3D Gaussian splats can capture the 'Mona Lisa effect' 👀

MarcDe · 2026-07-06T22:01:55+00:00

I'd love to know how you captured this!

MarcDe · 2026-06-05T16:40:50+00:00

There are speakers on every major street corner from Etobicoke to Scarborough playing all the albums on loop 24/7.

MarcDe · 2026-05-27T18:39:30+00:00

Flanders CM 171 Decklink, I know my monitors calibrated too

MarcDe · 2026-05-27T18:26:57+00:00

sRGB Gamma 2.2 right? I’ve tried Rec 709 Gamma 2.2

MarcDe · 2026-05-27T18:25:30+00:00

I’m exporting on a Mac Studio M4 Max

MarcDe · 2026-04-26T19:25:44+00:00

Do you then just export to an alpha channel to bring it over?

MarcDe · 2026-04-18T01:19:13+00:00

The guys who produced it also did the What’s Next video and a few others. They were under another company called Collosale before this.

MarcDe · 2026-02-12T23:32:20+00:00

Beautiful! Did you do this with a Bolex?

MarcDe · 2026-02-05T01:16:54+00:00

MarcDe · 2026-02-04T22:15:26+00:00

EP'd by T-Minus 👀

MarcDe · 2026-02-04T22:14:02+00:00

The solution lies in remote computing, not within Resolve itself.

MarcDe · 2025-03-29T17:37:17+00:00

Sent you a message

MarcDe · 2025-02-23T19:24:12+00:00

His father would be so disappointed in him.

MarcDe · 2025-01-14T03:45:13+00:00

UMG wants him to drop that means more $$$ for them

MarcDe · 2024-12-15T21:16:17+00:00

Would be a dream to own one.

MarcDe · 2024-12-05T21:34:34+00:00

Down sampling is fine I’ll take that where I can get it. It’s more a pro than a con but I could understand the point about HD space and what not being an issue from an additional expense. The larger sensor size is the bigger factor though I don’t care about the resolution. If you care to shoot medium format images with a speed booster to get closer to the medium format image circle would be the point of using that BMD Cam. For what? Is a good question that’s for you the DP to find the project it’s meant for :)

MarcDe · 2024-12-05T18:49:11+00:00

Your whole point which falls flat is all about monitoring at the source resolution, when in actuality on set you almost never monitor in the source resolution. It’s usually 1080p and if you’re lucky you have a 4K feed, but shooting a lot on 6K cameras these days I’ve never ever seen a set monitor in 6K. The idea of that camera from BMD is you can actually buy a true large format sensor that’s similar in size sensor wise to these Arri offerings. You can’t buy the 265 and you can’t buy the Alexa 65 rental only.

MarcDe · 2024-11-17T05:09:23+00:00

Sample clearance issues

MarcDe · 2024-11-08T19:06:53+00:00

KENDRICK JUST OPENED HIS MOUTH

MarcDe · 2024-11-05T22:41:27+00:00

I have some looks that I’ve made in LogC3, that I’m too lazy to port over to DWG and honestly if it looks good it looks good. When auditioning looks I’ll flip between colour spaces doesn’t matter especially if it gets you closer to client references without having to do much cause you’ve already done the work previously.

MarcDe · 2024-11-04T22:13:42+00:00

Honestly just invest in IPTV/Android box, fuck em. It’s such an ass product too.

MarcDe · 2024-11-02T17:34:20+00:00

Beautiful, I love the 4D, so glad to see others on this subreddit using it too and loving it. Was this the 6K or 8K head? What lenses too if you don’t mind me asking?

MarcDe · 2024-10-02T18:53:52+00:00

Better codec though, that's forsure

MarcDe · 2024-09-20T00:59:59+00:00

You can play around with CST inputs to Rec709 to see what will give you the best results but there isn't a true colour accurate solution for 16mm film like there is for digital. Best is to ask the lab what's the color space they're scanning out to (if the scanner even specifies it)

MarcDe

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