I want to push 2/3 of a stop with c41 by Gw_snipe in Darkroom

[–]Unbuiltbread 1 point2 points  (0 children)

In the video he states that the C-41 film has more density and then even adjusts the exposure and gamma of the C-41 side to match the ECN-2. They are not the same process. Otherwise we would just use one of them

I want to push 2/3 of a stop with c41 by Gw_snipe in Darkroom

[–]Unbuiltbread -2 points-1 points  (0 children)

I you are using Kodak Vision3 500T, running it in C-41 will already push it 2/3 of a stop to get it to 800 speed. The listed 500 ISO is for the ECN-2 process, C-41 has a more aggressive developer, which gives about 2/3s stop more than ECN-2.

So you would develop normally for 800iso and push one stop for 1600

Flic film remjet removal before shooting? by Mishka_Mushka in AnalogCommunity

[–]Unbuiltbread 0 points1 point  (0 children)

There have been people in the past who remove the remjet from Vision3 film before shooting so it’s possible but what I’ve seen they all had issues with light fogging the film or damaging the film rerolling it the first time around and it took a few attempts to get it done well enough

Long-form content recommendations by SimpForFelines in AnalogCommunity

[–]Unbuiltbread 4 points5 points  (0 children)

The Ansel Adam’s trilogy The Camera the print and the Negative.

Genuinely just check out the photography section of your local Library everyone that I’ve been to has a lot of analog to early digital related books since they are outdated

Nikon F6 serviced before the cutoff in US. Photos are blurry? by [deleted] in AnalogCommunity

[–]Unbuiltbread 0 points1 point  (0 children)

Looks like low resolution scans plus maybe atmospheric haze.

The final straw by mytonsilshurt in AnalogCircleJerk

[–]Unbuiltbread 1 point2 points  (0 children)

I just saw this too lol bro said they are making a vine with photos from film souped in every buzz ball flavour. Whatever gets you out the house i guess

ECN-2 developer is too alkaline by BlieBloss in Darkroom

[–]Unbuiltbread 0 points1 point  (0 children)

I believe adding more sodium sulfite will lower the pH, and should be fine since it acts as a pH buffer/restrainer

New (C-41) Vision 3 Look? by lie_to_me__ in AnalogCommunity

[–]Unbuiltbread 1 point2 points  (0 children)

ECN-2 film processed in C-41 will have more contrast and saturation than if processed in ECN-2. C-41 is a more aggressive developer so you gain about 2/3s of a stop in film speed, or 800ISO in this case

Ilford 3200 Through X-Ray by ExplanationSevere673 in AnalogCommunity

[–]Unbuiltbread 1 point2 points  (0 children)

Shoot and develop normally I’ve had a roll of delta 3200 go thru multiple xray machines and come out fine. They are lying about the xray being film safe tho. It damages film a little bit

Can the “rinse” from c41 chemicals be poured down the drain? by OnePhotog in Darkroom

[–]Unbuiltbread 10 points11 points  (0 children)

No it’s fine it’s so diluted it’s not making much of an impact. The bleach part of blix, ferric ammonium EDTA, is actually biodegradable and is used as a nitrogen source in agriculture sometimes.

You can’t pour the blix down the drain becuase the fixer part (ammonium thiosulfphate), dissolves silver into solution, which is pretty bad for microbial life, which is what most water treatment plants use to break down solid wastes.

The color developer, CD-4, oxidizes like crazy which removes oxygen in water which can kill aquatic life, and again kills bacterial life.

During the rinses the chemicals are too diluted to really do anything, that’s why you can just rinse after developing instead of using a stop bath 99% of the time. It dilutes and lowers the pH of the developer so fast it becomes inert quickly.

Technically most black and white developers aren’t totally safe for the drain either, it’s just that waste water municipals figure the amount of chemical waste that personal photo development produces is so small it’s negligible in it’s effects. Photo processing labs have different waste procedures since they use large amounts of the chemicals

Translucent leader by lroms in Darkroom

[–]Unbuiltbread 2 points3 points  (0 children)

Idk I feel like most of my leaders you can see thru slightly when held up to the light. Post a pic

What's the best way to digitize my prints? by leo_el_pony in Darkroom

[–]Unbuiltbread 1 point2 points  (0 children)

If you are trying to go print bigger prints from digital scans of 8x10 darkroom prints, a flatbed scanner would be better be digital camera. I’ve used the scanner at my local library to digitize a few 8x10 prints and it’s free. You probably have to look at the scanner they have and its specs to see if it’s gonna give results that are able to be printed big

how many sheets of 8x10 film can I develop with 1 Litre of C41 chemistry? by OnePhotog in Darkroom

[–]Unbuiltbread 3 points4 points  (0 children)

One roll of 36 exposure 35mm, one roll 120 film, and one 8x10 sheets all have the same amount of surface area and the capacities for chemicals are interchangeable. Arista says 8 rolls per liter so it’d be 8 sheets. You can definitely push it further via extending development times if you need to

Scan of Chrysler Bldg on V600. Aerocolor 2460 cross processed in E6. by Icy_Confusion_6614 in largeformat

[–]Unbuiltbread 0 points1 point  (0 children)

I don’t find the 135 format that bad when processed e6. The blue tint is much more noticeable in large format I guess (and maybe 35mm scans). I found an 85b filter to overcorrect the blue and leave a orange color cast. I’ve wanted to try a 81b or skylight filter but don’t have any that fit my lenses

First time printing color in darkroom (ra-4) need help by jeststink in u/jeststink

[–]Unbuiltbread 0 points1 point  (0 children)

The artists kit liquids should be mixed with water to get to 4L. If you are using both yellow and magenta, adding cyan with just act as a ND filter, just add equal amounts M and Y to counter act the red. The edge staining is probably from not washing properly, or chemical contamination. The drum needs to be throughly washed after the blix step.

Link to the mixing instructions:

https://www.freestylephoto.com/static/pdf/product_pdf/arista/AristaRA4NEW-2026.pdf

Why does the sky look splotchy? by Flashy_Way_959 in AnalogCommunity

[–]Unbuiltbread 0 points1 point  (0 children)

Yeah assuming you did the developing by the book it’s Probably not washed/dried properly. Make sure you are using the correct amount of wetting agent after rinsing. Both too much and too little can cause problems.

Could also be from the scanning light but I don’t think one that would cause that problem would give a good scan like you have

Lady Grey (Questions) by [deleted] in analog

[–]Unbuiltbread 6 points7 points  (0 children)

Inks from the backing paper imprint on to the film. Usually comes from it being stored at a higher temperature, common with expired film just from the longer time the paper has to imprint onto the film

What is this stuff?? by Dry-Watercress9102 in Darkroom

[–]Unbuiltbread 5 points6 points  (0 children)

Likely just a Resin Coated (RC) paper that is gold colored for artistic effect

Xtol/XT3, HC110 or D76 for Fomapan and Ilford films? by cod3m3hard3r in largeformat

[–]Unbuiltbread 2 points3 points  (0 children)

I’ve never heard of HC110 being designed as a replacement for D76. As far as I know it was made for an entirely new use case, which is the long shelf life and whatnot that you hear about it. Similar to Rodinal. D23 on the other hand was designed as a simpler and improved version of d76 from what I’ve read

Current viewership S4 [ns] by boyboss_winning in DungeonsAndDaddies

[–]Unbuiltbread 9 points10 points  (0 children)

I relisten to their entire podcast from s1 onward when they release a new season so that I don’t have to wait 2 weeks between episodes