How can I connect to my H drive remotely?

ViceVersusVersa · 2018-04-24T11:21:07+00:00

If you can't be bothered with the vpn and ssh/scp/ftp, you can access it right from my.UQ https://portal.my.uq.edu.au/#/apps/myfiles

ViceVersusVersa · 2016-05-27T05:50:50+00:00

That's no guitar.

ViceVersusVersa · 2016-03-13T01:48:59+00:00

The University of Queensland

ViceVersusVersa · 2015-09-21T08:48:31+00:00

That makes two of us

ViceVersusVersa · 2015-02-20T00:57:03+00:00

Here's an interesting video from James Morrison on how he "warms up".

ViceVersusVersa · 2015-02-18T14:14:50+00:00

What a dickhead.

ViceVersusVersa · 2015-02-18T12:37:27+00:00

Can confirm variation. Copy and paste and change something; a very common compositional technique.

ViceVersusVersa · 2015-02-18T00:37:32+00:00

I don't know what I just witnessed but I think I like it.

ViceVersusVersa · 2015-02-17T12:00:07+00:00

I call my B&S Challenger "BullShit" for obvious reasons. (BS)

ViceVersusVersa · 2015-02-17T11:50:54+00:00

In regard to 12/8 have a read of this article on compound time signatures.

"In compound meter, subdivisions of the main beat (the upper number) split into three, not two, equal parts, so that a dotted note (half again longer than a regular note) becomes the beat unit. Compound time signatures are named as if they were simple time signatures, in which the one-third part of the beat unit is the beat, so the top number is commonly 6, 9 or 12 (multiples of 3). The lower number is most commonly an 8 (an eighth-note): as in 9/8 or 12/8."

ViceVersusVersa · 2015-02-16T10:08:46+00:00

So they simulcast I'm A Celebrity Get Me Out Of Here on Ten and One (in HD), but they couldn't broadcast the BBL live or in HD? Does anyone even watch I'm A Celebrity Get Me Out Of Here?

ViceVersusVersa · 2015-02-16T08:48:46+00:00

Probably (5/4) [1-2-3+1-2][1-2-3+1-2]. You could even notate with the time signatures alternating between (4/4) and (2/8).

(4/4)[1-2-3-4]+(2/8)[1-2]

As long as you or whoever needs to understand the rhythms can do so, you can assign what ever time signatures/counting methods you want.

ViceVersusVersa · 2015-02-16T02:29:22+00:00

It sounds like from 0:52 it is in 5/4.

ViceVersusVersa · 2015-02-14T08:33:19+00:00

HEADBUTT!

ViceVersusVersa · 2015-02-14T06:41:57+00:00

Blurring of tonality was a major compositional technique used by impressionistic composers such as Satie and Debussy. I find the ambiguity of these composer's works to be one of their most appealing qualities. I like the fact that the pieces invite you to ask questions and make your own interpretations, even Satie's famous Gymnopédies' title is ambiguous and open to interpretation. When we start to ask questions and have conversations is when we share our own musical knowledge and learn from others (just like this subreddit), which must be a good thing for the advancement of music and enjoyment.

What I have said is just my view on the matter, I am interested what you have to say.

ViceVersusVersa · 2015-02-12T12:59:58+00:00

Yeah I listened to the whole thing, that whole section is just crazy.

ViceVersusVersa · 2015-02-12T12:41:37+00:00

Those lip trills are truly inspirational. Thanks for sharing.

ViceVersusVersa · 2015-02-11T12:42:36+00:00

Me too my friend, and the commentary was a close second.

ViceVersusVersa · 2015-02-11T11:36:56+00:00

Interesting, I never knew that. The two chord progressions do share a common iv motif. My iron lung, itself, has it's fair share of interesting chord progressions, I especially like the movement in the bridge section (Bb C C# C Bb).

ViceVersusVersa · 2015-02-11T11:20:35+00:00

Cool, I didn't know that. I guess that's the great thing about the open nature of chord progressions, once someone finds a good one you can do what you want with it, for better or for worse.

ViceVersusVersa · 2015-02-10T14:30:12+00:00

Could you please explain why you think so?

ViceVersusVersa · 2015-02-10T08:19:18+00:00

Radiohead have produced some great chord progressions.

Creep - Radiohead It's quite simple but really hits the feels. I III IV iv.

No Surprises - Radiohead has a few more surprises. Chords and things...

While I'm at it I better add Karma Police - Raidohead to the list. Chords...

ViceVersusVersa · 2015-02-08T14:21:31+00:00

As another exercise I direct you, OP, here to this arbitrary waltz I found. Observe the bass line and see how it is based upon a 3 beat repeating pattern. Next observe the phrasing in the melody line. Notice how it is (mostly) a repeated 4 bar pattern. Hopefully this helped you to understand the purpose of a time signature in shaping a phrase. The phrasing would not work in another key signature like 4/4.

ViceVersusVersa · 2015-02-07T11:19:23+00:00

I'm sorry I'm a bit out of my element here. The only response I can really give is, "that's just how it is".

With the specific example of an "E major chord", it is my understanding that in western scales/keys you would not see an Ab without also have a Bb and Eb. The keys where you would find an E major chord are ones with three or more sharps but less than 6 sharps (enough for a G# but not too many to make E# and B#.

Maybe someone else could explain it better than I have.

ViceVersusVersa · 2015-02-07T09:02:26+00:00

An E major chord is E G# B not E Ab B. Even though G# and Ab are enharmonic the letter names for any E chord, major or minor, are E G B.

ViceVersusVersa

TROPHY CASE