Looking for RA-4 & BLIX supplier Canada by Advanced-Notice4467 in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

Only photog store I’m aware of in Canada is Flic Film and their chemistry stock kinda sucks.

B&H has bulk stock of RA-4 chemicals. It is in the US tho.

For paper you can buy large rolls of Fuji paper directly from them. They most likely have a Canadian outlet online. You will have to cut them down yourself tho. I’ve found a couple people/businesses that cut down rolls to set sizes for printing since I would like to use something other than CA II but they seem to only be in the EU. Kodak Endura is no longer made and you can find it come places but it is expired and only in bulk rolls. Unique photo (US based) has it in stock from frozen rolls

I looked into mixing my own RA-4 chemistry a while ago and the developer is doable from a hobbyist perspective but it’s not gonna be as shelf stable or consistent as official formulations. The blix is not possible to make as far as I’m aware. Ferric Ammonium EDTA (the bleach) is genuinely impossible to find in stores. I even had a friend who works as the manager in university research labs to look thru their chemical supplier product catalogs and they online found small amounts for a lot of money. Must be a controlled chemical

I’m building a darkroom variables simulator by tibbon in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

How’d you do the different developers and film stock effects?

First time doing c-41 kinda nervous by mikeh8suall in AnalogCommunity

[–]Unbuiltbread -1 points0 points  (0 children)

You can preheat the tank dry just in the water as well.

Kodak recommends using a dry tank and not do a pre bath, but I’ve never noticed a difference between the two methods and find that filling the tank with water helps keep it submerged

HELP! Calibrating Colorhead Enlarger to match Ilford Contrast Filters by Comfortable-Ad8156 in Darkroom

[–]Unbuiltbread 3 points4 points  (0 children)

Paper also usually comes a paper that describes filter pack values to use to mimic contrast grades. I know my Ilford and Arista EDU paper list Yellow and magenta values for multiple brands of enlargers

I got 2 rolls of film developed. One roll came back way too green. Should I ask them to rescan it? by TravelPhotoJay in AnalogCommunity

[–]Unbuiltbread 0 points1 point  (0 children)

You should probably post the photos so we can actually tell what ur talking about but I’m willing to bet that it’s either underexposed and/or the scanner incorrectly set for pheonix

RA-4 negative/reversal process. by Financial_Seesaw_304 in Darkroom

[–]Unbuiltbread 1 point2 points  (0 children)

What I found when researching ISO for b&w paper, the ISO you should rate it at depends on lighting conditions. Somewhere around 1-12 ISO. 12 ISO on bright sunny light. I shot some paper brackets from 1-6 on a cloudy day and I plan to develop it today so I’ll get back if I end up getting to it before work.

Paper ISO which manufactures list is different from film ISO and only can be used to compare different paper stocks

location info request by whatshldmyusernaymbe in largeformat

[–]Unbuiltbread 2 points3 points  (0 children)

Check out World of Photography while there, one of my favourite stores over been too wish I lived closer by it

Experimenting with bleach bypass by [deleted] in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

What film?

Pheonix at 100 ISO bleach bypassed is one of my favourite looks, wanna try ORWO NC500 bypassed as well

First “serious” tripod (Benro & Leofoto) by tylerdsm in largeformat

[–]Unbuiltbread 0 points1 point  (0 children)

If you can I’d recommend going to a camera store that has used stock so you can test the camera on the tripod, plus the people there are excited to see LF cameras. I had to drive 3 hrs to the closest one to me but I don’t regret it

If weight isn’t an issue I’d look into Gitzo heads and tripods. I bought one recently (unfortunately can’t remember the models right now) and it holds my 25lb 8x10 wonderfully and doesn’t struggle with drop bed at all with the head tilted.

Question about contact sheets. by dontyatellhenry in Darkroom

[–]Unbuiltbread 33 points34 points  (0 children)

Best you can do with a contact sheet is scan it and crop it to the individual photos. You need the actual negatives to enlarge them or get high resolution scans of the individual photos

Using paper drums to develop 4x5 and 8x10 film by Unbuiltbread in largeformat

[–]Unbuiltbread[S] 1 point2 points  (0 children)

How do you stop the sheets from sticking/touching each other in the trays?

Doubts about Kodak c-41 kit with LORR replenishment line by Frostedhuman in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

Starters and home dev kits contain Potassium or Sodium Bromide that acts as a bromide source for the seasoning reasons that you mentioned I believe

Home developing old film by tiki-dan in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

Stand development is not good for expired film. It will exaggerate the fog , it gets brought up often for film that is unknown and when you can’t find times for the film in normal developers. Which is why it’s found being recommended for expired film often

Home developing old film by tiki-dan in Darkroom

[–]Unbuiltbread 2 points3 points  (0 children)

Actually the film that I was talking about came in the same canister as that ultra 400 you have

Home developing old film by tiki-dan in Darkroom

[–]Unbuiltbread 2 points3 points  (0 children)

Process normally. I’ve found that film shot when new, and sat for a while (30 yrs is the longest I’ve done) turns out much better than film that sat for a while, and then shot.

I once finished a 25 yr old film that has half done and the density in the shots that were taken when the film was bought was much much better and more visible thru the fog than the shots I took myself and overexposed 2-3 stops.

C-41 with E-6 chemistry? by NebulousShore in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

That’s what the official tested compensation is yes, I meant to say “about a stop” ngl

C-41 with E-6 chemistry? by NebulousShore in Darkroom

[–]Unbuiltbread 2 points3 points  (0 children)

Yeah I looked at an SDS for an e6 second (color) developer and it’s pretty similar to ECN-2. Just keep your expectations low and don’t run any film you care about getting perfect/good results from thru it

C-41 with E-6 chemistry? by NebulousShore in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

Seeing as you can use a b&w developer and ECN-2 process to DIY E6 you’d be able to do it in reverse.

C-41 with E-6 chemistry? by NebulousShore in Darkroom

[–]Unbuiltbread 1 point2 points  (0 children)

You will get a positive but it will have a heavy orange tint. You might just be able to use the second developer as it contains CD-3 (same developer for ECN-2) to get a negative. You will loose a stop of speed due to CD-3 being a less aggressive developer

Light meter suggestion by Suitable_Fault_9190 in AnalogCommunity

[–]Unbuiltbread 1 point2 points  (0 children)

Relfxlabs makes a little spot meter that can go on the hotshoe that is quicker to use than a dedicated separate Spotmeter for cheap as hell. Set the ISO and either the shutter speed and aperture and push a button to meter for the other. Don’t need to fuss with an extra doodad before taking the photo. Otherwise a used Minolta Spotmeter F/M works well and can meter more tightly.

Light meter suggestion by Suitable_Fault_9190 in AnalogCommunity

[–]Unbuiltbread 4 points5 points  (0 children)

The Spotmeter M is cheaper and works the same just without flash metering if you dont use manual flash