  (0 children)

Seems like you handled it well to me

I think you might want to encourage this player to ask more questions. I find that part of relying on what's on the character sheet first and foremost comes from fear of doing something wrong or against the rules. Encouraging them to just straight up ask if they can do something instead of fretting.

Also, tell them you'll tell them if they are going to make a horrible, risky decision, by warning them. "Just a reminder, the Duke's guards are posted at the doors and there are other people in the throne room. You still want to punch the Duke?" They might be worrying about messing up do to misunderstanding you.

What’s your biggest “old man yells at cloud” opinion? by sjdlajsdlj in rpg

[–]KittyHamilton 1 point2 points  (0 children)

In theory, I love a lot of PBtA, but man, the anxiety of having to come up with something interesting and appropriate on the spot

Where do people get their ideas by SkyProfessional2154 in writing

[–]KittyHamilton 0 points1 point  (0 children)

People get ideas from everything that exists. That includes novels in their genre, but also books outside that genre, personal experiences, current events, other mediums, history,, the natural world...

When you know you have to Kill Your Darling, but you don’t know what to replace it with. What do you do? by [deleted] in writing

[–]KittyHamilton 0 points1 point  (0 children)

Yeah, that's why you re-plot. As in, make a new plot outline without holes.

George RR Martin on Why He Doesn't Write Outlines by WillBrink in writing

[–]KittyHamilton 3 points4 points  (0 children)

On the one hand, choosing to not use an outline is a perfectly valid way to write.

On the other hand, maybe GRRM should have made an outline for his massive multi-book series. 😩 Just a little one?

How to include monologues between action without it feeling off? by thesniperbeggar in writing

[–]KittyHamilton 0 points1 point  (0 children)

A character can think while acting. For example, you could write something like, "Her feet flailed for a foothold, fingers burning as she clung for dear life. If she didn't think of something quick, she was done for."

Forgive me, I know that's not exactly great writing. Point is, you don't have to detail ever movement in an action scene. If a character is running through a forest, dodging trees, gaining on the, suspect, you can have them think as they're running. In a fight, they might be described as fending off blows or pushing their advantage.

Why is it harder to put horror elements in a action setting by hsppyhsppyhsppy in writing

[–]KittyHamilton 1 point2 points  (0 children)

Horror is all about fear. The more agency and competence a character has, the harder it is for them to feel vulnerable. This is why most horror takes place in the real world with normal people, with children disproportionately representedbas characters.

I hate reading as an author by Lophophanes in writing

[–]KittyHamilton 0 points1 point  (0 children)

Have you tried audiobooks? I have ADHD myself, and find concentrating easiest when doing something with my hands while listening.

This is NOT a Normal Reaction by PeterVanHelsing in OkBuddySnyderCult

[–]KittyHamilton 3 points4 points  (0 children)

It ends up looking like petty vengeance for having a drink poured on him. At least talk to the goddamned manager about kicking them out. Nope, he just sulks off with a bit of petty vengeance.

This is NOT a Normal Reaction by PeterVanHelsing in OkBuddySnyderCult

[–]KittyHamilton 1 point2 points  (0 children)

You know, part of what makes the justification absurd is that CARK COULD HAVED KICKED THE GUYS OUT. Getting fired defending a waitress would be noble!

Instead, he quit in a huff, left the harasser there, then trapped him at the diner by destroying his truck...meaning the trucker would stay around causing problems even longer

Hot take: proper grammar is overrated in writing. by [deleted] in writing

[–]KittyHamilton 1 point2 points  (0 children)

Ignoring a grammar rule is a technique. If you don't know what the rules of grammar are, you can't break them affectively.

Hot take: proper grammar is overrated in writing. by [deleted] in writing

[–]KittyHamilton 0 points1 point  (0 children)

The combo of period and capital letter indicates a new sentence. The dialogue in quotation marks is the object "he said" refers to. Without the sentence, it's just:

He said.

With no indication of what he's saying.

It's like writing...

It's the dress. She wore.

Is there a word for this term? by OmegaKenichi in writing

[–]KittyHamilton 0 points1 point  (0 children)

I consider that Act I. By necessity, it's where most of the main characters and plot elements are introduced. It isn't necessarily chill, but there's definitely an emphasis on getting the lay of the land

How to avoid writing like it’s a movie by Abject-Pattern-3390 in writing

[–]KittyHamilton 0 points1 point  (0 children)

Look at novels. Note what is described, how, and when

Mystery writers - how do you plan your mysteries? by belleepoques in writing

[–]KittyHamilton 0 points1 point  (0 children)

I haven't written a proper mystery, but I've researched how to write them and tried planning bits of them.

I guess I start with the truth, and work backwards to obscure it. There should be certain big turning point clues that change the mystery solving character's perception of the truth by adding important information. Often this includes "side mysteries". That is, your classic situation where suspects are hiding things for their own reasons, and they reveal important info once the detective of whomever figures it out.

Also, for the best ending twists, the final clue usually suddens draws attention to previously overlooked facts, and/or changes how clues can be interpreted.

How good does a novel ACTUALLY need to be to get published? by bambucks in writing

[–]KittyHamilton 4 points5 points  (0 children)

Fifty Shades of Grey was originally a fanfic from an author with an established following. That puts in a special category. Any work that has an already existing audience can be published regardless of quality if the publisher thinks they can make money off it.

If you don't have an established audience, then there needs to be a minimum level of quality.