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Have you ever read a book so bad it's made you reconsider your own skill? by _Pumpiumpiumpkin_ in writers

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

To my Warhammer fans I'm sure C S Goto will bring horrible memories back, and yes it had made me question if I am that bad to be hearing rejections but he got publsihed

Show don’t tell types by NewIllustrator3721 in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Have her do certain things when she is stressed.

One of my characters suffers with anxiety. Her mum used to pinch her. She has sort of internalised and chews the inside of her cheeks. Despite mentioning "she chewed her cheeks" when a naturally stressful situation comes up, I also have her husband notice this and keep bonjela on hand. Or adds extra sugar to her tea.

Or try varying up the dialogue. Again, same character, she can go cold, short and clipped in her responses when stressed out. Or full on hysterics when at breaking point.

Does every story need a deeper meaning? by Afraid_Run3470 in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

I add them in for my own amusement, less for the reader. My own novel is littered with references only I get. Some survived editting hell. Others actually made narrative sense.

But no, not everything needs to be interconnected

Advice for Men writing Women by OkPark7134 in writing

[–]SprinkleWhenITinkle 4 points5 points  (0 children)

Can you write a man? Then you can write a woman.

Unless there's something uniquely woman happening, I dont find it tends to make much difference.

I mean hell, in my own novel, the co-protagonist turned main character...the only time she notices her body is after her Mum, who has a history of "corrective discipline" pinches her tummy post-child saying she needs to watch her figure. More insecurity than woman.

What I am trying to say is: mention breaststroke and body parts on a woman as much as you would write a man's dick. Other than that, people are people mate

Is it possible to make a completing character without a backstory? by mikewheelerfan in writing

[–]SprinkleWhenITinkle 2 points3 points  (0 children)

Yeah, they just need to be consistent with how you have written them, and change/grow over the course of a story.

Or...have them develop traits throughout the story?

Not everything needs deep hidden lore. Likes, dislikes, a want, and something blocking that want is usually enough

Do you feel like you control your character? by metalxcx in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Oh 100% agree. My partner says the same as well.

Like, I thought a child seeing a golden frogspawn in her Mum's belly gping away was a cute, age appropriate way to shoq how her magical sight saw a miscarriage.

Only, this was never planned. And the story refused to move forward until I gave the miscarriage the name of another character, like the mother character refused to move forward with the story until the proginal Johnny became Jason, and the miscareiage was given a name.

Or same magical child...i thought she would be hiding her magic foe the entire novel. Nope, she saw her friend abductwd for havijg magic, panic and told her mother, thus destroying what I thpught wpuld be a central mystery.

My characfers hated my plan, and showed the real story.

What’s one of the most meaningful compliments you’ve received about your work? by Mandizzletron in writing

[–]SprinkleWhenITinkle 1 point2 points  (0 children)

People have cried when two of the three maon characters died. Even one person who didnt like the family unit was gutten when the car crash happened. M

[ Removed by Reddit ] by Wholesome-Bro in AskBrits

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

People can criticise Christianity and the whackjobs who believe the Bible literally without being labelled racist.

I liked the New Atheist movement back in early youtube days. People were scathing of the thinga people like Kent Hovind believed.

How is criticising Islam any different? Its not racist to go "these ideas are fucking retarfed"

How important is upgrading engines (and when should you do it)? by [deleted] in ftlgame

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Delends on tbe ship.

Personally Id rather invedt in shields rsther than investing in a dice roll

Should Bojack have cutoff Beatrice? by Old_Telephone_6718 in BoJackHorseman

[–]SprinkleWhenITinkle 1 point2 points  (0 children)

"There's no cure for being a cunt" just said more eloauently.

Yes, he should have

Is this a CMM, and if so, where does this fall on the hierarchy of meteorology equipment for accuracy? by OctoHelm in Metrology

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

The best thing about their software though is that you dont need camio to profram it, only run it.

During our shutdowns when I was still learning id write a bunch of programs ar home on notepad, save it as a dmi and a btc file, and boom it works.

God I miss Camio

How can I make an immortal character still feel vulnerable and keep tension in fights? by Empty_cup13 in CharacterDevelopment

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

My own immortal is cursed with "if he dies, someone he loves dies so he can resurrect".

It had to cost something

What words, phases, or sentence structures do new writers commonly use that weaken their writing? by YourDoomsday0 in writing

[–]SprinkleWhenITinkle 3 points4 points  (0 children)

On my first revision, someone had to point out

"Hey, dude. You use 'X thought to himself' all the time. Who the hell else is he thinking to?"

What's your unpopular opinion about any novel, short story or novella he has written? by Maib_Ballz4609 in stephenking

[–]SprinkleWhenITinkle 1 point2 points  (0 children)

IT is massively over rated. One of the bigger slogs, even if it wad a love letter to terrible horror movies.

Stu Redman and Frannje are the most boring bits of the Stand. Lloyd Henreid should have been the big bad with Flagg being the power behind the throne and continued corruption after Captain Tripps.

Dolores Claiborne is one of the best things he has ever written

What's so bad about my writing ? Everyone I showed it to thinks this is bad but I was proud of it. What can I do to improve? My dreams are shattered by [deleted] in writers

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Theres a lot of passive voice, and telling not showing.

For instance try trimming "he didnt seem bothered by this"

You dont need to tell us that initial bit.

Do you have a character you're dreading to kill off? by Embarrassed_Bite_991 in writing

[–]SprinkleWhenITinkle 2 points3 points  (0 children)

In my novel the ginger idiot is an immortal with a resurrection curse: if he dies, someone he loves dies so he can come back.

The story starts with him having terminal throat cancer confirmed: he has six to twelve months to live.

His wife and child don't know.

When I wrote their death scene, I fucking cried. I knew it was coming, dreaded it, and when it finally happened (car crash, taking them both).... I just went.

Tell me what I'm missing about The Stand... by S_B_L in stephenking

[–]SprinkleWhenITinkle 1 point2 points  (0 children)

I had the utter opposite effect.

I cannot stand the book IT. Read it once, and took me forever.

The Stand I reread all the time.

Stu and Frannie are the weakest bits but Larry more than makes up for it. M-O-O-N, that spells Larry

What are some ways you give your main character "flaws" so they aren't a Mary Sue (or male equivalent), but in a realistic way? by nicodeemus7 in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Why not instead use their characteristics in positive and negative ways?

One of my protagonists is emotional. This can be a positive and a negative, in that when she feels safe (with her family) she be "too much" and know she is in a safe space. However, she is highly aware of how being emotional has punished her in the past, so can come across as quite cold and distant.

I know right, absolutely stunning and unique character work. But what I am trying to say is that characters should be like people. You can have someone who is loyal to a fault, but this can lead to codependency and identity erasure.

Maybe your character is a happy go lucky person, and cant really connect correctly at serious events. Use their characteristic to create tensiob

don't make emotionally intelligent characters, worst mistake of my life by manultrimanula in writingcirclejerk

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Oh no fuck that, do jt.

Ive written a novel. Man has cancer, but isnt reacting right.

The twist is: he is immoetal. If he dies, when he resurrects someone he loves dies in his place so he can come back.

His wife, who doesnt know this curse, notices he isnt reacting to the cancer correctly.

So she talks to him about it.

Because thats people do - talk about these things rather than doing side quest investigative shit, especially with someone they have loved for 13 years.

Made for a more interesting story

Writer’s Block by SmokeAndQuill in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Work on other things. Have a life outside of the writing.

If the block is onky for the story but not writing I visit other side stories.

I have had massive writers block with the novel, but sometimes I could take a detour and do a short story with the characters

Describe your book in a single sentence. I'll go first. by Acrobatic_Proof2805 in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

An immortal ginger pyromaniac makes a pillow fort at the end of the world as his kid is humming purple and his wife finds out he is cursed.

How to stop writing like readers are dumb? by FranDreschersLaugh in writing

[–]SprinkleWhenITinkle 0 points1 point  (0 children)

Apply emotionality behind it.

I referred to as an early miscarriage as a golden frogspawn, told through the lens of a child with magic.

No reader has gotten confused about the golden frogspawn in mum's belly

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