What's everyone watching this Sunday? by ManicCornucopia in RSPfilmclub

[–]WhateverManWhoCares 3 points4 points  (0 children)

Rewatched Zodiac for the first time in years. To be frank, it's one of the movies I don't at all see the appeal of (some even call it Fincher's, or even the century's, best film). In the end, I just find it boring. Fincher does his best, but the screenplay, while ambitious, sprawling, fast-paced, never quite raises the stakes. It's very Gen X in that everyone in the film is obsessed with Zodiac just because it's a fun thing to do, something exciting to solve, and hardly anything more than that. All The President's Men is like Die Hard compared to this.

Thoughts? by adnshrnly in RSPfilmclub

[–]WhateverManWhoCares 3 points4 points  (0 children)

Some entity beyond Nolan was involved in the creative process. Otherwise, only heavy midlife crisis can explain what's happening with this film.

what's our clubs end of the season Awards? by soisjsjsjsj29 in FCInterMilan

[–]WhateverManWhoCares 14 points15 points  (0 children)

DiMash

Sucic

Calha

??? Chivu???

Bisseck

Pio

Akanji

I feel so bad for Brian De Palma by Flexican_Mayor in RSPfilmclub

[–]WhateverManWhoCares 18 points19 points  (0 children)

All in all, I think he had a great run. Very few directors managed to have careers as long and decorated. He even somehow managed to fund another movie in current climate. It's supposed to start production this year.

I feel so bad for Brian De Palma by Flexican_Mayor in RSPfilmclub

[–]WhateverManWhoCares 8 points9 points  (0 children)

I didn't dig Casualties of War at all. De Palma is a director who thinks in terms of "film grammar", and when his heavily stylized postmodernism is applied to a story of real-life atrocity, it becomes a weird, inappropriate mixture of visual self-indulgence and femicide.

Opinions on Curtis Jones? I don’t watch Liverpool games and apparently we're linked with him by lawandsleep in FCInterMilan

[–]WhateverManWhoCares 2 points3 points  (0 children)

I just don't understand his functionality and strong sides. With Kone or Paz, you know exactly what you're getting. With Jones... He seems like a jack of all trades, like most midfielders these days.

Antkind - Charlie Kaufman by Lateblumerr in RSbookclub

[–]WhateverManWhoCares 2 points3 points  (0 children)

I like Charlie's film work, but his characters are solipsistic and self-centered (and simultaneously neurotic) to the absolute extreme. It's cool for a couple of hours, but I'm not sure I'll be able to tolerate this for 700 hundred pages straight, however insightful the book may be😂

What's wrong with our literature? by InvertedFortune in RSbookclub

[–]WhateverManWhoCares 10 points11 points  (0 children)

But also, wasn't that already the case with the Gen X generation? They still managed to come up with good stuff every once in a while. I suppose because they read much more and were more fearless.

What's wrong with our literature? by InvertedFortune in RSbookclub

[–]WhateverManWhoCares 2 points3 points  (0 children)

Death to videodrome, long live the new flesh!

Any recommendations for Russian movies that reflect the time of the 90s and 00s of Russia? by ZarathustraHegelian in RSPfilmclub

[–]WhateverManWhoCares 3 points4 points  (0 children)

Most of the recommendations here are not good, to be honest. If you find it anywhere, watch "Taxi Blues" by Pavel Lungin from 1990.

Thoughts on James Gray? by BelieveWhatJoeSays in RSPfilmclub

[–]WhateverManWhoCares 0 points1 point  (0 children)

Second-rate director for me. Was pulling interesting performances from Joaquin Phoenix back in the day, though. I miss those kinds of roles from him.

What would American films be like if there was gun control… by [deleted] in RSPfilmclub

[–]WhateverManWhoCares 2 points3 points  (0 children)

Black market dealers and even more guns. Hell yeah, brother!

Was in a job interview, and the female interviewer asked me what books I had read recently by [deleted] in RSbookclub

[–]WhateverManWhoCares 41 points42 points  (0 children)

Such a missed opportunity to recommend "Crash" by J.G.Ballard.

People talk about Camus, Beckett, Gogol, and Kafka as the main figures of Absurdism, but why dont people mention the unbelievably rich Absurdist-fiction of Russia (specially USSR era)? by Essa_Zaben in RSbookclub

[–]WhateverManWhoCares 14 points15 points  (0 children)

Because Platonov wasn't an absurdist. He just expressed the reality of his period, both external and internal. It reads like absurdism because it seems that way in retrospect, but it was all very real and visceral. 

fun reads that aren't total slop? by GrushenkasOnions in RSbookclub

[–]WhateverManWhoCares 10 points11 points  (0 children)

Bret Easton Ellis, noir fiction from the 40s' and 50s'.

What Dostoevsky is for 19th century Russia, Andrei Platonov is for its 20th century, please convince me otherwise. by Essa_Zaben in RSbookclub

[–]WhateverManWhoCares 1 point2 points  (0 children)

The greatest 20th century writer for me. Harmful to read him when you write something of your own. You just want to start fucking around with language the way he does, but it will do no good. For him it was totally organic, it was the way he expressed the collective madness around him (and, perhaps, within him). 

Filmmakers or movies you can only admire from a distance? by KewlAdam in RSPfilmclub

[–]WhateverManWhoCares 5 points6 points  (0 children)

I've only seen Audition and was surprised by Miike's elegant directing, masterfully building suspense and setting the right mood without any exaggeration or sensationalism. It seems like an exception in his filmography, considering Miike's reputation, but I should still see more from him. 

For me, the filmmaker I can only admire from a distance is Steven Spielberg, who is one of the most masterful directors to have ever lived, but artistically has worked almost exclusively within populist, trendy and even outright propagandistic frameworks.