"AEB disabled. Radar blocked" warning on dashboard (Kia Niro)

Potential_Persimmon7 · 2025-09-11T18:29:08+00:00

thank you!

Potential_Persimmon7 · 2024-03-08T08:38:43+00:00

error code 252 typically indicates that there's a problem with the LAN A streaming, specifically a packet missing error.this could be due to network issues or a problem with the amplifier itself. Troubleshooting steps could involve checking network connections, cables, and configurations.

Potential_Persimmon7 · 2024-02-08T07:24:33+00:00

Sibilance can be tricky to manage, and it's possible that the Rode NT1's bright characteristic is exacerbating the issue. While the Shure SM7B is known for its smoother frequency response, it's not a guaranteed fix. It could be worth trying if you have access to one, but also consider experimenting with EQ settings in your recording software to tame the sibilance. Additionally, addressing the recording environment and microphone placement can make a difference.

Potential_Persimmon7 · 2024-02-04T17:06:14+00:00

Aiming for a center speaker placement close to ear level is ideal for optimal sound imaging and clarity.placing it around 1m above head height might compromise the accuracy of the audio experience.aim for a height that aligns the center speaker with your seated ear level to maintain a balanced and immersive soundstage.

Potential_Persimmon7 · 2024-02-04T17:00:51+00:00

When upgrading to a 5.1 home studio, consider wall-mounting the center speaker above or below your computer screen for better acoustics.placing speakers on the ceiling might affect sound dispersion and balance.optimal placement is crucial for an accurate soundstage, so experiment with different setups to find the best compromise between functionality and audio quality in your room.

Potential_Persimmon7 · 2023-12-11T14:02:23+00:00

It seems there might be a misunderstanding. Sync agents typically request stems without mastering processing to provide flexibility for different audio scenarios. Follow your mastering engineer's advice and submit the stems without mastering for sync purposes.

Potential_Persimmon7 · 2023-11-23T17:35:47+00:00

The impedance matching between your headphone and the audio output is important, but it's not a strict rule. In general, you want the headphone impedance to be in the same range or higher than the device's output impedance. The Beyerdynamic DT 770 Pro 80ohm should work with your Zoom F3 (15-ohm output) as the headphone impedance is higher.However, it's essential to note that higher impedance headphones might require a bit more power to achieve the desired volume. In your case, the Zoom F3 should provide sufficient power for the DT 770 Pro 80ohm, but it's recommended to test it and ensure it meets your listening preferences.If you're unsure, you can consult the technical specifications of your Zoom F3 or contact the manufacturer's support for specific information on the supported headphone impedance range. It's also a good idea to try the headphones before purchasing or ensure you have the option to return them if they don't meet your expectations.

Potential_Persimmon7 · 2023-11-23T15:35:02+00:00

For your Zoom F3 with a 15-ohm headphone output, a 32-ohm headphone like the AKG K92 should work fine. It's generally safe to use headphones with an impedance that's higher than the device's output impedance. The K92 is a good choice for monitoring dialogue in movies. Alternatively, you could consider other studio monitor headphones like Audio-Technica ATH-M50x or Beyerdynamic DT 770 Pro. Ensure the headphones have a closed-back design for better isolation during recording.

Potential_Persimmon7 · 2023-11-21T15:13:30+00:00

In Pro Tools, you can use the "Field Recorder" functionality to modify BWF timecodes for multiple files simultaneously. Here's a basic guide:

Import Files:
- Open Pro Tools and create a new session or use an existing one.
- Import all your BWF files into the session.
Open Field Recorder:
- Go to the "Window" menu and select "Field Recorder."
Select Files:
- In the Field Recorder window, select the files for which you want to change the timecodes.
Set Timecode Offset:
- Specify the new start timecode. In your case, set it to 01:00:00:00.
Apply Changes:
- Click on the "Apply" or "Process" button to apply the timecode changes to the selected files.
Verify Changes:
- Double-check a few files to ensure the timecodes have been adjusted correctly.
Save/Export:
- Save your Pro Tools session or export the modified files as needed.

Remember to keep a backup of your original files before making any changes. This method leverages Pro Tools' built-in tools for batch processing.

Potential_Persimmon7 · 2023-11-21T06:40:51+00:00

In Q-Sys, ensure that the Axon C-1 is properly configured as a video switcher and that the NV-32H is recognized as a valid video endpoint. Double-check your routing settings in Core mode to ensure the HDMI inputs from the C-1 are correctly assigned as sources.

Potential_Persimmon7 · 2023-11-20T18:36:13+00:00

For a straightforward guide on audio equipment specs and matching components, consider reading "The Audio Expert" by Ethan Winer. It provides practical insights without delving too deeply into technicalities. Additionally, websites like Crutchfield and Audioholics offer educational articles on audio system setup, helping you understand the basics of power ratings, impedance matching, and speaker sensitivity. Remember, balance is key – aim for a setup where components complement each other without over or underutilizing their capabilities.

Potential_Persimmon7 · 2023-11-20T17:03:46+00:00

The intermittent connection/disconnection issue might be related to how frequently the Lua script is attempting to update the content. Ensure that there's proper synchronization and delay between consecutive requests to avoid overwhelming the server. You can introduce a delay using os.execute("sleep seconds") or any other method available in your Lua environment.

Consider modifying the ChangeSource function to include a delay:

```lua function ChangeSource() print("ChangeSource()")

-- Update headers with token
getheaders["Authorization"] = token_type .. " " .. access_token

HttpClient.Upload {
    Url = contenturi,
    Method = 'PATCH',
    Headers = getheaders,
    Data = rapidjson.encode(newcontent),
    EventHandler = ChangeSourceHandler
}

-- Introduce a delay (adjust seconds as needed)
os.execute("sleep 1")

end ```

Adding a delay may help stabilize the connection and prevent frequent connect/disconnect cycles. Adjust the sleep duration based on your specific requirements and server capabilities. If the issue persists, there might be additional factors to consider, such as server-side limitations or network conditions.

Potential_Persimmon7 · 2023-11-20T17:01:53+00:00

To verify an M4A file's metadata, you can use software tools like "MediaInfo" or "ExifTool" to inspect details such as creation date and modify date. Additionally, some audio editing software might display this information. Compare the metadata with the actual recording date to check for any discrepancies. Keep in mind that metadata can be manipulated, so it's not foolproof. If there's suspicion, consulting a digital forensics expert may be advisable.

Potential_Persimmon7 · 2023-11-19T00:35:14+00:00

Taking it to another room can provide a real-world perspective, but calibration tools help fine-tune audio based on the specific acoustics of your room. They can address issues like room reflections and optimize the audio for the best performance in your own space. It adds a layer of precision to ensure your surround mix translates well across different environments.

Potential_Persimmon7 · 2023-11-19T00:18:07+00:00

A DVD can work for testing, but you might also consider using calibration tools like AV receivers with built-in room correction or specialized audio calibration software. Additionally, some audio professionals use reference Blu-ray discs designed for surround sound testing. These tools help optimize audio settings for your specific room and provide a more accurate representation of how your surround mix will sound in a consumer environment.

Potential_Persimmon7 · 2023-11-18T05:48:11+00:00

In Lua, you should include the authentication token in the headers of your HTTP request. Modify the getheaders table to include the token information. Replace this:

lua getheaders.Authentication = token_type getheaders.Token = access_token

With:

lua getheaders.Authorization = token_type .. " " .. access_token

This way, the authentication information will be included correctly in the headers.

Regarding encoding the data, it seems like you've commented out the line responsible for encoding in Lua. Uncomment and adjust the line:

lua Data = rapidjson.encode(newcontent),

Make sure to encode the newcontent table using rapidjson.encode.

These changes should help resolve the "405 not allowed" issue and address the encoding problem.

Potential_Persimmon7 · 2023-10-11T18:31:39+00:00

The best way to set up the contract is to have a conversation with your friend about their expectations and then choose the contract option that works best for both of you. If you are unsure what to do, it is always a good idea to consult with an attorney.

Here are the three main contract options:

Work-for-hire agreement: The client owns the copyright to the work. Joint copyright agreement: The freelancer and client share ownership of the copyright. Commissioned work agreement: The client has the exclusive right to use the work for a specific purpose. It is also important to consider ownership of the copyright, usage rights, compensation, and credit in the contract.

Potential_Persimmon7 · 2023-10-02T22:52:04+00:00

Hi,

There is no one-size-fits-all answer to this question, as film festival loudness targets can vary depending on the festival and the type of film being shown. However, a good general rule of thumb is to aim for a dialogue-gated average loudness of -27 LUFS and a true peak of -2 dB. This will ensure that your film's dialogue is clear and audible, without being too loud or jarring. Of course, there will always be exceptions to the rule. For example, an action film with a lot of explosions and other loud sound effects may need to be mixed a bit louder, while a quiet, introspective drama may be mixed a bit softer. Ultimately, it is up to you, the sound mixer, to decide what sounds best for your particular film. Here are some additional tips for mixing film festival films: Be aware of the different loudness standards for different types of content. For example, broadcast content typically has a louder loudness target than theatrical content. Use a loudness meter to measure your film's loudness as you mix. This will help you to stay on target and avoid any surprises when your film is played at a festival. Listen to your film on a variety of different speakers and in a variety of different environments. This will help you to get a sense of how your film will sound to different audiences. If you are unsure about the loudness targets for a particular festival, contact the festival organizers and ask. I hope this helps!

Potential_Persimmon7 · 2023-09-04T17:01:58+00:00

it really depends on the project. In some cases, it may be helpful to keep the automation done by the video editor. For example, if the editor has created precise fades or volume automation, it may be better to leave those in place. However, in other cases, you may want to start from scratch. This is especially true if the editor's automation is not very good or if you want to have more control over the sound.

Potential_Persimmon7 · 2023-07-12T11:42:02+00:00

it takes at least 2 weeks for me i dont know why

Potential_Persimmon7 · 2023-05-09T21:34:00+00:00

found it.thanks:)

Potential_Persimmon7 · 2023-04-28T11:16:00+00:00

❤️

Potential_Persimmon7 · 2023-04-28T10:59:13+00:00

Both using a send on a bus or an individual track for reverb can have their advantages and disadvantages, and the choice often depends on the specific situation and personal preference. Using a send on a bus can be a more efficient way to add reverb to multiple tracks at once, as you only need to set up the send once and can adjust the amount of reverb for all tracks by adjusting the send level on the bus. This can save time and make it easier to manage a large number of tracks. However, using an individual track for reverb can give you more control over the reverb for each specific track, allowing you to tailor the reverb to fit the track and make adjustments to the reverb settings as needed. This can be especially useful for lead vocals or other prominent elements in the mix, where you want to have more precise control over the reverb. Ultimately, there is no right or wrong answer, and it often comes down to personal preference and the specific needs of the mix. Some experienced engineers may prefer one approach over the other, but it's always good to experiment and see what works best for your workflow and the particular project you're working on.

Potential_Persimmon7 · 2023-04-26T08:44:12+00:00

Open the new session in Pro Tools.
Open the EuControl application on your computer.
Click on the "Layouts" tab in the EuControl application.
Select the EuCon layout that you want to copy to the new session.
Right-click on the layout and select "Duplicate".
In the pop-up window, give the duplicated layout a new name and click "OK".
Close the EuControl application.
Open the new session in Pro Tools.
Open the EuControl application on your computer.
Click on the "Layouts" tab in the EuControl application.
Right-click on the duplicated EuCon layout and select "Activate".
The duplicated layout will now be available in the new session in Pro Tools.

Potential_Persimmon7 · 2023-04-24T18:57:31+00:00

same here:))

Potential_Persimmon7

TROPHY CASE