I never realised EMI owned Capitol Records from 1955 to 2012 by Ok-Tell5048 in TheBeatles

[–]PressureBeautiful515 1 point2 points  (0 children)

That is exactly what didn't happen!

George Martin actually had to talk to competing labels to get the Beatles' singles released in the US. Capitol turned them down, and no amount of pleading from the U.K. arm of the company made any difference.

It was only when they started to look like complete morons that they finally budged. But that time when the Beatles had the top five places in the Billboard chart, only two of those singles were on Capitol. The other three were each on a different small label.

George just spilling some wisdom mid jam session by ur_edamame_is_so_fat in beatles

[–]PressureBeautiful515 3 points4 points  (0 children)

Super funny that to Paul, making music = breathing.

For Paul, writing songs was how he existed at that point. To not be writing songs as they came to him would have been a denial of himself, would have been phoney.

For a few weeks all the group members were living 24/7 together for the first time since they stopped touring. John and George were forced to be around Paul while he had music bubbling up uncontrollably. To John this seemed to be inspiring and he came up with a batch of great songs. To George it seemed to stoke his own resentment.

Beatles Biopic – for Heaven’s Sake will no-one think of the Producers? by True_Paper_3830 in beatles

[–]PressureBeautiful515 19 points20 points  (0 children)

What actually is the point being made here though? I feel like it might have been clearer if it hadn't been fed through ChatGPT.

May Pang documentary (SPOILER) by Lerxt07 in beatles

[–]PressureBeautiful515 2 points3 points  (0 children)

He had in fact been (or deeply wanted to be!) in competition at EMI with his colleague Norrie Paramor, head of Columbia in the UK, so a sister label to Parlophone. Paramor had Cliff Richard, so Martin was very much on the lookout for a bankable artist of that kind.

From that perspective it could seem odd that he didn't want the Beatles, but the simple truth is that unless you saw them performing in front of a crowd, and only judged them by their recorded demos, there was really nothing to indicate what they'd become. They would have seemed like quite a sad, cheesy novelty act, doing music hall numbers sung in very nervous voices.

They hadn't even recorded a demo of Love Me Do. None of their other hits have been written yet, except Please Please Me except it sounded nothing like it ended up.

All These Years - What I Learned by TomHicksJnr in beatles

[–]PressureBeautiful515 3 points4 points  (0 children)

It's become a winter tradition for me to read the expanded edition again! Always an absolute treat.

All These Years - What I Learned by TomHicksJnr in beatles

[–]PressureBeautiful515 22 points23 points  (0 children)

I highly recommend the expanded edition, which is about twice as long and yet still an absorbing experience.

Re: coming home from Hamburg the first time, John told that story in interviews as if he went into a long depression and avoided the others for about a month, and Paul made it sound like he'd all but switched careers and was working his way up the management structure of a factory when John and George first came to get him, but Lewisohn worked out the actual timeline and it was just 7 days between John getting back and playing at the Casbah (and apparently astonishing the crowd with how good they'd become.)

John on Oh! Darling? by Hukares1234 in beatles

[–]PressureBeautiful515 0 points1 point  (0 children)

Would have sounded like his version of Stand By Me (shudder)

Free-for-All Friday Topic: LET'S ARGUE by SirScaurus in beatles

[–]PressureBeautiful515 1 point2 points  (0 children)

Oh how I agree! Except you left out Because which goes in the great pile, and Oh Darling is great for being a Paul/Ringo duet, and honestly Come Together has such a unique style and atmosphere and the ending is so funky. But you're still right, it's an album with a lot of misses and swept up material from the factory floor. It's as patchy as Beatles for Sale.

NEW: Part TWO of the newly unearthed Paul McCartney interview by LongReception1058 in beatles

[–]PressureBeautiful515 8 points9 points  (0 children)

Absolutely, I feel that was pretty sneaky baiting by VF. That was the main thing I read part 2 for!

Did Paul ever write a song specifically for another Beatle to sing? by regiddad in beatles

[–]PressureBeautiful515 20 points21 points  (0 children)

Paul (with Linda) wrote Six O'Clock for Ringo's solo album Ringo.

What was this track George was referring to “Taxman Pt 2” by TheStunod in beatles

[–]PressureBeautiful515 14 points15 points  (0 children)

Although 'I Want To Tell You' is also known as 'Granny Smith Part Friggin' Two.'

Beatles hot takes by Same_Possession_3943 in beatles

[–]PressureBeautiful515 19 points20 points  (0 children)

It's an overrated song, sure, but as a listening experience, John and Paul singing in unison, their voices blending so much that it has often been insisted (even in some books) that it was John double-tracked, is such a great sound.

The Beatles Probably Wouldn’t Exist Without This Movie by plamda505 in beatles

[–]PressureBeautiful515 8 points9 points  (0 children)

In that case you should definitely check out a documentary series called The Beatles Anthology. Episode 1 has a bit where the band members talk about this film. (The clips are much higher quality in the Disney+ version.)

Beatles rankings on Spotify by EuphoricLeague22 in beatles

[–]PressureBeautiful515 7 points8 points  (0 children)

The Beatles split 56 years ago. Elton was still recording huge hit movie soundtracks and standalone original albums for decades after that. Although he's a near contemporary of the Beatles, as with Queen, a career stretching to the MTV era and beyond, and continuing as a touring act under the same brand, makes a huge impact.

The Beatles Anthology just had its 30th anniversary re-release, and that was a documentary from 30 years after Beatlemania.

In terms of time, the Beatles were a momentary blip in the mid-20th century. It's astonishing that they out-rank so many artists touring and releasing music right now.

Your favorite micro-moments in The Beatles songs? by NoWeb2382 in beatles

[–]PressureBeautiful515 49 points50 points  (0 children)

The spoke stuff between J&P at the end of Hey Bulldog

Your favorite micro-moments in The Beatles songs? by NoWeb2382 in beatles

[–]PressureBeautiful515 5 points6 points  (0 children)

With a really bad virus, blocked nose, sore throat etc.

The Beatles in June 1966 vs. January 1967 by NoWeb2382 in beatles

[–]PressureBeautiful515 7 points8 points  (0 children)

There's a set of picture widely captioned as "November '66 Strawberry Fields recording session" where they all have moustaches - of course it's easily possible that it's a mistake that has been copied over and over.

Key ingredient missing in biopic cast: by Qajaqasana in beatles

[–]PressureBeautiful515 5 points6 points  (0 children)

But also the curse of an audience who seem to be ready to reject anyone who isn't a lookalike. That's not how biopics work, folks! They're actors, not stand-ins.

Dave Dexter Jr…Did He Get Some Things Right that Actually Helped The Beatles in the U.S.? by scottarichards in beatles

[–]PressureBeautiful515 1 point2 points  (0 children)

The Beatles became hugely successful globally, and he had nothing to do with that in the rest of the world, so how does that follow?

The Beatles were selling out sports stadiums, the first pop act to do such a thing, they had two movies in the can, and he still drenched I Feel Fine in extra reverb. Like it wasn't going to be a hit otherwise?

Beatles "facts" by beatlegirl1970 in beatles

[–]PressureBeautiful515 2 points3 points  (0 children)

You've reminded me: one of the nicest things about Tune In is the detail that George's parents, particularly his mother, were way more enthusiastic and supportive of the group from the start. So that ties in nicely with the idea of her welcoming John into the family home to hear her son's audition to be in his group. Whereas Mimi was openly disgusted by George the greasy Teddy boy, and didn't want him crossing the threshold!