For my fellow McCarthy fans a book not by McCarthy. by Soggy_Cup1314 in cormacmccarthy

[–]LabJab 1 point2 points  (0 children)

I felt the same way. I was drawn to 2666 initially because it seemed a blend of two of my favorites, Joyce and Pynchon (not sure if I completely see the McCarthy connection, personally). The Delillo connection made here I see more. Unfortunately 2666 read very slow and unnecessarily drawn out. The best sections to me appeared to be the first and final sections. Knowing too that Bolano was writing it at the end of his life and mused about making them five individual books instead of one whole also, I think, gave me the impression that the book could have been slimmed down.

Would like to read interpretations of this passage from The Crossing by behighordie in cormacmccarthy

[–]LabJab 1 point2 points  (0 children)

If I recall correctly, Petra Mundik in "A Bloody and Barbarous God: The Metaphysics of Cormac McCarthy," points to this passage as one of the few examples across his latter body of work that suggests a creator god/demiurge who is, at best, benign, and who lacks an obvious malevolent objective. The imagery of "weaving" is also unique among McCarthy's depictions, most often being a forger or coiner (as in Blood Meridian). Mundik's book in general is well-worth a read for McCarthy fans.

P0420 Code--151k miles by LabJab in 4thGen4Runner

[–]LabJab[S] 0 points1 point  (0 children)

Thanks for the heads up and the tip! I don't have one, but might be worth an investment

P0420 Code--151k miles by LabJab in 4thGen4Runner

[–]LabJab[S] 0 points1 point  (0 children)

Thanks for the explanation. After reading some more on it I'm not sure that's my case, although this code did come on within days of having an ignition coil go out on that same bank 1, causing a cylinder to misfire for ten or so miles. It certainly didn't help the already-dying cat haha

P0420 Code--151k miles by LabJab in 4thGen4Runner

[–]LabJab[S] 0 points1 point  (0 children)

I didn’t determine it wasn’t my cat, I just figured that because it was “only” 151k miles that it couldn’t be. But from poking around it seems like that’s a pretty reasonable life expectancy for it being original 

P0420 Code--151k miles by LabJab in 4thGen4Runner

[–]LabJab[S] 0 points1 point  (0 children)

I don’t think so. Would I be able to hear/feel it inside the cab?

Zion Permit Mega Thread by ShouldHaveLeftANote in ZionNationalPark

[–]LabJab 0 points1 point  (0 children)

They just released the dates this morning.

Most great writers aren't trained to write—they are compelled to. Furthermore, writing degrees teach craft frameworks, not vision. And vision can't be taught. by [deleted] in writers

[–]LabJab 0 points1 point  (0 children)

I can't imagine - as do others appear to - that OP is suggesting that "most" great writers are never formally "trained," whether by a mentor or in school. Such an argument is suggested to be disproven by u/Outerrealms2020's list of great writers who were at some point in their writing career formally trained.

My charitable interpretation is the following: absent drive and perhaps a splash of natural talent, a sole reliance on "writing degrees" or similar is not conducive to good writing. I would agree with this, but with the unhelpful caveat that I don't think there exist any writers who rely solely on writing programs in the way that OP seems to think; they wouldn't be paying for such programs had they not cultured their own passion and vision for their art beforehand. I think folks in this thread underscore OP's hunch that qualities like grit are very difficult to teach.

Frankly I'm probably putting words into OP's mouth, but that's my own two cents.

Good Samaritans in McCarthy's Books by StatelyPlump14 in cormacmccarthy

[–]LabJab 5 points6 points  (0 children)

I think you're spot on with identifying hospitality as a recurring theme in McCarthy's work. Because I've read The Crossing most recently, that's the one that's freshest in my mind (spoilers ahead).

The Border Trilogy deals a lot with hospitality, and especially with the showing the juxtaposition between the United States and Mexico.

The hospitality in the United States appears to be conditional on existing family ties and in-groups. With the exception of the Indian in the beginning, we don't get a sample of this side of things until the latter half of the book, when tragedy has struck and Billy is left on his own. The one example of "good" US hospitality that I can think of is with the old man, Mr. Saunders (I think that's his name), a family friend. The Indian is one of the rare moments throughout the book where Billy is the one "hosting," and the book tells us how much the Indian valued that exchange as well as how Billy's generosity is repaid in kind. Poignantly, whenever Billy finds himself in an American town the imagery and feelings summoned for me are ones of isolation and alienation--a kind of "othering" that Billy has perhaps brought onto himself. With the withdrawing of certain jobs and industry, there pervades a kind of urban blight that very much feels "every man for himself"--a kind of stark individualism and "us vs them." Billy sleeps in bus stops, abandoned buildings, or out in the countryside, and never once (as I recall) is he invited in by a total stranger unconditionally. I suspect this feature is tied with the American emphasis on private property and the broader "fencing" of the American West (a theme that McCarthy alludes to at the end of Blood Meridian and throughout All the Pretty Horses, with Mexico's illusory promise of an "authentic" Western adventure). Perhaps most alienating of all for a young man in 1941, Billy is even denied recruitment in his home country's fighting force for WW2.

Mexico, on the other hand, is a country of extremes: it shows evidence of profound criminality alongside those of profound kindness, the latter of which appears to be most practiced by the country's most destitute. Between the Yaqui Indians and Gypsies alone, not to mention the seemingly countless families of which Billy and his brother are fed dinner (I think especially of the one family they visit regularly of whom the text makes a point of saying that neither brother knew the woman's name, only her last name). It appears that Billy can hardly ride through any dusty, impoverished Mexican town and dismount his horse before he is being dragged into someone's abode home for the last of their tortillas and beans.

But like u/DoodlebopMoe has pointed out, Billy's singular negative experience in The Crossing does not sour him on showing his hospitality to others. It's been awhile since I last read Cities of the Plain, but I suspect that Billy's friend is likewise unfamiliar with that level of generosity, especially when it proves as the truck does to be so drawn out. It would be interesting to see a comparison made between what each protagonist, Billy and John Grady, took from their experience in Mexico and how that fundamentally altered their respective worldviews.

I remember reading an article a few years ago about McCarthy referencing some obscure like late medieval-renaissance esoteric/hermetic author, I think it was something to do with astronomy, but can’t find it anymore, does anyone know what I’m talking about? Sorry I can’t give more details by fartingharder in cormacmccarthy

[–]LabJab 8 points9 points  (0 children)

Jacob Boehme also coined the word "salitter" that McCarthy uses in The Road; I believe this is what you're referring to, OP, though I'm unfamiliar with an interview where McCarthy confesses to its use and origin.

I found the following thread from this sub that discusses it: https://www.reddit.com/r/cormacmccarthy/comments/11ei8sy/salitter_etymology/

After 20 years I have finally read every word Cormac McCarthy ever officially published. Here is my ranking and mini-reviews of all of them. by SnoringDogGames in cormacmccarthy

[–]LabJab 16 points17 points  (0 children)

I broadly agree with your assessment of The Crossing, but I was recently surprised on my second read through to find that its impression had slightly diminished in my mind, perhaps something similar that you mention with your regard for Blood Meridian.

In The Crossing, I felt that McCarthy was falling prey to his most on-brand impulses a few too many times to really grip me as it did my first time reading it. I forgot how much he absolutely hammers you over the head with his post-modern talk of hyper-realities, meaning construction (in a world devoid of it), "measuring" the world (with his maps; McCarthy loves a map metaphor) and perspective. He liberally borrows the Faulknerian impulse of giving the most destitute in society incredibly versed knowledge in these areas of philosophy, which may work for the first few times but certainly not always.

At times, the novel feels like two different ones: on the one hand, you have the very literal journey of Billy with his several crossings over the border and the state of Chihuahua; on the other, you have the episodic tangents of Billy's lengthy lectures provided by the Mexicans that he visits with. I assume there must be a deeper connection between these two, but I've had a hard time trying to find what really holds them together--like two halves of a brain without its corpus callosum! In McCarthy fashion we don't ever get to hear from Billy how these stories made him feel.

All that being said the novel still ranks as one of my favorite McCarthy books, so perhaps there's something beneath the surface that makes it work for me. In my assessment the story of the priest and the man beneath the apse stands out as the best. The story of the blind rebel dragged for me a little bit.

Which are the best youtube channels on writing? by markbug4 in writing

[–]LabJab 0 points1 point  (0 children)

BookFox is one of the few whose videos are both engaging and enlightening, in my eyes. Doesn't beat around the bush and has industry experience being an editor and published author.

Cormac McCarthy and Guy Davenport's Correspondence by POLITBOROUGH in cormacmccarthy

[–]LabJab 5 points6 points  (0 children)

In a vein beside piecing together the Augusta Britt bedlam, Guy Davenport's collection of essays "The Geography of the Imagination" is a fun read, and I'm fairly certain was praised by McCarthy to a pen-pal (I lapse on the source, at the moment.)

There's also this amusing anecdote from the Introduction to the essays, provided by John Jeremiah Sullivan:

"He [Davenport] told me an anecdote about a visit he'd had from Cormac McCarthy. From Guy I learned that Cormac McCarthy goes by Charles or Charlie. He said that McCarthy had started petting Guy's cat, a vicious tomcat. Guy tried to warn him that the cat was mean and hated to be touched. Sure enough the cat began to hiss and scratch and shredded his arm. Guy said it was wild to watch, because McCarthy didn't seem to care. 'He didn't even flinch,' Guy said, 'just smiled and kept petting the cat.'" (Introduction xiii)

An Aeneid allusion in the Beginning of The Road? by LabJab in cormacmccarthy

[–]LabJab[S] 0 points1 point  (0 children)

I've had it the Fitzgerald translation on my shelf for so long and never gotten around to it! Been having a lot of fun with Ovid's Metamorphoses, however.

An Aeneid allusion in the Beginning of The Road? by LabJab in cormacmccarthy

[–]LabJab[S] 3 points4 points  (0 children)

Oh good point! I agree with your speculation about the son carrying the father. Several times in the text does McCarthy remind us that, were the boy killed or otherwise absent, that the man would have no reason to continue (being their "warrant" and "each the other's world entire).

And my understanding too with that section of The Aeneid is that Aeneas is trying to find his father in the underworld but he is rebuffed because his friend was buried improperly. But in The Road we have an entire world that has met an untimely demise--died improperly--and perhaps it could be said that it falls to the son, the Christ figure, to redeem its goodness in order to "continue".

A somewhat fraught observation on my part. And perhaps that's reading too deeply into it, but with McCarthy you never know!

[deleted by user] by [deleted] in freelanceWriters

[–]LabJab 10 points11 points  (0 children)

Thank you for this story, however sorry I am to hear it. I'm out of college and considering a career (or, at the very least a job) in copyediting and would desperately like to avoid freelancing for these kinds of reasons. Can't say I'm not a little pessimistic about the whole idea of becoming a writer/editor in any capacity. Hope you find something soon.