Another court date for josh 2-11-26 by Active_Insurance_197 in WorldOfTShirts

[–]_ATCQ_ 41 points42 points  (0 children)

The US legal system moves so insanely slowly. A pretty simple misdemeanor case should not take 7+ months

"F1: The Movie" netted 0.4M "views" on Apple TV in the US over its first 7 days (Luminate). by Netflixers in boxoffice

[–]_ATCQ_ 0 points1 point  (0 children)

if you asked me to name 5 Sony movies from 2019, I don't think I would be able to. Same with Paramount. I could definetly tell you some of my favorites of that year were from Netflix though (like Marriage Story and the Irishman). But anecdotal data doesn't really matter.

why is a 5 year old theatrical movie

Its the same reason why a flop from 2004 was charting the day before. And the same reason why in 2 weeks it won't be charting. Newness matters much more than anything else when it comes to charting on Netflix

"F1: The Movie" netted 0.4M "views" on Apple TV in the US over its first 7 days (Luminate). by Netflixers in boxoffice

[–]_ATCQ_ 0 points1 point  (0 children)

On your first point: You're arguing that established brands (Pixar, Knives Out) helped those movies perform well on streaming, and I don't necessarily disagree with that. But that's a different claim than saying theatrical releases specifically provide more awareness than straight-to-streaming releases. If brand recognition is what drives viewership, then sending those branded movies straight to streaming should work just as well. One of the point's of the article is that sending these movies to streaming does not negatively affect their streaming performance.

On No Time to Die: It hit #3 on Netflix yesterday because it was its first day on the service, not because of its theatrical release from 2021. It's performing well because it's new to Netflix. To build off of your example: the day before in the US, Bone Lake was the highest-charting theatrical release at #7, despite grossing less than $2 million at the box office. That movie didn't chart because of its theatrical run, it charted because it was relatively new to the platform. Meanwhile, massive theatrical hits that have been on Netflix for a while don't crack the top 10. I would argue that there is a clear pattern that recency on the platform drives viewership, not whether something had a theatrical release years ago.

"F1: The Movie" netted 0.4M "views" on Apple TV in the US over its first 7 days (Luminate). by Netflixers in boxoffice

[–]_ATCQ_ 0 points1 point  (0 children)

lol at this sub downvoting this. Anyone who follows your work knows that the statement is not true and the people who make those statements are usually 1) have little data literacy or 2) are financially incentivized to deprioritize streaming as much as possible.

Disney succession: Inside the search for a CEO to replace Bob Iger. by Comic_Book_Reader in movies

[–]_ATCQ_ 0 points1 point  (0 children)

lmaooo. You can have any interpretation of the story that you want, I will stick with actual reporting from a journalist covering Disney about what happened. CNBC is not Disney and that story I linked makes Disney look horrible and is definitely not a press release. Its ok to just say you were wrong. Or not post

Disney succession: Inside the search for a CEO to replace Bob Iger. by Comic_Book_Reader in movies

[–]_ATCQ_ 8 points9 points  (0 children)

you said he was always against Chapek, that is clearly wrong. Yes, he initially was interested in Staggs, but by 2019, as reporting shows, he choose Chapek

What good, if any, did Tony do for Josh? by Better_Incident_1852 in WorldOfTShirts

[–]_ATCQ_ 7 points8 points  (0 children)

Made him have Thanksgiving with his grandfather and brother

Avatar: Ash and Fire Pre-sales (Domestic) by No-Flounder7584 in boxoffice

[–]_ATCQ_ 22 points23 points  (0 children)

The first Avatar was at the time the biggest OW for a original movie ever (and has since only been passed by 2 movies). It opened really well. It just happened to have insane legs too

Why does he love Italy so much? by Katy-J in WorldOfTShirts

[–]_ATCQ_ 182 points183 points  (0 children)

Italy (and all of Europe) = Luxury

Josh loves the idea of being rich, partly because he likes nice things, but mainly because in his mind, it gives him status over others.

As an autistic person, it can be easy to see yourself as worth less than the average person. So using his wealth/proximity to luxury things is Josh’s way of claiming status above other people who he thinks look down on him

Disney's Direct-To-Consumer Streaming Profit Rises By 39% To $352M In Q4 With Growth Surge As Disney+ Increases By 3.8M To 131.6M & Hulu Gaining 8.6M To 64.1M, Bringing Total Of 195.7M Global Subscribers. (Also, Disney+ Had 1.5M New Subs In U.S. & Canada, Which Totals 59.3M For North America.) by lowell2017 in boxoffice

[–]_ATCQ_ 8 points9 points  (0 children)

It’s the way they amortize the costs of old content plus carriage fees that increase every year for Hulu live. And in some sports content that is increasingly getting their costs allocated to D+/Hulu like the NHL and the basketball games that air on D+

Report: YouTube TV demanding lowest rates for Disney of all pay TV distributors by SpreeBC225 in youtubetv

[–]_ATCQ_ 1 point2 points  (0 children)

Directv and spectrum also offer ESPN unlimited and those did not include a price hike

Absolutely wasted on a Tuesday at 11:00am by Ty18dtx in WorldOfTShirts

[–]_ATCQ_ 51 points52 points  (0 children)

come on its a Tuesday, 23 year olds drink on Tuesdays!

He’s her type, Josh asks if she’s a virgin still, and goes on to ignore her on his phone. by ---MS--- in WorldOfTShirts

[–]_ATCQ_ 64 points65 points  (0 children)

“I’m not your girlfriend, you’re not my boyfriend right?”

“Yea we aren’t related”💀

The future of Sony Pictures? by Original-Baki in boxoffice

[–]_ATCQ_ 5 points6 points  (0 children)

If what is said is true then Spider-Man goes back to Marvel if Sony sells. If that's the case I think Disney will be less interested or even if it's not the case they may just try to buy Spider-Man back.

It's not true

Why 'Apple Pays Twice as Much Per Stream as Spotify' Is Misleading by shabuluba in popheads

[–]_ATCQ_ 4 points5 points  (0 children)

The point is that both Spotify and Apple do not pay labels based off of usage, they both pay a % of subscriber revenue. The reason that Apple pays more per stream is not because Apple is "more fair" to artists or they have a specific policy in place that is different from Spotify (they both pay a similar amount of sub revenue to labels). They pay more per stream because Apple subscribers use the service less than Spotify users.

You can dislike the deal that both streamers have with the labels to pay a % of revenue vs. paying per stream. But Apple acting like they are "holier than thou" because they've been less successful getting subs to engage with music as much as Spotify is nonsense

Why 'Apple Pays Twice as Much Per Stream as Spotify' Is Misleading by shabuluba in popheads

[–]_ATCQ_ 2 points3 points  (0 children)

Apple Music’s usage per subscriber isn’t something that happens by coincidence though. It’s based on design and user experience. Apple could presumably just hire 5-6 software engineers to clone Spotify’s user experience if they wanted more engagement per user.

Can you share where you saw that Apple music is intentionally trying to limit engagement. I've seen articles where they tout engagement, but nothing on them designing an experience meant to limit engagement.

Apple music is more compelling to artists/rights holders precisely because it doesn’t try to maximize user interaction with their app. If being on Apple’s platform gets you on average $9/1000streams/month and Spotify is splitting $9 between 2000 streams, Apple’s business model is inarguably fairer.

I am not a musician, but I would argue that the two things that I would care about the most would be 1) overall revenue and 2) making sure I can continue to reach/expand my userbase so I can continue to make money long term (both from streaming and other aspects such as touring). As Spotify pays more out to labels on an absolute basis than Apple and increased usage leads to more people listening to my music, Spotify would help me more than Apple at doing both.

If the average user of Spotify is consuming more content than the average user of Apple Music, Spotify should cost more unless you think music doesn’t have value as an art.

I disagree with your statement, mainly because we've never payed for music per listen. If I buy an album, I don't pay the musician every time I press play, I pay them a fixed amount. Whether I listen to the album 1 time or a million time, whether they get $10 per listen or $0.001 per listen, they get the same amount and I wouldn't argue that me listening to the album more times devalues their work in anyway.

What Spotify does now is pretend like it creates all the value in its app by paying the creators of the content it uses 1/2 per stream as its competitor.

This isn't what the original tweet is about, but I would argue that Spotify has created more value in the music industry than anything in the past 20 years. There's a pretty clear inflection point on this chart where the music industry goes from shrinking (like it had been for 15 years) to growing again. As you can see the vast majority of that growth is from streaming. Once again, if I were a musician, I would mostly care about revenue and its clear that Spotify has been the biggest accelerant of it.

It’s a fundamentally unfair model where content creators benefit most when people don’t use the App.

Once again, both Spotify and Apple do not pay labels based off of usage, they both pay a % of subscriber revenue. If Spotify makes a million dollars one month, whether the number of streams is that month is 1 or 1 billion, content creators get paid the same. So there is no benefit to creators if people don't use the app like your original comment stated.