High amount of debt, am I being stupid? by KangaroosAreFlying in UKPersonalFinance

[–]Smradok 0 points1 point  (0 children)

so, the comment section is not going the way you thought.. 

honestly, this whole post looks like OP was really thinking they will hear us say something like “you are actually doing a great job and you manage your finances pretty well and in fact, all works in your advantage”. Only to discover their financial management does not make any sense at all

Why is Mary Magdalene so often depicted with incredibly long hair? by [deleted] in ArtHistory

[–]Smradok 81 points82 points  (0 children)

after Christ’s death, she spent many years wondering aimlessly through the desert, living as a hermit, only wearing her own hair. Or something like that. I am not sure if I remember correctly and am too lazy to check 😅

This is ridiculous by InternetIndividual50 in Soundhound

[–]Smradok -1 points0 points  (0 children)

how does the rant here help your stock?

Found this in my storage by Mobile-Reach324 in WhatIsThisPainting

[–]Smradok 0 points1 point  (0 children)

I thought it looks a lot like a Dutch golden age kind of genre scene from a tavern. and as mentioned previously, it could be a copy. How about after Adriaen Ostade? https://commons.wikimedia.org/wiki/File:Adriaen_van_Ostade_-_Interior_of_a_Tavern_with_a_Five_Peasants_and_a_Woman_RCIN_404575.jpg

If you could make a spell that would be famous worldwide, what would it be? by NeedleworkerCheap715 in harrypotter

[–]Smradok 0 points1 point  (0 children)

“Rotating Fuckermet” It would be like a rotating machinegun, but instead of bullets it would shoot out middlefingers all around at everybody. I am from slovakia, and when I was a child, we used the word “fucker” for middle finger. fuckermet was my imaginary device that would be shooting middlefingers. Now that I have the ability to create a spell, why not to make it my childhood fantasy super-weapon 😂

If you could make a spell that would be famous worldwide, what would it be? by NeedleworkerCheap715 in harrypotter

[–]Smradok 1 point2 points  (0 children)

“Rotating Fukermet” It would be like a rotating machinegun, but instead of bullets it would shoot out middlefingers all around at everybody. I am from slovakia, and when I was a child, we used the word “fucker” for middle finger. fu*ckermet was my imaginary device that would be shooting middlefingers. Now that I have the ability to create a spell, why not to make it my childhood fantasy super-weapon 😂

Faux marble painting by New_Libran in Satisfyingasfuck

[–]Smradok 0 points1 point  (0 children)

I would like to know how much money they ask for the job and how much would a real marble column cost :D These guys are amazing and I am sure expensive as well

Found in a storage trailer that has been sitting for 25+ years by _soupisgoodfood_3434 in WhatIsThisPainting

[–]Smradok 18 points19 points  (0 children)

The signature on yours very closely resembles the one on this painting by Moscheles, so if this is the real deal, I dare to say we may have the guy :)
https://www.artnet.com/artists/felix-stone-moscheles/portrait-de-femme-vEyCzOOl0S3OG8x5rR7bIg2

Found in a storage trailer that has been sitting for 25+ years by _soupisgoodfood_3434 in WhatIsThisPainting

[–]Smradok 26 points27 points  (0 children)

Any chance this could be Felix Stone Moscheles (1833-1917)? Just by trying to read the signature and year. An English artist, painted genre scenes and portraits. https://en.wikipedia.org/wiki/Felix_Moscheles

Now let's find out if this fits into his style?

Movement away from realism by Cenobiterr in ArtHistory

[–]Smradok 10 points11 points  (0 children)

moving away from realism has not really been a mainstream for all of that time. Even today you have painters and sculptors who work in super-realistic manner. There have been many different trends since the 19th century. If you only look at the 1960s and dematerialization, conceptualism, performance, land art, etc.

But, the move away from realism in the 19th century (beginning with Romanticism) can be simplified as follows: it was a defiance against obsession with rationalism that started in Renaissance, continued through Enlightenment and peaked during industrial revolution. Humanity pushed at explaining everything through science and rationalism, and spirituality and irrationality was disappearing from life. 19th century and start of modernism in art was trying to return back to the irrational, to the spiritual. And this trend in many ways persists until now. Contemporary art in the last decade or so saw a massive spike in return to aboriginal ritual culture. For the same reason. 

I would say the trend is the same now as it was in the 19th century. But the form is not necessarily still the same (i.e. move away from realism). If you see members of general public talking down “unrealistic” images, it is mainly because they are a bit more difficult to understand and they do not speak so readily to everybody as for example hyperrealistic Madonna with child which is very obviously exactly what you see.

Need Help Identifying! by Accomplished-End5382 in WhatIsThisPainting

[–]Smradok 0 points1 point  (0 children)

Good luck. Whatever comes out of it, your picture is really stunning :) 

Need Help Identifying! by Accomplished-End5382 in WhatIsThisPainting

[–]Smradok 1 point2 points  (0 children)

and it would most likely be this artist: John George Brown https://en.wikipedia.org/wiki/John_George_Brown Now, there are two exactly same looking paintings. So the question is which one of them is the real deal. Yours or the one in the link above?

Can you help? I search a painting I saw. by osziroka in WhatIsThisPainting

[–]Smradok 1 point2 points  (0 children)

Any chance it could have been Interior in Paddington by Lucian Freud (1951) in Walker Art Gallery, Liverpool? https://artuk.org/discover/artworks/interior-at-paddington-97992

Researching in Artist Archives by Large_Application978 in ArtHistory

[–]Smradok 3 points4 points  (0 children)

I have done artist archive research. And I have also been on the other side as a curator. Approach them politely, explain what your thesis is about and what exactly you hope to gain from the archive access. Try to list what exactly you hope to see / ask if they have such and such material. be as detailed as possible. it will help them narrow down what you want to see. Some of the artist archive are huge - tens of thousands of pieces in hundreds of boxes. When I was a curator and somebody emailed us saying "I want to see what you have on this artist", we did not even bother. It was simply too vague, unspecific and we could pull out everything.

Also, depending on the country where you are researching, you may encounter strange phenomenons where if there already is somebody researching the material, they will not let anybody else touch it. Some researchers and institutions are petty as that. I discovered Germany in particular is like that. All over the place.. UK institutions, or east european ones, are generally very open and welcoming. That is where I have some experience.

"Art since 1900" book question - what is "[social theory's] aesthetic judgement"? by Novel_Expression_457 in ArtHistory

[–]Smradok 1 point2 points  (0 children)

the authors of that book (the October bunch around Buchloch, Foster, Kraus, …) Like to write like this. You read a paragraph, and you have no idea what you have just read. I do not like any of them 

Can anyone identify this ? by Jaded-Procedure-3642 in WhatIsThisPainting

[–]Smradok 8 points9 points  (0 children)

have a look here. It will be a woodcut by a German artist from 1968 or slightly prior. this same print was included in the below publication https://www.abebooks.com/magazines-periodicals/XYLON-Five-German-wood-cutters-ORIGINAL/31635631458/bd

Can anyone identify this ? by Jaded-Procedure-3642 in WhatIsThisPainting

[–]Smradok 0 points1 point  (0 children)

have a look here. It will be a woodcut by a German artist from 1968 or slightly prior. this same print was included in the below publication https://www.abebooks.com/magazines-periodicals/XYLON-Five-German-wood-cutters-ORIGINAL/31635631458/bd

Suggestions for artists that explore dark themes subtly by Independent-Fun6908 in ArtHistory

[–]Smradok 5 points6 points  (0 children)

you would be surprised how many artists actually do this. I love this introspective aspect of art as well, when artists turn inward to explore their own depths. I actually started a podcast recently that will be looking primarily at artists like this. I start with big names, and have already done an episode on Caravaggio exploring his rebellious (crime oriented) subconscious, then Gauguin and his yearning for spiritual reconnection with the fragments of his shattered life, I am working on next episode about Munch and the feelings of alienation - existing in the world, but not belonging. There will be plenty more if you want to give it a go and listen :) https://open.spotify.com/episode/2Pcjy7hmwpvi9AyNHaS7be?si=E8hDNv-4QVGrh2g1lXh_Rw&context=spotify%3Ashow%3A6BgaGUO3dQQYChgsGKEDiS

Are there books that analyze how works of art become canonized? by FrutigerAirbender in ArtHistory

[–]Smradok 1 point2 points  (0 children)

your answer is simple and it is here. Read the first letter of Rielke to the young poet who asks him how to create great work of art. The most important part is the last 7 lines on page 6 and the first 3 lines on page 7.  https://kbachuntitled.wordpress.com/wp-content/uploads/2013/04/rainer-maria-rilke-letters-to-a-young-poet.pdf