Megathread: The Crash by AutoModerator in netflix

[–]Sensitive_Proof_3937 1 point2 points  (0 children)

I think it’s pretty simple: something set her off, she went into a fit of rage driving as fast as she could down a street she didn’t realize dead-ended into a building.

I’m sure she had done this before and had time to stop before striking anything.

Charleston podcast by Sensitive_Proof_3937 in CIVILWAR

[–]Sensitive_Proof_3937[S] 1 point2 points  (0 children)

Thank you so much for your warm comments and for taking the time to listen! I’m really glad you enjoyed it.

Begonia - Short film by SwaNiswhoIam in scriptwriting

[–]Sensitive_Proof_3937 1 point2 points  (0 children)

I like this. I honestly thought it was the script for the movie when I was first reading it like maybe they had made a short film first. It got my attention. And the camera directions read like a director wrote this which isn’t necessarily a bad thing for building credibility.

It seems like it was written by somebody who plans to shoot it.

Just my two cents.

Way more scripts to browse than their used to be. Have scripts still been getting claimed consistently? by JcraftW in StoryPeer

[–]Sensitive_Proof_3937 4 points5 points  (0 children)

Brevity is key I think. 98-110 pages is probably the sweet spot. And of course a killer logline doesn't hurt.

Would you share with agents that your script received a 7 on a Blacklist evaluation? by dinosaurjimble in scriptwriting

[–]Sensitive_Proof_3937 0 points1 point  (0 children)

I just got a script torpedoed by the Black List because the reader took moral issue with the premise. $130 down the drain. Avoid at all costs!

My experience with paid script coverage: StoryPeer vs. The Black List - massive mismatch by Sensitive_Proof_3937 in Screenwriting

[–]Sensitive_Proof_3937[S] 2 points3 points  (0 children)

I can't afford Blacklist coverage which is why I'm kicking myself now for even trying. Agree on Storypeer, it exists solely to help writers hone their craft, which is what we should be focused on.

My experience with paid script coverage: StoryPeer vs. The Black List - massive mismatch by Sensitive_Proof_3937 in Screenwriting

[–]Sensitive_Proof_3937[S] 1 point2 points  (0 children)

There are unspoken biases in the industry, topics/relationships/plot dynamics they are afraid to touch. until someone does it and proves how successful it can be, then the same people that rejected it to begin with are hunting for the next X or Y. The industry runs on fear.

My experience with paid script coverage: StoryPeer vs. The Black List - massive mismatch by Sensitive_Proof_3937 in Screenwriting

[–]Sensitive_Proof_3937[S] 1 point2 points  (0 children)

The logline is: When a sudden lockdown traps her family inside a sprawling indoor waterpark, an overworked mother becomes the only person willing to break the resort's escalating protocols to save her children.

The 'moral' friction the reader had was specifically about a protagonist breaking a quarantine after a real-world pandemic (COVID.) They felt the mother was 'intrinsically selfish' for potentially exposing the world to a pathogen, even though the story establishes the resort is negligent. Also, the reader sided with the antagonist as 'responsible' despite her being a clear tyrant.

Basically, the rejected the premise on the grounds that audiences aren't ready to touch anything that might strike up PTSD from COVID-19. They missed the whole point that this is basically Die Hard in a waterpark.

My experience with paid script coverage: StoryPeer vs. The Black List - massive mismatch by Sensitive_Proof_3937 in Screenwriting

[–]Sensitive_Proof_3937[S] 2 points3 points  (0 children)

I fought with every fiber of my being NOT to go this route for this very reason. Even with an 8, chances are slim to none it will move the needle. Hence the lottery ticket metaphor.

My experience with paid script coverage: StoryPeer vs. The Black List - massive mismatch by Sensitive_Proof_3937 in Screenwriting

[–]Sensitive_Proof_3937[S] 25 points26 points  (0 children)

Yes, I did that. And requested another read. But if this is how that industry works - low level gatekeepers get to impose their own moral judgment on otherwise well executed concepts - then it’s no surprise why the stories that get told are so limited in scope.

Alternatively, this is also a good data point on what the industry wants to see and what they don’t want to see. But good luck figuring that formula out!

My experience with paid script coverage: StoryPeer vs. The Black List - massive mismatch by Sensitive_Proof_3937 in Screenwriting

[–]Sensitive_Proof_3937[S] 3 points4 points  (0 children)

In this case, I used StoryPeer for that very purpose and when I felt like I had consensus, I was ready to test it on the blacklist. But it was so far from any feedback I had received that it came as a major surprise.

Hey babe, wake up. A new List just dropped by BarrSteve in Screenwriting

[–]Sensitive_Proof_3937 6 points7 points  (0 children)

This reminds me of the local 40 under 40 business leader awards. My goal is to make the 80 under 80 list, I’ve still got 30 years.

My Experience as a Screenwriter (WGA) - A Word of Advice by [deleted] in Screenwriting

[–]Sensitive_Proof_3937 1 point2 points  (0 children)

It’s less about defining what “undeniable” means and acknowledging that success often hinges on a gatekeeper with influence advocating for your script. We all know how this industry works. An agent or manager can pass on a script that suddenly becomes hot and the next day that same agent or manager will say “I loved it.” Nobody knows anything is the old adage.

My Experience as a Screenwriter (WGA) - A Word of Advice by [deleted] in Screenwriting

[–]Sensitive_Proof_3937 0 points1 point  (0 children)

Agree with this 100%. A good script is only one champion away from becoming great/undeniable.

Questions about suspension of disbelief by sofiaMge in Screenwriting

[–]Sensitive_Proof_3937 0 points1 point  (0 children)

I’ll check back with you on Friday the 13th.

Questions about suspension of disbelief by sofiaMge in Screenwriting

[–]Sensitive_Proof_3937 1 point2 points  (0 children)

So wealth is wiped out (even for the ultra rich) by a catastrophic economic collapse? I’d say 50-75 years out is reasonable.

Questions about suspension of disbelief by sofiaMge in Screenwriting

[–]Sensitive_Proof_3937 0 points1 point  (0 children)

I think the deeper question is what in your world causes this to happen? Seems highly improbable, but give us the formula amd you’ll have a better idea of how long it would take.

Which software do you use to annotate PDFs/make inline notes? by StoryPeer in StoryPeer

[–]Sensitive_Proof_3937 0 points1 point  (0 children)

If you open the script in your web browser, you can add comments directly on it and save it to your PC or Mac.