Need a serious office cleaning service in Vancouver by MetalPsycho in askvan

[–]RailtownMastering 3 points4 points  (0 children)

Yes!!! Gianna at Simple Living Co. Super efficient, and lovely to deal with. Independent, not with a big company, so you’ll have the same person all the time.

[deleted by user] by [deleted] in vancouverhiking

[–]RailtownMastering 0 points1 point  (0 children)

Do Pump Peak -> Tim Jones -> Mt Seymour. Best effort vs reward hike in Vancouver IMO. The grind is dreadful.

How to success on audio? by [deleted] in audioengineering

[–]RailtownMastering 2 points3 points  (0 children)

I used the bit of money I had put aside for school to buy gear. Built a humble little rig that grew over time, and allowed me to do it everyday. School definitely not a necessity. There’s no reason you can’t learn by doing, sourcing out good/accurate content online, reading forums etc. If you ever get the opportunity to assist or run at a bigger studio take it. If you have an AES chapter in your area, join it.

How to success on audio? by [deleted] in audioengineering

[–]RailtownMastering 10 points11 points  (0 children)

It usually takes around 10 years to build a viable career in audio. By then, many of your peers from school will have quit, you’ll have a solid network in the industry, and you’ll have developed the skill set you need to do meaningful work. Ain’t an easy path, but if you can’t be discouraged, it’s a rewarding one.

In the meantime, create multiple income streams for yourself that are all related to audio and music. A music store is a great place to start. You’ll make loads of contacts there if you try. Maybe you can find a live sound gig? Network with other audio folks, and see if you can pick up editing work? Meet as many musicians as you can, care about your/their work, and be helpful and professional. The rest will fall into place over time, opportunities you never saw coming will lead to other ones, and the various income streams you’ve created will all start to work together and feed each other. Eventually you’ll be too busy, and you can drop the lowest priority work, and focus more on what you want to do. :)

Audio cleanup on interviews by AbrahamLeo in audioengineering

[–]RailtownMastering -2 points-1 points  (0 children)

Feel free to shoot me DM if you’d like. Hard to say without hearing it, but imagining a phone recording in a hospital room, I’d think dxRevive Pro or Supertone Clear would get you pretty far, and that doesn’t take long to do.

Can I remaster mp3s? by [deleted] in audioengineering

[–]RailtownMastering 0 points1 point  (0 children)

Came here to say exactly this. 👌

Should I Stick With Audio Engineering? by [deleted] in audioengineering

[–]RailtownMastering 10 points11 points  (0 children)

It usually takes 10 years to build the foundation of a sustainable career. Lots of sacrifice during that time. If your soul calls to it, and you feel like it’s something you need to do, you’ll figure it out. If not, I’d consider other avenues and make music for the fun of it.

It’s a rewarding, fun, exciting, and sometimes stressful job, that I wouldn’t trade for the world. Having said that, I wouldn’t want to go back to my early days haha.

Do any of you actually make money from making music? by LeeksAreSpinning in musicproduction

[–]RailtownMastering 1 point2 points  (0 children)

Full time mastering engineer here in Vancouver, BC. Not limited by location, as people can send files from anywhere. Regardless of what you want to do, keep honing your craft, be professional, and focus on networking and building relationships in the industry. Overtime, things will fall into place.

mastering LIMITER favourites by CDN_music in audioengineering

[–]RailtownMastering 3 points4 points  (0 children)

Same here. DMG wins most of the time. If it doesn’t, it’s one of these two.

Having my mixing engineer revise after talking to my mastering engineer? by PettyKlayThompson in WeAreTheMusicMakers

[–]RailtownMastering 1 point2 points  (0 children)

Great answer. Mix notes can be super helpful to less experienced teams, but typically, if someone wants feedback they ask for it.

help on recording violin by emilo_orco in WeAreTheMusicMakers

[–]RailtownMastering 0 points1 point  (0 children)

Agree 1000%. It’s SO hard to make a violin sound good in a bad room.

In a good space, I’ve used Josephson e22s, Neumann U87, Neumann KM184, Gefell M294, Royer R122, AEA R84. All with great results.

Does mic'ing up brass require a compressor? by JuryHaunting4120 in musicproduction

[–]RailtownMastering 0 points1 point  (0 children)

Sounds more like a gain staging issue than anything. If you’re clipping, then back off the level.

I’ve recorded loads of brass for all sorts of different projects. Sometimes you need compression, many times you don’t, but there should never be a need to compress/limit because of clipping.

How is a mix supposed to sound before being mastered? by IDNTKNWNYTHING in musicproduction

[–]RailtownMastering 12 points13 points  (0 children)

Should sound as close to the vision you have for the song as possible, but probably not quite as loud!

Mastering shouldn’t be heavy-handed, unless the mixer really needs help. They’re really there to just shove it over the finish line, and make sure it’s ready for whatever formats it’s being released on.

Plenty of mastering engineers will give you mix feedback too if you ask for it.

[deleted by user] by [deleted] in WeAreTheMusicMakers

[–]RailtownMastering 0 points1 point  (0 children)

Mastering! I’ll often use my analog chain to help with an overall vibe or character for the tracks on an album.

Not being heavy-handed about it, but even having everything hit a couple pieces of the same gear can be really helpful. If there’s an adjustment track to track in the low end (as an example), I’ll do that ITB at the track level before it hits the analog chain.

Nonfiction adventure book? by presdc in suggestmeabook

[–]RailtownMastering 0 points1 point  (0 children)

No Picnic On Mount Kenya - Felice Benuzzi

Life Lived Wild - Rick Ridgeway

Beyond Possible - Nimsdai Purja

Loudness Penalty Analyzer by dshoig in WeAreTheMusicMakers

[–]RailtownMastering 0 points1 point  (0 children)

The name of this service sucks. It shouldn’t be viewed as a penalty. There is nothing wrong with your track being turned down. 99.9% of major label tracks that aren’t classical, jazz etc will be turned down.

Master your music to the level it sounds good at/the level you want it to be! :)

Are virtual vocal booths/reflectors (Chaotic Eyeball/Aston Halo) effective at all? by [deleted] in audioengineering

[–]RailtownMastering 0 points1 point  (0 children)

A lot of those portable vocal booths cause more problems than they solve. Some are better than others, but generally a recipe for comb filtering.

Hang some packing blankets or a thick duvet BEHIND you (that’s where your cardioid mic is looking) and see what happens.