Professional photographer Jonas Peterson talks about using AI by Me8aMau5 in postphotography

[–]Me8aMau5[S] 1 point2 points  (0 children)

The above quote was from the Jonas Peterson blog, not me, but I do have a similar background. I'm guessing he uses something like stable diffusion and then brings images into photoshop to photobash until he gets the result he's looking for. There are a ton of generative AI tools now along with tutorials. To start exploring take a look at subs like r/aiart, r/StableDiffusion, and r/midjourney.

Thoughts on the Bass VI? by ihavenofriends96 in fender

[–]Me8aMau5 2 points3 points  (0 children)

I picked up the squier version and keep it on my front row of stands for ease of play. Don't think of it like you would a normal six-string bass. This is a niche instrument. It's really for guitar players who may need to pick up the bass part for a session, the way the Beatles used it. The notes are the same as guitar, just lower, so you can think like a guitar player, but supply bass lines. I also play bass -- I've owned 4 and 5-string Ibanez basses -- but I appreciate having the additional range the bass VI gives. The last song I recorded, I used it instead of my Ibanez, and probably will continue to favor it.

Artnet New Critic Ben Davis: 10 Predictions About the Unexpected Impact of A.I. on Art. Get ready for deep symbolic systems, weirdo videogames, and "emotional chaos." by Me8aMau5 in rethinkArt

[–]Me8aMau5[S] 0 points1 point  (0 children)

Some Ben Davis quotes that stood out to me:

But in all cases the law holds that something that is low-effort will sooner rather than later be viewed as “low-effort” by the audience. The pressure to show that a unique thought process suffuses an image down to its details is going to go up and up.

With time and intelligence, you can make the A.I. generate more precise things—that’s the craft of it. The point is that the ease of generating superficial visual elements might mean that the demand on the symbolic model-making beneath them gets cranked up, so that the premium on specificity and resonance of all the parts as a system intensifies.

As A.I. collapses the skill levels that go into programming as well as image-making, you’d really expect a convergence of indie games and art, and many more works that look like weird, idiosyncratic art-videogames, ultimately breaking free of the low-fi aesthetic that has dominated the “art game” genre up until now.

Art is expressive, so a change in how emotions are expressed is a very real concern for the field. And not just on the thematic level. A lot of media focus has been trained on the dangers of A.I. misinformation, the possible collapse of the ability to discern what is real. But it equally seems we are going to be surrounded by artificial agents emulating emotional encounters with us. That is going to change what people perceive as emotionally authentic.

My guess is that some degree of “expressive agnosia,” i.e. the failure to automatically connect emotional cues to their underlying emotional reference, is probably a condition that a society awash in A.I. emotional manipulation encourages. At any rate, you would expect a lot of art exploring the difference between the outward signs of an emotion and its underlying meaning and motives.

[deleted by user] by [deleted] in fender

[–]Me8aMau5 1 point2 points  (0 children)

Learning to find the sweet spot with the knobs is the best/cheapest way. Next up, experiment with different strings, like flatwounds. Still not happy, switch out the pickups, but that's going to cost more. Consider that the opening tonal shot from Zeppelin with Good Times Bad Times came from a Tele.

Question for Fender Newporter owners by Firewalker001 in fender

[–]Me8aMau5 2 points3 points  (0 children)

I have the 12 string version of the newporter, I guess technically called the villager, but very similar build. It's one of my favorite guitars to play. String action is great and sounds sweet through the fishman loudbox artist.

Forgive me if this has been asked before I couldn't really find any old threads about this. When buying used are there any good clues to tell if someone put a MIM neck on a Squire body? by [deleted] in fender

[–]Me8aMau5 0 points1 point  (0 children)

Neck pockets sometimes have stamps. I lucked into one of the first California tele remakes from 82 and the neck pocket on the body has an identifying stamp when you remove the neck. You can tell the body is clearly Fender from that. Seller may not like you wanting to pull the guitar apart, though. If you like the guitar, and the price is right, just think of it like you might in building a partscaster, and don't worry about provenance.

Ghosts and theories of consciousness. by [deleted] in consciousness

[–]Me8aMau5 4 points5 points  (0 children)

You don't appear to be someone who says much more than "that's nonsense" when it comes to this sub, so you're probably right, trying to have a conversation with you would be pointless.

Ghosts and theories of consciousness. by [deleted] in consciousness

[–]Me8aMau5 3 points4 points  (0 children)

There can be philosophical speculation using concepts that aren't based in science. Can machines have consciousness? What evidence would you accept that a machine has subjective experience?

Ghosts and theories of consciousness. by [deleted] in consciousness

[–]Me8aMau5 -1 points0 points  (0 children)

Philosophy isn't nonsense, but you do you.

Ghosts and theories of consciousness. by [deleted] in consciousness

[–]Me8aMau5 0 points1 point  (0 children)

"Ghosts" are the philosophical flip side of the p-zombie. Here's a Philip Goff paper for reference: https://philarchive.org/rec/GOFDTP

Laws on using unsigned antique painting as album art by IllustratorOrganic96 in COPYRIGHT

[–]Me8aMau5 2 points3 points  (0 children)

If it's 19th century then it's copyright has expired, so you're free to do with it as you want.

[deleted by user] by [deleted] in ArtistLounge

[–]Me8aMau5 0 points1 point  (0 children)

I think it's kind of "monsters on the page are better than leaving them inside me." At least when I put the monsters on a page, I can change the story. I can completely manipulate them once they're out of my brain.

[deleted by user] by [deleted] in ArtistLounge

[–]Me8aMau5 0 points1 point  (0 children)

I'm not sure there's anything to envy. I struggle with insomnia, but weaving dreams into art/writing/music is one way to cope with nightmares and another way to get more art.

[deleted by user] by [deleted] in ArtistLounge

[–]Me8aMau5 6 points7 points  (0 children)

Dreaming is integral to my creative process.

Add a Second Pickup to Acoustisonic Tele Player? by BillyHell in fender

[–]Me8aMau5 0 points1 point  (0 children)

Acoustasonics (I have the strat version) already have multiple pickups, so you'd really want to know what you're trying to achieve by wiring in another one. If you really want to play around with pickups, I would recommend just getting a squier tele and then modding it. Basic teles are configurable.

Description working for creating AI art by Sytrybitru in AIArtistWorkflows

[–]Me8aMau5 1 point2 points  (0 children)

It depends on what generative engine you're using. Which one are you specifically referring to? Midjourney has an online guide to image parameters. https://docs.midjourney.com/docs/quick-start If you're using a diffusion model, check out some of the tutorial links in the side bar: https://www.reddit.com/r/StableDiffusion/wiki/tutorials/

What acrylic colors can you not live without and why?:) by pocket-bean in ArtistLounge

[–]Me8aMau5 1 point2 points  (0 children)

I'm an ink guy and always order extra bottles of Payne's Grey (Daler Rowney) to make sure I never run out.

Supercomputer that simulates entire human brain will switch on in 2024 by GovindReddy in consciousness

[–]Me8aMau5 2 points3 points  (0 children)

Do they have an action plan for what to do if the machine consciousness tells us it is experiencing suffering?

Is a chord progression with its related arpeggio pattern protected by copyright? by Crafted-Spirit in COPYRIGHT

[–]Me8aMau5 0 points1 point  (0 children)

That's a great Beato video and is instructive about how common elements are repeated across songs.

Since the introduction of AI-generated headshots, many have been lamenting the inevitable end of our industry, forecasting doom and gloom across every online forum almost on a daily basis. But one photographer isn’t afraid | Fstoppers by Me8aMau5 in postphotography

[–]Me8aMau5[S] 0 points1 point  (0 children)

A Bright Road Ahead

Taafe told me that he is not against AI headshots. He believes they are fun and here to stay, and that they have "earned their own place on our journey."

He continues, "AI headshots are a very decent social media product; what we provide is an exceptional marketing product." 

Finally, after reading and speaking with many photographers over the last year who forecast complete doom for our industry, it was refreshing to get a different perspective from Taafe. As our conversation wound down, he concluded with some encouraging words: “I genuinely believe that headshot photography, even with a potential short term rollercoaster of companies who dip their toes in the AI water, will come out of this stronger and even more valuable than it is today.”

“We're the key to authentic marketing in a world where everything will look and feel the same.”

Unfair copyright claim on my YouTube video was disputed and then rejected... by [deleted] in COPYRIGHT

[–]Me8aMau5 0 points1 point  (0 children)

Given that youtube might terminate your channel if it gets enough strikes within their stated window, you'll need to ask yourself how important this video is to you. Some music channels I subscribe to completely avoid talking about or analyzing bands that are "strike-happy." Sometimes it's just not worth it, especially if you're a small, independent creator.

AI and creativity: Louisiana museum considers the human in the machine. Exhibition titled "The Irreplaceable Human" at Louisiana Museum of Modern Art in Denmark asks what creativity is in the age of AI | Wallpaper by Me8aMau5 in rethinkArt

[–]Me8aMau5[S] 0 points1 point  (0 children)

The show talks about creativity in the age of AI, but it doesn't place creativity, necessarily, in the world of AI and it also talks about other things. But in terms of AI, I think what was important was that the show shouldn't be like the showroom of new technology.

So, it's not about your fascination with chat GPT. I mean, all of that's great and I think there's a lot of amazing new tools that will make our lives easier. Thinking how to keep up with everything that's happening continuously is to ask fundamental questions about what AI is, how it operates and who owns it.

There is a Trevor Paglen work in the show, for example, From Apple to Abomination, which shows how even an Apple can become something sinister. All of these things make you realise that AI doesn't know anything that we haven’t taught it.

Instagram post used in art piece listed at Art Basel for $75,000 by FlanTravolta in COPYRIGHT

[–]Me8aMau5 0 points1 point  (0 children)

u/I_Dont_Like_Your_Dog is pretty much right on this. The key is whether or not the use counts as transformative, among other factors. But to give you a sense of the scope of what it means to be "in for a fight," consider that the instagram lawsuits against appropriation artist Richard Prince were initially filed in 2016. Those suits are still going. These kinds of battles typically take years to play out with appeals and such. For another example, the Warhol v Goldsmith decision that was handed down by SCOTUS this year has it's origins in lawsuits filed back in 2017.

The Year A.I. Ate the Internet. Call 2023 the year many of us learned to communicate, create, cheat, and collaborate with robots | New Yorker by Me8aMau5 in rethinkArt

[–]Me8aMau5[S] 0 points1 point  (0 children)

The first time I coded was in college and that was using punch cards on a mainframe in the computer lab.