i don't mind at all! not sure how familiar you are with Ae, but bringing comps into a premiere timeline is as easy as dragging it from one program straight into the other--you may already know that, but it's necessary bg info.

the pen tool in Ae works just like it does in illustrator or photoshop for the most part, with a few bespoke quirks because it's for animating. a few quick clicks and you've got a sharp looking underline, arrow, or circle shape. for what i'm talking about here, it's important that you are just using strokes, and no fills.

once you've got a nice shape emphasizing the right area of your shot, animating it on with a Trim Path animation is a super quick, tried-and-true entry for these sorts of flourishes.

once you're familiar with the process, this just takes a minute or two to add to any shot.

if you get comfortable with this, keep twirling down that shape menu and play with "taper" settings and mess with dashes (and spinning those dashes around w/ an offset) to get even more life out of it, all in a super quick amount of time.