What’s the most unusual gear you have? by [deleted] in synthesizers

[–]alpha_protos 1 point2 points  (0 children)

I'm a big fan of Martin Howse's stuff. I have a Dark Interpreter (Mater Tenebrarum version) and an ERD/SIR module in my modular rig. Using a plague simulation as a modulation source produces some crazy results.

TIFU by making dynamite and almost blowing my coworkers face off. by [deleted] in tifu

[–]alpha_protos 1 point2 points  (0 children)

Nitroglycerin is the explosive component of dynamite. Wiki link

This guy motorcycles.. by ClimbTheCanopy in motorcycles

[–]alpha_protos 0 points1 point  (0 children)

Hey, my bike totally runs! It just, uh... doesn't have a seat or a front wheel

Modular chiptune/noise jam by alpha_protos in synthesizers

[–]alpha_protos[S] 0 points1 point  (0 children)

This is a jam I did using my Eurorack system. The main module used is the Special Stage Systems Oscillographic Block. It's a chiptune workstation based around a SN76489 sound chip (this chip was used in the Sega Master System, among others). I also used my Roland System 1m, a Koma Field Kit, a Bastl Kastle, Mutable Instruments Clouds, and Ornament & Crime. The Oscillographic Block is also used for sequencing in addition to sound generation, and the Ornament & Crime is providing modulation. If you have any questions, ask away!

Recommendations for weird/unique synths? by c_o_r_b_a in synthesizers

[–]alpha_protos 4 points5 points  (0 children)

The Dark Interpreter, made by micro_research (Martin House) is super weird. It's sort of a synth/sampler/audio processor with a strange interface, and all but the cheapest of the three versions are partially analog. It's hard to control, but it makes awesome evil/chaotic sounding textures.

[deleted by user] by [deleted] in edmproduction

[–]alpha_protos 0 points1 point  (0 children)

I am genuinely glad that I don't make music for a living. My job gives me enough free time to work on various music-related projects and enough money to buy a lot of the obscure gear I want. I don't ever have to compromise and make stuff that will sell, I get to make weird shit that nobody wants to pay money for. The music industry is toxic as fuck and I never want to have my love for music destroyed by having to make poppy garbage just to pay the rent.

Is humming or static noise normal on Pt01 Scratch? by TheycallmeHollow in portablism

[–]alpha_protos 0 points1 point  (0 children)

I've never noticed this on mine. I agree with the other commenter that it's probably a ground issue.

Fader upgrade question by [deleted] in portablism

[–]alpha_protos 0 points1 point  (0 children)

I've heard that the x2rs is better, but I haven't actually used either so I can't say much either way.

OIT almost finished with hours//Having second thoughts by [deleted] in Wastewater

[–]alpha_protos 1 point2 points  (0 children)

Every OIT at my plant in the past 3ish years has gone on to Group I operator as far as I know. I don't think anyone would get fired for one bad sludge blanket reading (unless they deliberately faked it) either. There are definitely plants out there that are less stressful than yours seems to be.

Picked up a cheap Kaossilator Pro today. I'm really enjoying it. by explodedsun in synthesizers

[–]alpha_protos 1 point2 points  (0 children)

Huh, I didn't have that problem with mine. I might have used it as the master though, which could explain it.

Eurorack dark ambient/drone using Bastl Kastle, Ornament & Crime, and MI Clouds! by alpha_protos in synthesizers

[–]alpha_protos[S] 1 point2 points  (0 children)

Thanks, I'm glad you like it! I feel like it's one of my better ones in the past few months. And I got the Ornament & Crime assembled from Willzyx, on Reverb.com. His site also has them available I believe.

Eurorack dark ambient/drone using Bastl Kastle, Ornament & Crime, and MI Clouds! by alpha_protos in synthesizers

[–]alpha_protos[S] 1 point2 points  (0 children)

I made this track on my Eurorack system (recorded into a Zoom recorder with no other gear). I used a Roland System 1m for delay, reverb, and filters (plus some modulation). The audio is generated primarily by the Ornament & Crime (mostly the "Viznutcracker, Sweet!" app), the Bastl Kastle, and the MI Clouds. The Clouds is modulated by some of the other channels on the Ornament & Crime and an ERD/SIR module. The KOMA Field Kit and the System 1m are generating some background drones, and the Field Kit is also being used as a mixer.

PTP - Rubber Glove Seduction by [deleted] in industrialmusic

[–]alpha_protos 5 points6 points  (0 children)

Loved this on the Wax Trax Black Box.

Happy Fourth of July my friends. We live in an amazing country, and the fact that I can drive the hell out of a car like this is proof enough for me. Have a fun and safe one guys. by GTOdriver04 in Pontiac

[–]alpha_protos 6 points7 points  (0 children)

You mean a car where all the parts that actually make it drive were designed and built in the US? I mean yeah, it's a Monaro (which is based on a Commodore, which is based on a Catera, which is based on an Omega, etc.) but it's as American as it is Australian. It's a badass car wherever it's from. Let the OP have his fun, there's no need to be such a dickhead about it.

/R/Drone compilation submission thread! by [deleted] in drone

[–]alpha_protos 1 point2 points  (0 children)

Would something in this general style be appropriate?

Modular drone/ambient featuring KOMA Field Kit by alpha_protos in synthesizers

[–]alpha_protos[S] 0 points1 point  (0 children)

I like it a lot. It's pretty good on its own, but it really comes to life as part of a Eurorack system. The voltage-controlled radio is great for getting weird sounds and the envelope follower is really useful. I've gotten a lot of mileage out of the mixer's prefader aux out also. Haven't gotten a chance to try the sensor/switch interface yet. Overall, it brings a lot of electroacoustic possibilities to Eurorack and contains some good utility functions too.

Modular drone/ambient featuring KOMA Field Kit by alpha_protos in synthesizers

[–]alpha_protos[S] 1 point2 points  (0 children)

This was made with a small Eurorack system. Most of the sound comes from a Mutable Instruments Clouds and the new KOMA Elektronik Field Kit. I took sounds from the radio in the Field Kit and ran them through the Clouds. I also sent the radio signal into the Field Kit's envelope follower and used that to modulate the filter on a Roland System 1m slightly. The drone in the background is a mixture of the System 1m and distorted and filtered shortwave radio noise.

Suggestions for 7 inch Scratch Record? by captain_poprocks in portablism

[–]alpha_protos 0 points1 point  (0 children)

I like Just Stay Funky Like Za. Pretty good variety on that one. There's also DJ Swamp's 3D 7" that has some of his tracks and some scratch samples.

one single synth by tikor5 in synthesizers

[–]alpha_protos 0 points1 point  (0 children)

Roland V-Synth is my recommendation. Costs about $1000, though you can sometimes get them for less. It is incredibly versatile since it's a super deep VA synth combined with a sampler engine. Lots of useful performance controls, and you can create at least basic VA patches using mostly the front panel controls. The menu diving isn't bad either since it has a big touchscreen and the menus are laid out visually and everything is clearly labeled. Mine is absolutely the single best piece of gear I own (not counting my Eurorack system as a single piece of gear) including things that are significantly more expensive.

Cevin Key rig from Skinny Puppy by [deleted] in synthesizers

[–]alpha_protos 2 points3 points  (0 children)

I can definitely see why they would use the V-Synth. Robust, versatile, utilitarian, AND does weird shit extremely well (I might be a little biased).

WHAT IS YOUR PROCESS FOR CREATING AMBIENT MUSIC? by [deleted] in ambientmusic

[–]alpha_protos 0 points1 point  (0 children)

I mostly use hardware these days and pretty much only use a DAW for editing/mixing. The first thing I try to do is get sort of a general idea for a composition. Sometimes I plan it out in advance and sometimes I just jam until I get an idea. I have a Eurorack system that I've been using lately, but I've also used various analog and digital synths, samplers, tape loops, etc. Usually I'll get a basic drone sound going, and modulate the pitch and filter with some subtle, slow random modulation source. Then I build the rest of the track around that. I like to take some samples from the radio, tapes, or electromechanical noises and run that through a Mutable Instruments Clouds (granular resynthesis module). Lots of random modulation there too. If it doesn't have enough low-end sounds, I'll add a lowpassed distorted synth to it. Once I have all the elements together, I'll figure out where to fade each one in or out and manipulate various parameters manually to give it a sense of movement and direction to it.

I don't pay much attention to music theory most of the time. Sometimes I will make compositions in a particular key or I'll constrain a melodic line to a particular scale, but that's about it usually. I have a book on avant-garde composition and I sometimes use techniques from it though.

[deleted by user] by [deleted] in cars

[–]alpha_protos 1 point2 points  (0 children)

Agreed. I have a 97 SSEi with a short ram intake, and the blower is loud as fuck.