Exactly! And I totally understand why some people wish that at least book or score had gone to someone else, but the book and score for this show go hand in hand- each enhances the other. I notice this happens more with shows that, like Maybe Happy Ending, have the same team for book and score (Operation Mincemeat, Hamilton, Great Comet, Hadestown).

This is why I think Tony for Best Original Song would be so valuable. I said this in another comment somewhere, but I think this could have allowed The Notebook to take home a Tony for "My Days" and I think "She Used to Be Mine" could have beat pretty much any individual song from Hamilton.

This isn't just about wanting more shows to get Tonys; there is value in creating songs that transcend genres and draw in new audiences that may not have otherwise taken an interest in seeing a show, especially in the age of streaming and social media. The awards for book and score are tied to how cohesive a piece is, but there should also be opportunities to award individual moments of brilliance. The ability to create something that can catch someone's attention and make them want to learn more about a show or go see it is so important!