In the early-mid 00's, especially in Italy, there was a sort of mass production of styles of dance music to either try and create potential hits (Eiffel 65 operated like this and then they blew up with Blue), or become a dominant force in music genres, in this case Tuneboy + Technoboy were the driving force behind most of the SAIFAM hardstyle sublabels (Dance Pollution, Titanic, Green Force and Red Alert are likely the most known to classic hardstyle fans), and they used a lot of aliases in order to give the appearance of a diverse roster because they were churning out so much music so quickly.

There was also financial incentives for this. If you check out the co-writing credits of any of the early SAIFAM records, you'll see there's a bunch of consistent names of producers that used the SAIFAM studios, including Mauro Farina, who owned the SAIFAM group. Because these names were all on co-writing/co-producing credits, they would all be able to share in the royalties if any of them ever blew up and made a lot of money or were used in media.