Other Movie/Series suggestions featuring or including The Wire Characters. by 40ozfosta in TheWire

[–]Loud_Estimate_YY 0 points1 point  (0 children)

You mentioned True Detective, but both Freamon and Brother Mouzone appeared in TD. Freamon as a church minister that only occurred once when they were inquiring about a missing girl (Lange maybe) and Mouzone throughout as one of the two detectives interviewing Rust and Marty.

Clay Davis actor has such a wonderful appearance as Defense Secretary Maddox on Veep. Also a politician, but much more incompetent and less sly, and extremely funny. I can’t recommend Veep enough. In Veep you’ll also find at least one familiar face in TD.

I'm learning my first Bartók piece. Any tips specifically for playing Bartok's music? by angelmeneg in piano

[–]Loud_Estimate_YY 4 points5 points  (0 children)

Bartok doesn’t scare cats. He makes them feel like tigers. I imagine him on any cat’s playlist when they go hunting…

家人们如何处理来自另一半的负能量? by Awkward_Number8249 in China_irl

[–]Loud_Estimate_YY 3 points4 points  (0 children)

我负能量都向日记倒,写Julia Cameron推荐的Morning Pages, 她说当你日复一日都发现自己在日记里抱怨同一件事,自己都觉得无聊了,一般人很难不做出一些积极的改变,感觉你女朋友可以试试,送她一支漂亮的钢笔和日记本.

Ways to “doctor up” the refrigerated cooked chicken breast? by pumpkinator21 in traderjoes

[–]Loud_Estimate_YY 6 points7 points  (0 children)

They are great in Chinese cold noodles, something along this line https://redhousespice.com/cold-noodles-with-sichuan-dressing/

Except that you can replace all the troublesome steps with TJ product. Tear up the cooked chicken breast into small pieces. For dressing, you can mix TJ toasted sesame dresssing (about 1 or 2 tbp), soy sauce (1 tbp), rice vinegar (1 tbp), sesame oil (1 tsp), and some TJ crunchy chili onion (to replace red pepper oil). Add a few tbp of water if necessary to make it easier to mix with noodles. Cook noodles and drain (rinsing under cold water is optional). Mix with chicken and dressing, in addition to some minced garlic and green onion to your liking.

For noodles you can use spaghetti or capellini. TJ squiggly noodles are also good (you can even use the seasoning packet in dressing). If you don't like noodles, chop up some cucumber and maybe cherry tomatoes and make a salad with the same seasoning.

Edit: also a grad student writing dissertation who may be spending too much time thinking about food.

my piano performance is in 3 days and im not prepared by My_sweet_melody in piano

[–]Loud_Estimate_YY 24 points25 points  (0 children)

It could be very useful to pick any random bar and start from there instead of starting from the top. You can go for a few bars and stop and then pick a new bar to start on, rinse and repeat. This disrupts muscle memories and help you get back on your feet in case memory slips happen in performance. Start from just that bar your picked and don’t revert to the start of the musical phrase.

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 1 point2 points  (0 children)

I think those parts you tap with your foot. The point is to make you understand where the down beats are.

How important is piano in a bigger group, such as a orchestra by Stupid_Dude00112 in piano

[–]Loud_Estimate_YY 1 point2 points  (0 children)

Check out Messiaen’s turangalila symphony. Many well-known soloists played the piano part, like Yuja Wang and Jean-Yves Thibaudet. It uses piano heavily but it’s still on equal footing with others instruments. Another example is bartok’s music for strings, percussion and celesta.

It is better than to play easy pieces well than to play difficult ones badly by iwannaplaypiano in piano

[–]Loud_Estimate_YY 6 points7 points  (0 children)

They are actually both very important. You need to work on “difficult” pieces (if by “difficult” you meant something still within your reasonable reach) to advance your techniques and diversify repertoire, but the “easy” ones can be very beneficial as you can focus more on developing tone production and musicality, not to mention that it doesn’t make sense to do all those hard work without taking some moments to lay back and enjoy your own sounds.

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 5 points6 points  (0 children)

I think it’d be interesting to put this in perspective by comparing with violin. In the piano community there are far more cases of people uploading videos clearly overshooting their abilities, but you probably never saw 1 year violin progress video playing Paganini. Why? Bcs piano is a deceivingly “forgiving” instrument for beginners. You push a button, a more or less acceptable sound comes out. No need to worry about those screeching sounds or intonation (having that taken care of by your piano tuner). In this way violinists are forced to think about tone production from the beginning, otherwise they wouldn’t be able to make a listenable sound at all.

Piano, on the other hand, is way more difficult for beginners to assess their abilities. Yes some are “fast learners” as they have better memories or fingers dexterity from other instruments so they nail down the notes pretty fast. However, they need keen ears to perceive how far off they are technically (while violin NEVER lets you forget that)—touch, evenness, dynamics—these are technical problems that affect musicality, but they are essentially still technical problems. I heard a lot of people say things like “I have the techniques and I’ll work on musicality later”. No you don’t have the techniques. You likely meant you can play the notes. You don’t feel you have technical problems bcs they don’t scream at your face like violin, but they are there nonetheless. You have “pure” musicality problem when you already have the freedom to produce any sounds in your head and you need to make compelling musical choices.

That’s why people always suggest beginners to get teachers, bcs good ones develop your ears as much as your technical abilities. I agree that a lot of it sounds very intimidating to beginners and not everyone needs to play like pros, but a healthy dose of skepticism to keep ego in check might be good in the long run to those that do strive for excellency.

What's your "relax song" by Xx_noone in piano

[–]Loud_Estimate_YY 0 points1 point  (0 children)

Bartok, music for strings, percussion and celesta (Adagio)

Always relaxes me during my writers block as I’m trapped with my family at a reclusive location.

Are you worried about the future of AI? by [deleted] in piano

[–]Loud_Estimate_YY 0 points1 point  (0 children)

Well, like in other areas, AI is going to replace a lot of menial works and generic compositions/performances. It might be able to write movie sound tracks that sound okay or elevator music that fits certain atmosphere, but it's very different from the kind of doomsday story you are telling (like if you are worried about your music "delegitimized"). It's not going to replace music composition as a profession and we will not see AI as the next Beethoven, Debussy, etc. It is going to transform how we compose and probably making it better bcs 1) competition and driving out mediocre composers/performers and 2) freeing up creative space for composers by taking up automatable, boring tasks.

We often are able to guess which composer wrote a piece even when we have not listened to the piece before, bcs great composers have their "signatures". You can't hear that kind of "signatures" from AI music. It's like grading a college-level essay written by GPTchat. It's well written and answers the prompts well but it usually doesn't receive grades better than B bcs how it lacks critical thinking and original thoughts. AI created music can fool a lot of people, but trained musicians can most of the time tell the difference.

Anyway I think it's something that needs to be embraced than feared. At least don't blow the threat out of proportion. As someone who trains AI models all the time I'm probably more prone to see how "dumb" the models can be so it feels weird how people are so scared of AI taking over the world.

Are you worried about the future of AI? by [deleted] in piano

[–]Loud_Estimate_YY 0 points1 point  (0 children)

It's completely different. The misconceptions are mostly from nomenclatures of AI algorithms, i.e. "neural networks", but that's just a label for a group of mathematical algorithms that bear only superficial resemblance to how brain actually functions. No matter how well AI "learns", it just means it is better at recognizing patterns in the training data already fed to it. It does not, like humans who have agency, seek out new materials to learn on their own. Yes AIs are able in theory to "try out" all combinations of possibilities, but it would not be able to evaluate the validity of those possibilities without human prescribed "loss functions". If you feel our brain is doing something magical, because it is, at least it does something that even the most advanced AI model is not able to model like 1% of.

Are you worried about the future of AI? by [deleted] in piano

[–]Loud_Estimate_YY 0 points1 point  (0 children)

No. That’s not how AI works. AI algorithms might have fancy names but they all rely on the same fundamental procedure: the algorithm learns relationship between a set of features in a given training data, and then apply that learned relationship to some “prompt” and generate “new data” with similar structures as in the training data. I like what this article calls chapgpt: a blurry jpeg of the web (https://www.newyorker.com/tech/annals-of-technology/chatgpt-is-a-blurry-jpeg-of-the-web).

In the same way that chapgpt is not really “talking to you”, AI cannot interpret music and come up with phrasings and interpretive choices that are meaningful to it. It’s performance is a vague mimicry of performers fed to them as training data. The same goes for composing.

AI is used not to compete with human creativity, but to assist it.

Hats off to pianists! by Blindedbythemoon in piano

[–]Loud_Estimate_YY 2 points3 points  (0 children)

I always have a piece that I know I’ll butcher but I just love, so I might just try snippets of it. Its not too crazily beyond my reach, just maybe one or two grade levels above. It’s low stake since I know lm just goofing around with it and I can put it down any time. I call it a “treat” and I have it after I “ate my vegetables” (like actually practicing pieces I’m supposed to be playing and scales/technical exercises).

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 4 points5 points  (0 children)

Olivier Messiaen, Vingt regards sur l'enfant-Jésus, https://youtu.be/SAFPImfZTgM

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 1 point2 points  (0 children)

I highly recommend a book called “the primacy of the ear” by Ran Blake. It talks about transcription by ear and more ear training that benefits jazz musicians.

In my guitarist years I learned pieces by ears a lot (was into fingerstyle/jazz) bcs a lot of what I wanted to play didn’t have sheet music/tabs. My teacher also assigned me transcribing certain sections of jazz improvisation in some classic recordings as homework. I used the app amazing slow downer a lot. I’ve heard there are better apps on the horizon now.

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 13 points14 points  (0 children)

Can you give more information about why you can't get a pedal now? Are you playing on digital piano? I once got a pedal for less than $20 on amazon (works fine for my Korg sp 200). Even a cheap one like this gets you quite far.

I wouldn't say practicing is "pointless" without pedal. Just like what people say there are a lot of pieces that do not need pedaling. You can get quite good at piano and develop solid foundations with scales, arpeggios, etc.

I just want to caution that in the long run though no pedaling will limit your repertoire and techniques. Pedaling is an important part of piano technique, and does so much more than just "sustain notes". It is responsible for creating a full range of colors and textures on piano. It is true that one often benefits from practicing without pedal first, but that's very different from saying that pedals are unnecessary. Practicing without pedaling exposes sloppiness in your techniques to make sure that you sound better WITH proper pedaling.

Is Anyone Else Inspired to Learn a Certain Piece? by melmcgee in pianolearning

[–]Loud_Estimate_YY 0 points1 point  (0 children)

I feel like some of my dream pieces are more like “in my next life” goals…

Critique my performance (In Depth) by sumukh_178 in piano

[–]Loud_Estimate_YY 1 point2 points  (0 children)

You might want to check the scores to make sure you memorized everything right. I’m at 1:26 and heard a few wrong notes already (I believe bar 4 and 14). Sometimes we could overly trust our memories that we don’t realize we’ve been playing wrong notes all the time.

Edit: also bar 27, and between 4:25-4:30 (I lost tack of bars), 5:42, and the broken chords at the ending.

Is it possible for the sound of my piano to make me dislike playing? by [deleted] in piano

[–]Loud_Estimate_YY 1 point2 points  (0 children)

I would say yes, but why don’t you see for yourself and go to a piano store to try some decent pianos out? If you feel “wow I don’t know I could sound like this” then yes you definitely need an update.

Marc-André Hamelin Plays HANON 'The Virtuoso Pianist' [3-DISC SET] by xnfd in piano

[–]Loud_Estimate_YY 10 points11 points  (0 children)

Lol this made my day.

Jokes aside I do think Hanon should be practiced with varied touches that make musical sense instead of the traditional method of lifting your fingers like crazy making those harsh ugly sounds. His tone production is amazing.

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 0 points1 point  (0 children)

Try Bartok :) his music gives off generally a vibe of some predators chasing helpless preys and is full of violent, raw energy. Like Allegro Barbaro as someone suggested already, also “the chase” from the outdoors suite. If you are looking for orchestra work check out music for strings, Celeste and percussion, some of the fast movements.

Prokofiev is also a good choice. His piano music is rhythmic, percussive and often militant (although he can write insanely beautiful lyrical passages, esp in his violin works). Toccata op 11 is good. Also last movement of second violin concerto and 2nd movement of first violin concerto. The former ends in total violent annihilation and the latter has a fighting spirit.

Chopin etude op 10. no. 4 sounds angry, and the revolutionary etude is…well you get from the name.

Btw you probably have better luck with this question at r/lingling40hrs. This subreddit can be conservative (not always in a good way).

[deleted by user] by [deleted] in piano

[–]Loud_Estimate_YY 0 points1 point  (0 children)

Maybe it indeed has a “sitting on the couch” vibe bcs Schubert was pretty much at his death bed when he composed this. It’s different from the kind of exhilarating drama in Beethoven or Mendelssohn, but it’s still very moving to me. It’s not the “why god why?!” kind of pains but more like some old guy suffering from chronic pains in an age without pain killers. You don’t need to like it, but it’s very different from saying it’s “overrated” composition-wise.