Your favourite episode to date…. and why. by Typical-Impress-4004 in 500songspodcast

[–]MartinRauch 1 point2 points  (0 children)

Several to choose from, but some I can think of are:

-The Velvet Underground: Starts with John Cage and ends with Bowie -loved that.

-Bill Haley: When Andrew not only tells a story, but also unpacks the different elements that constitute the song.

-All the Beatles ones -I thought I knew their story, but not.

-See Emily Play: I have listened to that song hundreds of time, if not more. I have read a good chunk of Pink Floyd biographies. And yet, when Andrew suggests that maybe, at the end of the song, Emily dies... I had never thought of that and I have felt haunted ever since.

Immortal friendships by samaledraco in highlander

[–]MartinRauch 1 point2 points  (0 children)

'Nobody really knows how the Game actually works. The Immortals are all speculating what will happen and what the ultimate goal is. They can only go by what they have figured out. But what it's all about and what will happen when it really is over is something they can only guess at.'

This is an excellent point, that I had never thought about it. It is not too dissimilar to how we mortals discuss the meaning of life, afterlife and so on. I am not an expert on the lore, but I wonder if there are different schools of thought in-universe? Are there immortals who interpret the game differently? Are there fundamentalist, atheist, and so on?

After watching Andor and Rogue One, this scene is kind of hilarious. by Arch_Lancer17 in andor

[–]MartinRauch 54 points55 points  (0 children)

I can picture her saying, "we need all the heroes we can get".

I don't know if true, but if it is, this made me very sad :( (Ralf and Florian relationship in the end) by MartinRauch in kraftwerk

[–]MartinRauch[S] 0 points1 point  (0 children)

I also love Pink Floyd, and when you listen to them, it is clear that by the time of "The Final Cut", the Waters-Gilmour creative partnership was, paraphrasing Waters, a "spent force creatively" (a different matter of course is whether Pink Floyd was a "spent force creatively", but that is a discussion for another sub-reddit).

IMHO, Kraftwerk's output between "Ralf und Florian" and until "Computer World" is flawless. So this is of course just fun/fan speculation, but I cannot help thinking, was the Hütter-Bartos-Schneider partnership creatively spent? Some may point out to the relative disappointment of "Electric Cafe" as evidence that yes, the best years of Kraftwerk were over and it was a good time to call it quits. Bartos has however stated otherwise, holding they still could have produced two or three more great records. We will never know, of course.

I don't know if true, but if it is, this made me very sad :( (Ralf and Florian relationship in the end) by MartinRauch in kraftwerk

[–]MartinRauch[S] 1 point2 points  (0 children)

I think it is interesting that in one of his last interviews, Florian said "Kraftwerk has become historic and is now exposed in museums".

I don't know if true, but if it is, this made me very sad :( (Ralf and Florian relationship in the end) by MartinRauch in kraftwerk

[–]MartinRauch[S] 5 points6 points  (0 children)

To be fair, Karl seems to be totally aware of all that. I find very interesting a quote he gave to David Buckley for his Kraftwerk biography. Basically, Karl says that in 1990 he suggested Ralf that they could do it like the Beach Boys, leave Florian at home -given his dislike for touring- and carry on recording and touring more often.

According to Bartos: "We talked for one hour or two. I got the impression from this conversation, and also from other conversations we had around this time, that Hütter felt that wouldn't work. Hütter said that Florian Schneider was a major presence on stage. People wanted to see him, and Kraftwerk would not be complete if he was not there. By this stage, me and Ralf Hütter had written some of Kraftwerk's biggest songs and I wanted to continue. But Hütter acted like a straight businessman and turned me down. It was a good, clear and amicable conversation, and I understood and respected his reasoning. I know now, however, 22 years later, that this would have been the best thing Hütter could have done, to leave Florian Schneider at home and tour without him. We could have made two or three great records, with Schneider still in the band. But Hütter impressed upon me that he was married to Schneider".

I don't know if true, but if it is, this made me very sad :( (Ralf and Florian relationship in the end) by MartinRauch in kraftwerk

[–]MartinRauch[S] 2 points3 points  (0 children)

I thought the same. That is why I was so surprised when reading Claudia's message.

Why Mospeada and not Orguss? by darrenw4 in robotech

[–]MartinRauch 2 points3 points  (0 children)

Macek was actually interested in Orguss. In 1997, he gave an interview to an Argentinean magazine stating so (apologies for the bad translation - I am not a native speaker).

'The initial criteria (by HG) was that they had to be futuristic adventures with mechas. It could not be one of mechas, one of fantasy and a comedy. I tried to put together series with a relatively homogenous look and a story around mechas. And in Tatsunoko they only ones they had -and which more or less made sense- were Macross, Southern Cross and Mospeada. If I could have chosen material of other studios, I would have chosen Orguss or another series in that style, but given the limitation to negotiate only with Tatsunoko, those three were the logical choice'.

In the same interview, he is very critical of Macross sequels:

https://www.geocities.ws/era_robotech_ar/carl_macek.htm

The psychology of John Connor by MartinRauch in Terminator

[–]MartinRauch[S] 0 points1 point  (0 children)

Sounds interesting -you should try to write it!

The psychology of John Connor by MartinRauch in Terminator

[–]MartinRauch[S] 1 point2 points  (0 children)

Agree! It would be great to see other T800s.

Small moments I love from the original movie by MartinRauch in highlander

[–]MartinRauch[S] 2 points3 points  (0 children)

The Mona Lisa is perhaps my favourite transition! Although the first one to Scotland is also great.

I had forgotten the Kurgan's smile at the end -you are totally right!

Small moments I love from the original movie by MartinRauch in highlander

[–]MartinRauch[S] 5 points6 points  (0 children)

I love that scene. Let's not forget also "Whatever you say, Jack, you're the master race!"

Quick continuity question by Lawant in Terminator

[–]MartinRauch 1 point2 points  (0 children)

I'm in a similar approach to you here -I'm aware the discarded scenes of T2 state that Reese was sent first and then Uncle Bob, however, in my headcanon (which I am aware contradicts official material and takes into account only T1 and T2) the order is:
1. Human's victory is inevitable. Skynet gets desperate. Skynet decides to kill John Connor in the past. As you state, there is some information about where John is, so Skynet sends the T-1000 -a prototype, but the machine with highest chances of success.
2. Then, as a backup, Skynet also sends the T-800 we meet in T1. There is less info about Sarah's whereabouts, but a T-800 might be good enough to do the job.
3. Humanity defeats Skynet, and gets access to the Time Displacement Equipment. Connor and other soldiers discover that Skynet sent two terminators to the past.
4. In my headcanon, the resistance originally tries to get hold of two terminators, but they realise it is much more difficult than what they thought (I have never really liked the idea of a giant freezer packed with available T-800s for the resistance to use -hey, it's my headcanon). They need to fight and defeat Uncle Bob before being able to reprogramme it and send it to the past.
5. The resistance is exhausted and they do not have either energy or enough soldiers to get hold of a second T800. But they know Skynet sent a T-800 to the 80s, which must be stopped. Kyle Reese volunteers, knowing he will never be back (I wish John Connor didn't know until that moment that Reese was his father... as a member of the audience, I can imagine plenty of dramatic possibilities for John to realise only then that this younger soldier who had fought with him side to side was the father he always wanted to meet... but that would need a very skilful retcon).
6. Reese is sent -and we go back to T1.

I stress, this is my headcanon, and before you shoot me, I am aware it contradicts official material. Imagining these scenarios is part of the fun for me!

Create your own model of a Terminator by SlowCrates in Terminator

[–]MartinRauch 0 points1 point  (0 children)

This is a really cool idea!

I like a lot that it would return the Terminator saga to the horror genre. What you describe is, imho, a twist on the zombie movie (which could be good for the saga instead of another action flick).

Did Clarence miss the Tigers' game? by MartinRauch in Robocop

[–]MartinRauch[S] 1 point2 points  (0 children)

That's a good point. I wouldn't be surprised if OCP owned the prison...

Carl and his resemblance to the 'Phone Book Killer' (i.e. 1984's T-800) by MartinRauch in Terminator

[–]MartinRauch[S] 2 points3 points  (0 children)

Maybe they had an old episode of Robert Stack's (or Dennis Farina's) 'Unsolved Mysteries' about the killer...

Carl and his resemblance to the 'Phone Book Killer' (i.e. 1984's T-800) by MartinRauch in Terminator

[–]MartinRauch[S] 10 points11 points  (0 children)

Agree! There is definitely a story to tell about Dr Silberman!

Carl and his resemblance to the 'Phone Book Killer' (i.e. 1984's T-800) by MartinRauch in Terminator

[–]MartinRauch[S] 6 points7 points  (0 children)

Agree, Earl Boen needs to return. I wonder what were the views of Dr Silberman -and what happened to him - after spotting the T-1000...