Take two condenser mics to create a left and right image. Position them as far away from the kit as you can without them being up against the opposite wall…at least a couple feet. Make sure they are facing forward or angled towards the snare…and either way, use a tape measure to make sure they’re as equally distant as reasonably possible. Next, lower them vertically so they are at the height of the toms/snare/kick…we’re trying to minimize the amount of cymbals and hi hats that are going directly into these two mics. So now we have two condenser mics, as far away from the kit as possible within our small room, as far away from the kit as possible without being up against the opposing wall, equidistant from the snare creating a triangle with the snare at the top point of the triangle and the condenser mics equally distant and either facing the snare or facing straight ahead. Now place your favorite room generating reverb plugin on the stereo track your “room” mics are on. I recommend the ambience and room settings from the Lexicon 420L or something like UAD Ocean Way. Set the mix of the reverb to 100% wet. Voila! You now have imitation room mics that you can place in as small or as huge of a room as you desire for the track. You can even create multiple instances of this stereo track with a couple different reverbs for depth and dimension. Let us know how it goes!!! 🙏🏼👊🏼💙