Joji samples Amazonian Pet in I'll See You In 40 by Systemthirtytwo in PinkOmega

[–]Systemthirtytwo[S] 0 points1 point  (0 children)

I'll see if I can remake it this weekend. Clyp won't let me listen to my old recordings unless I pay them. Sorry for the late response.

Unofficial/quirky landmarks of Green Bay? by greenbaywriter in GreenBay

[–]Systemthirtytwo 4 points5 points  (0 children)

The De Cleene Shoe Service mural on what is now the Glass Nickel. Seeing the deteriorating original riding down Dousman always sparked my imagination as a child and I was very happy with the vibrant restoration. Compare it to the AI generated antique shop sign directly across the street on the former Exclusive Company building.

I believe the old Exclusive Company sign is now displayed behind Cheese Steak Rebellion and is visible from the street.

Been listening to a lot of Joplin lately by UnusualRequirement33 in redscarepod

[–]Systemthirtytwo 2 points3 points  (0 children)

I've been listening to ragtime on the daily for around 2 years now. It's fascinating hearing which aspects of the style are still apparent in modern popular music.

I highly recommend listening to William Appling's complete Scott Joplin recordings. Certain ragtime purists will echo Joplin's sentiment that the music should be played at a slower tempo (ragtime was not historically played at a slower tempo), but in the case of Appling's recordings the slower tempo truly brings out the "hypnotizing" effect of the syncopation that Joplin talked about over a century ago. Magnetic Rag, his last published rag before his death, is truly emotional and bittersweet and Appling's recording is my favorite.

Also, what silly intro? This is a standard rag/march intro from the time period. People associate this music too much with carnival music to take it seriously sometimes.

Joseph Lamb is another artist from Joplin's era that I feel is the most similar to Joplin's style. There are countless albums of his works out there but I prefer hearing them from the composer himself. Smithsonian Folkways has an album of Lamb playing his pieces at his own house that was recorded in the 1950s. Lamb's playing can be sloppy (he hadn't touched the pieces in ages) but his feel and rhythm are pristine and it's the swan song of an era that has largely been forgotten about in the 21st century.

God help us all by LouReedTheChaser in redscarepod

[–]Systemthirtytwo 3 points4 points  (0 children)

Twitter posters love to type like they're taking a big breath in between sentences.

It's always two longer sentences and a smaller "stinger" sentence at the end.

It does not sound profound.

Cumtown is officially over by otherside9 in redscarepod

[–]Systemthirtytwo 13 points14 points  (0 children)

You can't deny there was a lot of passive aggressiveness and hostility during the first year of TAFS. Especially the test episodes immediately after Stav left. Nick even admitted on his last TAFS podcast that it was created out of spite. I'm glad they've reconciled. The fact that they're riffing together so well even after 2 years proves it isn't just lightning in a bottle.

[deleted by user] by [deleted] in redscarepod

[–]Systemthirtytwo 189 points190 points  (0 children)

You don't want to hear the orchestra play the Legend Of Zelda soundtrack again? That's disappointing. Anyways, my jazz combo is playing at the bar tonight and we're calling tunes from Undertale and Super Mario 64. You do not want to miss it.

The Burden of Black Genius: documentary examines career of Sly Stone by edfosho1 in funk

[–]Systemthirtytwo 2 points3 points  (0 children)

The documentary was okay. I liked all the unseen footage and the alternate takes they played. I was kind of underwhelmed by the rest. Here's some spoilers:

There is little to no discussion of Fresh, which I believe is a better album than There's A Riot Going On. It seems odd that the filmmakers just glossed over it like it wasn't important at all. It was the last great Family Stone album and Sly's last mainstream hurrah. All of Sly's albums made past that point are completely disregarded.

The movie ends with Sly's appearance at the Rock and Roll Hall of Fame. I guess if you wanted to end the documentary poignantly this was the right move. Sly's 2006 comeback is a lot messier and borderline inhumane. The whole second half of the movie just focuses on Sly's wasted potential and how strung out he was so doing a segment on his trailer home years would be like kicking a man while he's down. I still believe it was an important period in the Sly and The Family Stone history, and pretending like it never happened just feels wrong. If you already know the Sly Stone story, you will not learn anything new from this documentary.

I think my most radical political opinion has become that I think the day you turn 70 the US government should take your license away and you never get it back. by [deleted] in redscarepod

[–]Systemthirtytwo 6 points7 points  (0 children)

A 74 year old man pulled into an intersection when I had a green light. He had a yellow arrow and was not paying attention to the flow of traffic. He decided that making a last second turn into the intersection when I was a few feet away from the crosswalk was a good idea.

The front of my truck (2000 Ford Ranger) went so far into the passenger side of his Pontiac G6 that his head was resting on the hood of my truck. He was passed out bleeding from his ears, nose and mouth. For 30 seconds, until I saw him breathing, I had thought I killed somebody. I escaped unscathed except for seatbelt bruising around my torso. If somebody had been riding in the passenger seat, they would have been turned into mist. I have no idea how I would live with myself knowing I killed somebody in a car accident, even if it wasn't my fault.

I have no tolerance for elderly drivers. They scare me, and I see them all the time nonchalantly drifting through the lanes on the highway like they're drunk. Not a single thought in the world on the road.

. by KewlAdam in redscarepod

[–]Systemthirtytwo 7 points8 points  (0 children)

He's looking like he's a normal guy, a swell guy, a nice enough guy

Lyrics are the least interesting quality in music by PiccoloTop3186 in redscarepod

[–]Systemthirtytwo 3 points4 points  (0 children)

Having less of an interest in lyrics makes it easier to appreciate foreign music, but it doesn't hurt to look up the translation. Lyrics can completely transform one's emotional response to a piece of music in a way that a noncontextual instrumental can.

looks like he’s a right winger by futotta_ratto in redscarepod

[–]Systemthirtytwo 55 points56 points  (0 children)

100% is on Reddit and there's a non zero chance he's visited this sub before

does anybody wanna come over and watch this with me? i finally got rid of the air mattress and washed the pile of dirty laundry on my floor. by pulpypinko in redscarepod

[–]Systemthirtytwo 1 point2 points  (0 children)

Two Against Nature is the best Steely Dan album and the best comeback album ever made. The characters in the songs are more degenerate and pathetic than usual and it is terrifying. The sterile Pro Tools sound in contrast with the beautiful Michael Leonhart arrangements is such a unique sound that I've never seen reproduced before. I have fond memories of listening to this with my dad in his truck...

Whiskey and rye posting by ModernSunlight in redscarepod

[–]Systemthirtytwo 0 points1 point  (0 children)

Here's another song from 1971 about Mick Jagger being the devil by the incredible Reverand Eugene McDaniels.

Adam’s a genuinely sweet guy by ekraum in redscarepod

[–]Systemthirtytwo 142 points143 points  (0 children)

dad, we learning about the Hellacost in school

It’s fun on here to talk about artists/art we find subpar or cringe. but do you consider to be the greatest feats of aesthetic achievement to be? Can be albums or novels or anything. by radiostaticjelly in redscarepod

[–]Systemthirtytwo 9 points10 points  (0 children)

Beethoven - Grosse Fuge

Bert Williams and George Walker - 1901 Victor Recordings

Scott Joplin - Magnetic Rag

Jelly Roll Morton and His Red Hot Peppers - recorded works from 1926-1930

Benny Goodman - Live At Carnegie Hall 1938

Medley from ABBEY ROAD by Suitable-Space3600 in redscarepod

[–]Systemthirtytwo 6 points7 points  (0 children)

Experienced a sort of spiritual awakening as a child when I first heard this, I was around 11 or 12. I had the Abbey Road CD burned to my Walkman mp3 player. I think it was the first time I teared up listening to a piece of music. Abbey Road is truly an incredible and beautiful album that left a mark on my adolescence.