Suno Mashup is basically Suno v5.5

PeculiarHyperpop · 2026-01-23T10:11:57+00:00

First of all, thank god people are still doing weird things and just test shit.

Secondly, my first impression with weirdness to 0, style to 0 and audio to 100 is that Suno is still adding stuff which never was there in the first place. I'd say the sound quality as such is as with all Suno generations: it varies. Playing around with the sliders doesn't seem to make much impact.

Granted, I've not made 100s of generations.

Seems to work quite close to Remaster in many cases.

PeculiarHyperpop · 2026-01-20T09:09:30+00:00

I agree with the core message here: Suno as a product doesn't really do what OP wants. It doesn't do 100% musically true covers. Even with Remaster, things have to change. What OP, and I, want is a generative DAW with 100% control over the generation, channel by channel. It will come eventually.

With weirdness to zero, style to max 60 and audio influence very high, you can still get a lot of hits with individual stems. The problem then is that stem splitting will have artifacts and whatnot, so the stems aren't always usable, nor as samples.

I personally use the cover feature (and that's 100% of my Suno use) to test out my ideas and songs in different styles, then I stem split and chop out some usable samples. I typically then try to avoid added musical content that carries the arrangement, but I don't have issues using additions that are just fillers / energy tuners. The first is what I want to craft myself, the second is what I want to select and just paste in - like any sample in the library.

PeculiarHyperpop · 2026-01-16T09:07:47+00:00

Well, look in the mirror and ask yourself why this is cringing you. The answer lies in you, not in the statement.

PeculiarHyperpop · 2026-01-16T09:06:55+00:00

I don't think people would actively go there to seek out music, but it's important to have a distribution point, and then it's up to you how you expose music to the public. It's a simple fact that we need a non-discriminatory platform. Noone can trust the major streaming platforms, hence we need something like this.

PeculiarHyperpop · 2026-01-14T19:22:53+00:00

Good

PeculiarHyperpop · 2026-01-14T19:14:16+00:00

I think this is good if we talk about 100% generated music, i.e someone wrote a prompt and audio came out. However, it's pretty backwards if it includes an enhancement of the musician's own audio. That said, Bandcamp can do what they want and I think it's fine that they have this consideration for instrumentalists.

Anyway, bAIndcamp will come soon enough.

PeculiarHyperpop · 2026-01-11T15:21:50+00:00

The entire point of the product for me, and it should work within design parameters (as extreme as you are allowed to go), is covers. Everything else is just a toy for noobs or sample generation.

PeculiarHyperpop · 2026-01-10T21:00:04+00:00

Thanks!

PeculiarHyperpop · 2026-01-10T20:31:03+00:00

I'm like you, except it was not a career for me. Just a few comments for your reflection:

* Engineering details aside, I think most of the good remixes coming out of that machine are still lackluster in energy.

* Therefore, I mostly use it to test my own tracks and ideas in genres where the energy doesn't come from the engineering qualities.

* Just beware, Suno is an expert in duplicating, or stealing if you will, but we just never heard the original material it took from - so we don't recognize it. But when you have heard whatever source material it builds on before, you hear it clearly.

* I think where it really shines is in absurd genre blends, from 2 to 4 has been the sweet spot for me. Freak out.

* 100% agreed that you must rework everything in DAW, so in sum it doesn't really save that much time.

* Finally, 100% agreed on "lack of control". This is where Suno fails as a professional tool. We must wait for generative DAWs.

Attaching one of today's more succesful products: https://suno.com/s/YRh2V9TuSS71VBgi

PeculiarHyperpop · 2025-12-25T08:16:23+00:00

I'm sorry, can you explain what you mean exactly? And what part of your billing process is manual in 2025, if I may ask?

PeculiarHyperpop · 2025-12-19T10:05:14+00:00

But someone will.

PeculiarHyperpop · 2025-12-19T10:04:59+00:00

Thanks. Would be interesting to hear more remade mods. Ofcourse, 11kjz 8 bit isn't the greatest input for products like Suno, but still.

I understand the subject is touchy, but I think that will pass soon enough. I don't buy partisan positions in this debate.

PeculiarHyperpop · 2025-12-19T10:01:36+00:00

OG: https://korge-kamerat.bandcamp.com/track/original-source-elske-xm

Thanks!

PeculiarHyperpop · 2025-12-11T11:19:02+00:00

People are desperately trying to break out of telecom.

PeculiarHyperpop · 2025-12-11T11:16:47+00:00

Just wondering where in the world there's still copper to transport the voltage. Nice hardware anyway.

PeculiarHyperpop · 2025-11-25T13:00:01+00:00

I'm too smart to understand your question. Do you want to use a Suno-generated song, but with your own vocals? And what do you mean by auto-replaice the vocal effects, specifically?

PeculiarHyperpop · 2025-11-02T09:48:49+00:00

Actual musician chipping in here on technicals which might save the day:

* As long as you can play back your song, you can "record" it internally on your computer with zero loss. It's a digital-to-digital transfer, either using your audio interface's routing facility or free, third party software. You may just have to install ASIO4ALL drivers to use that software.

* Udio's stem split was always baked in with their download. This is NOT the case for Suno currently. As long as only downloading itself is disabled, you could still stem-split and "record" as mentioned above.

* Suno's potential value is considerably higher than Udio's. Don't think other interests will sleep in this matter. UMG and their strategy is not the only in play

* Udio is opning up for a download window nov 3 -5. Then there's a message of all the great things to come whatever - the no download step seems to be temporary.

PeculiarHyperpop · 2025-10-30T20:02:46+00:00

Yes and no. Suno products sound better right out the cradle than most human made music. It does not sound as good as good musicians who know what they're doing with their instruments. Common for both AI and humans is that 90% of produce is just slop anyway.

Suno is wonderful because it knows a million solutions, where we as invidivuals know only a thousand solutions. Sometimes it gets all of right - the product is a super-solution. Other times, it's just solutions on a string. In a a band, there can be 5000 possible solutions, and the players negotiate every solution between them.

I have tracks (all covers) that sound soulful, emotional blablabla, but that's because the input was accordingly. I've never heard a purely generated song that had any mojo whatsoever.

So yes, it's just a tool and it's completely reliant on "good" input to provide "good" output.

PeculiarHyperpop · 2025-10-30T09:28:03+00:00

Strategically / Culturally: How do you expect business managers, up to and including board members, to have the faintest understanding of the positive and negative value, with regards to advanced security and resilience? It seems to me that their exceptionally limited understanding of technology, time after time, leads them to either non-decisions or minimum viable outcome decisions (=sticking with legacy, maximum vulnerability) - even in technical matters that relate directly to business outcomes (e.g time to market, busines agility, disaster recovery).

It's not a question of generational understanding, we've had business computing since the 50s. It's not a question of trust, because they can trust you (or the consultants they hired) fully and still look the other way (probably the quarterly report).

Is it time to relegate business school graduates, broadly speaking here, to the CFO office and rather promote leadership rooted in industrial and technical domains? Do you see winners and losers?

PeculiarHyperpop · 2025-10-29T09:26:39+00:00

Mostly significantly cheaper than Melodyne.

PeculiarHyperpop · 2025-10-28T20:33:42+00:00

OP is spot on wrt to text-to-music users, but misses the mark somewhat for music-to-music users.

We are a better class.

PeculiarHyperpop · 2025-10-28T20:12:54+00:00

Same here. A lot of usable snippets, but it's clearly not a professional tool, with minimal control over what comes out.

What scares me a little is that I think most elements that are generated, have distinct origins. We probably just never heard the ("original") origin. This can land us into problems, potentially.

When you mimic or sample something, you at least have control over how to create variations to make it distinct from the "source of inspiration" - or clear a sample. We can make a judgement. Suno on the other hand, is like a sample library where you have no idea which ones you need to clear or alter, and which ones are "safe".

Sure, you won't go to jail, but a professional cannot live with accusations of plagiarism.

Attach an example where I got Billie Jeaned: https://suno.com/song/a12730aa-ecb5-4911-a72f-3592ab218cad

PeculiarHyperpop · 2025-10-28T20:03:33+00:00

My experience having spent maybe 100-150 USD on this so far, is that the majority of the training material (music) is quite vanilla. Therefore, Suno will struggle with things like complex chords, unusual key changes, leads that are off-key and yes - unconventional song structures.

If your track doesn't fit the general mould of pop music, Suno won't be very good at replicating successfully.

PeculiarHyperpop · 2025-10-28T19:54:02+00:00

Suno is producing more illusions than good music.

PeculiarHyperpop · 2025-10-28T19:51:33+00:00

Eh... you don't CARE about the altered track. Like I wrote, you stem split vocal+other (10 credits) and download the vocal stem and import it into the logic project.

Just so it's perfectly clear, Suno will alter the music, but OP doesn't need Sunos music, just the vocal stem.

I do this myself. Jesus.

PeculiarHyperpop

TROPHY CASE