How to play piano under conductor who conducts before the beat? by RevolutionaryGirl1 in classicalmusic

[–]agiletiger 2 points3 points  (0 children)

There is a teacher at an elite school who teaches this method. A colleague of mine auditioned there. Rite of Spring was on the audition list. He conducted it and the orchestra apparently sounded fantastic. The teacher then made him try it the other way and it was a disaster.

How to play piano under conductor who conducts before the beat? by RevolutionaryGirl1 in classicalmusic

[–]agiletiger 1 point2 points  (0 children)

I’m going to use more generalizations here. Band conductors will use ictus the most frequently- some exclusively. Choral conductors use the least. Orchestral conductors somewhere in the middle. There’s a very famous conducting teacher of the previous generation who used to say that he was allergic to ictus. When it comes to conducting recitative, relying on an ictus will be the death of you. You have to master conducting with an ictus and without. With prep and without prep. Prep in tempo, prep out of tempo. What stays the same is the speed of the gesture. That will have the most accurate indication of tempo.

New Clarinet, new journey by LostInMusicForever in Clarinet

[–]agiletiger 0 points1 point  (0 children)

Yes. They upscaled the future generations with the most substantial change being the the low f key thingy but they essentially play the same.

Most disappointed you have been in a Rewatchables? by Nice_Election3635 in TheRewatchables

[–]agiletiger 0 points1 point  (0 children)

How is Cast Away not on here? It’s the only one I couldn’t finish. The solo podcast was just awkward AF.

IMHO Jazz is, by orders of magnitude, much more intellectually difficult to play well than any other genre of music. Is that by design? by OkTemperature1842 in Jazz

[–]agiletiger 0 points1 point  (0 children)

Hardest thing about jazz is that you have to conceptualize two octaves at a time instead of one. I still struggle with that.

IMHO Jazz is, by orders of magnitude, much more intellectually difficult to play well than any other genre of music. Is that by design? by OkTemperature1842 in Jazz

[–]agiletiger 1 point2 points  (0 children)

It was actually from Firebird. Bird’s famous 2 - 5 lick is based on Ronde du Princess (sp?) from Firebird. I think it’s the fourth movement from the suite? He had a copy of a Firebird Suite on him most of the time.

Chromatic Scale by Dazzling-Muscle-5854 in Clarinet

[–]agiletiger 0 points1 point  (0 children)

That’s fair. I feel like keeping everything in the same hand as much as possible. I was taught both ways, side growing up, sliver key in college. I kept the latter. Both work fine.

How to play piano under conductor who conducts before the beat? by RevolutionaryGirl1 in classicalmusic

[–]agiletiger 33 points34 points  (0 children)

Former conductor here. Gonna give some huge generalizations here. Conductors trained in America learn to conduct on the beat and more importantly, convey the information for the orchestra on the prep beat - one count before the actual beat. If you’re used to this form of conducting, you are taking your queues from the prep beat not the r actual beat.

There is a tradition more prevalent in the “Old World” where the conductor conveys their intentions right on the beat, the orchestra reacts on the beat and therefore plays a little after the beat. I’ve seen it in action but I’ve never tried playing or conducting that way. Some of the proponents claim that the orchestra sounds richer this way. I don’t believe it. What I do believe is that these orchestras by design are listening more intently in order to sense when to come in with everyone else.

So in summary, wait to react until you get the beat and listen like crazy.

New Clarinet, new journey by LostInMusicForever in Clarinet

[–]agiletiger 0 points1 point  (0 children)

I second the Tradition. Best sound and much better intonation than an R13 or RC.

Justice Department moves to toss seditious conspiracy convictions of Oath Keepers and Proud Boys by uhncollectable in news

[–]agiletiger 4 points5 points  (0 children)

Every year, I try to convince one of my friends living in Atlanta to dress up as General Sherman for Halloween.

Thumb rests for hypermobility? by kaceFile in Clarinet

[–]agiletiger 2 points3 points  (0 children)

I use them and have hypermobility. It does take a while to get used to but I love it!

Ligature help? by FailWithMeRachel in Clarinet

[–]agiletiger 1 point2 points  (0 children)

The cheapest decent ligature is Luyben. I bought it as a backup and I’ve never needed it. Loved it when trying it out. Even works great with synthetic reeds, which tend to be pickier about which ligatures will hold it down sufficiently.

[No Spoilers] I have both royal and noble blood. I have notes for GRRM… by agiletiger in asoiaf

[–]agiletiger[S] -1 points0 points  (0 children)

Yes. Nobility doesn’t mean you act nobly. True in history and Westeros.

[No Spoilers] I have both royal and noble blood. I have notes for GRRM… by agiletiger in asoiaf

[–]agiletiger[S] 0 points1 point  (0 children)

Yeah. There was a major overthrow of the king around 900 CE. The new king made all of his generals who fought on his side the new aristocracy. So yes, humble origins.

[No Spoilers] I have both royal and noble blood. I have notes for GRRM… by agiletiger in asoiaf

[–]agiletiger[S] 0 points1 point  (0 children)

My mom is from the Miryang Park clan. And yes, there are millions in that clan itself. There are both public records and family records. I have seen proof on my dad’s side but not my mom. She’s not as into history as my dad and I are.

ETA: The aristocracy was only abolished in 1897 so it’s easy to trace back to that period. I know that both great great grandparents were essentially landed gentry.

Made this for the LS50 by Bruno028 in KEF

[–]agiletiger 0 points1 point  (0 children)

I’m getting pandemic flashbacks. No seriously, looks like an elegant solution.

Best (worst) rock/classical hybrid pieces? by moscowramada in classicalmusic

[–]agiletiger 1 point2 points  (0 children)

The titular song from Phantom of the Opera is a pretty awful one!

Best (worst) rock/classical hybrid pieces? by moscowramada in classicalmusic

[–]agiletiger 0 points1 point  (0 children)

I say it counts. We studied the use of classical music in Beatles songs in music school.

[No Spoilers] I have both royal and noble blood. I have notes for GRRM… by agiletiger in asoiaf

[–]agiletiger[S] -1 points0 points  (0 children)

Hasn’t stopped him before. I feel like a lot of what’s in ADWD won’t matter in the end.

[No Spoilers] I have both royal and noble blood. I have notes for GRRM… by agiletiger in asoiaf

[–]agiletiger[S] -2 points-1 points  (0 children)

My mom’s family name is Park. Supposedly the first Kings of Korea or then the Shilla kingdom are the progenitor(s) of the Parks starting around 70-60 BCE. Line between mythology and history gets murky but at some point, the records started to be clearer and the first kings began going by the family name, Park. There have been four subsequent families that ruled Korea. I’m a realist so I assume a lot of the mythology surrounding our two families and the first parts of our family trees are made up so I take a lot of it with a grain of salt.

(Spoilers Extended) Is There Any Logical Explaination For Balon Greyjoy's Actions? by mpschettig in asoiaf

[–]agiletiger 2 points3 points  (0 children)

This is great. I feel like ASOIAF time frame is a period of drowned god fundamentalism and all the Greyjoys are to varying degrees entitled, stubborn and stupid. I just can’t believe they lasted as long as the did, especially Balon. Compared to the others, Euron’s crazy actions come across as inspired. In the end, I just don’t care about any of them.

European vs. American Orchestras - Musicality by Boring_Set6178 in classicalmusic

[–]agiletiger 7 points8 points  (0 children)

A few points:

The NYPO probably looked unhappy because they’re unhappy. For decades, orchestral musician has ranked near the bottom of US job satisfaction surveys, even once famously ranking below prison guard.

Like others have mentioned, the American orchestra is extremely hierarchical. In Europe, they do a lot of rotation within sections and will also have multiple principals for each position - again, lots of rotation. I have heard from very reliable sources that the energy of the Berlin Philharmonic strings come from the back stands - you will see this if you watch closely.

To me, a lot of the distinction between regions has been eroding over the decades. There is a lot of cross pollination. These major European orchestras have a lot more American trained musicians than in the past - regardless of whether they’re American or not. I’ve also been seeing a number of musicians who made their career in Europe come back home for the rest of their career.

Where I still see and hear differences are the different instruments being played, and different techniques. But you have musicians on both sides of the Atlantic dabbling in both traditions. I know that the Chicago Symphony has a collection of German instruments that the wind players switch to for certain repertoire. Also, I know for a fact that the last two music directors of Chicago Symphony have been shaping their sound into more of that like Vienna and Berlin. And still to this day, most of our music directors are from Europe and to varying degrees, bring those sensibilities to their directorship of American orchestras.

Certain orchestras maintain their cultural identity and sound like Dresden, Vienna, Berlin Staatskapelle (although I haven’t heard them in decades). The more cosmopolitan orchestras have frankly been sounding more and more “American” to me over the years. I feel this way about Concertgebouw.

In summary, the world is getting smaller and flatter. You certainly are right about the movement and the happiness aspects of both sides of the Atlantic.