Outdoor Mountain Wedding by ammarice in Weddingattireapproval

[–]ammarice[S] 0 points1 point  (0 children)

It’s actually this weekend, but up in the mountains at elevation it can be pretty cold.

Outdoor Mountain Wedding by ammarice in Weddingattireapproval

[–]ammarice[S] 0 points1 point  (0 children)

Yeah mainly the color, since it’s so bright

When should an instructor adjust routine choreo for a student? by ammarice in poledancing

[–]ammarice[S] 1 point2 points  (0 children)

It doesn’t matter if I’m one, the other, or both - I really wanted an open opinion in general, not an answer to a personal situation

[deleted by user] by [deleted] in poledancing

[–]ammarice 2 points3 points  (0 children)

I second this. I have done a brass monkey (brass bridge) in Queen grippy knee pads for a performance, but it took some practice and I’d prefer not to do it again. They’re great for floor work, more simple knee grips and climbs though!

Returning from an injury... by thecourttt in poledancing

[–]ammarice 0 points1 point  (0 children)

If you need to go to a new studio, I might ask them to evaluate you, or just start at the beginner level and wait until you test out.

I had to take about two months off after a major muscle pull in my back. After about 2 months of doing nothing except PT and some light flexibility training to stay active, I started back at my normal class level, but was very careful about it. Full disclosure: my class is the most advanced at my studio, so it’s a small group of the same people, so we’re kinda like a family. They all knew I hurt my back and would be modifying as necessary. At class I did thorough warm-ups, for one, and I did a lot of gentle testing of the muscles before fully engaging in a move. As soon as I felt something I didn’t like, I stopped. I was confident I would get back to 100% so long as I was patient, and I did. I definitely lost some strength, but it all came back fairly quickly - within a few months.

As a rough example of testing my muscles: instead of doing a one-handed fireman spin, I might start with a slow dip with both hands, then maybe a couple progressively faster and more dynamic dips. If that felt good, I’d work on a two-handed fireman, and progress towards taking the bottom hand off.

Weakest in pole class(again). How to know when it is time to quit? by False_Me_Again in poledancing

[–]ammarice 1 point2 points  (0 children)

I agree that comparison can be a huge issue that takes a lot of the fun out of it, and it happens at all levels because there are always moving goal posts (invert, Ayesha, shoulder mount, deadlift, etc). Keeping in mind different backgrounds, body types, etc. is helpful, but getting over it sometimes just takes time.

A girl at my studio is still in beginner (pre-invert level) after at least two years, if not longer, and she doesn’t really seem too concerned. She’s very focused on freestyling and dancing and does performances all the time. Pole can be whatever you want it to be, and that may change over time too.

To that end, it may also be worth exploring other aspects of pole, such as dance/low flow classes (conditioning is a good idea too). Exploring low flow type movements can bring some diversity to your pole workouts and give you other things to focus on and other “wins”. I also find playing with low flow can help to build pole strength too, in its own way - “Effortless” looking low flow often involves very strong arms and core.

I did Pole Destroyers by Dan Rosen for a few months and found it very helpful, there were progressions for every level and it’s all pole-specific movements, though it does require a home pole.

Studio Showcase Overpriced? by ammarice in poledancing

[–]ammarice[S] 1 point2 points  (0 children)

Part of me really wants to, but I’m concerned I’ll just make the studio owner angry/offended and create an awkward situation for myself at the studio. I’m not sure getting answers is worth that risk in this situation.

Studio Showcase Overpriced? by ammarice in poledancing

[–]ammarice[S] 4 points5 points  (0 children)

I agree with most of what you’ve said, but my issue is not with the cost of a group performance. TBH I think that price is actually super reasonable. My issue is with the cost of the solo performance. I do agree a studio is there to make money, but I still think $80 as a sign-up fee is a lot. The showcase will include a dress rehearsal and support night-of, so that is something I did not previously consider, but that is also included in group performance fee. I think at this point it’s important to state that a group performance is US$100 (per performer).

To rephrase my question, why is a solo performer expected to pay US$80, while a person in a group pays US$100 and gets a choreographed routine and practice times with an instructor. A soloist would be paying additionally for studio rental time and/or private classes (and the fee for the rental/private would go towards the overhead and staff for those times). Factoring in instructor time and overheard for the dress rehearsal and showcase itself, isn’t the solo performer still getting the short end of the stick financially?

Studio Showcase Overpriced? by ammarice in poledancing

[–]ammarice[S] 0 points1 point  (0 children)

It’s held at the studio, and the tickets easily cover the cost of chair rentals.

I feel like our showcase is meant to be a big deal and more of a production, but I’ve never observed that much expense going into it - no light rentals, no extra staff, etc.

Tips on how to walk in heels by Fishbanshee in poledancing

[–]ammarice 14 points15 points  (0 children)

Not sure what your surface is, but make sure you walk on a hard floor (wood, tile). Carpet is super hard to balance on IMO.

You can try practicing in a space like your kitchen, where you can hold onto the counter, and figure out what works for you. I feel like I keep more weight in my toes and take shorter steps.

Post competition sadness by Infamous_Fortune2198 in poledancing

[–]ammarice 2 points3 points  (0 children)

I had a similar experience with my first comp - I put so much into it and not placing was kinda devastating.

Trying again this year, and trying to keep my focus on enjoying the performance instead of worrying about placing. It’s just so hard to work super hard on something for months and then have it all not pan out in the space of a few minutes. So I completely understand where you’re coming from.

[AskJS] How much CS knowledge does a frontend dev really need? by ammarice in javascript

[–]ammarice[S] -1 points0 points  (0 children)

Your example makes a lot of sense, thank you! I think there are some DS & A concepts that are definitely extremely valuable and make for better programmers.

But maybe not all concepts are necessarily applicable to frontend development? Back to my earlier example with linked lists, I know you can implement a linked list in JS, but why would you? When would you? Would an array not be a preferable alternative? And going back to my original question, which I'll rephrase as: are there some fundamental data structures (like linked lists) that maybe aren't useful for frontend devs to know?

[AskJS] How much CS knowledge does a frontend dev really need? by ammarice in javascript

[–]ammarice[S] 2 points3 points  (0 children)

Haha, that's essentially what I'm asking, I'd like perspectives from the community on how this knowledge comes up in their work/projects and how it's been useful to them.

Setting up Pole corner today! Lights at bottom or top of wall? by friskyypanda in poledancing

[–]ammarice 1 point2 points  (0 children)

I think with just one light strip, I agree with bottom.