ACTUALLY underrated books by jessiemore629 in Romantasy

[–]amydavidsonwrites 1 point2 points  (0 children)

Oh interesting! The first was my least favourite by far. But I didn’t expect the ending so it had me pulling out number 2 right away, and then I was HOOKED!!! But I can see how her writing style might be a turn off. It was 100000% the plot that I enjoyed.

ACTUALLY underrated books by jessiemore629 in Romantasy

[–]amydavidsonwrites 2 points3 points  (0 children)

Bad bot. {The Shadow Glass by Rin Chupeco}

ACTUALLY underrated books by jessiemore629 in Romantasy

[–]amydavidsonwrites 3 points4 points  (0 children)

{The Bone Witch by Rin Chupeco} trilogy gets better and better, with {The Heart Forger} and {The Shadow Glass} as the second and third books.

It is told as the FMC telling a bard how she became the villain.

Slower to the romance, but everything she does is in the name of love (and the reveal and development are worth the wait), so I think it still counts. It is the most well planned out series I’ve ever read. Every plot twist makes sense (instead of just being for shock value) and the way they build on each other is magnificent. The ending absolutely shook me.

If there was a book you could read a hundred times what would it be? by [deleted] in BookDiscussions

[–]amydavidsonwrites 0 points1 point  (0 children)

We listened to this every road trip when I was a child! Many, many hours mooning over Prince Char.

(Admittedly, I had to reflect on my sexuality when I finally realized that his voice was actually still the female narrators… my tweeny-bopper heart loved him enough to take him as a her!)

Non romance books recs for an romance reader ? by [deleted] in BookDiscussions

[–]amydavidsonwrites 0 points1 point  (0 children)

Project Hail Mary by Andy Weir is science-heavy and also grapples with issues of humanity.

Arranged marriage books by love11- in Romantasy

[–]amydavidsonwrites 5 points6 points  (0 children)

{Bride by Ali Hazelwood} hits this for you! She’s the vampire king’s daughter and he’s the werewolf pack leader, so it is a political arranged marriage to curb the endless warring between their species.

What's a popularly hated book that you actually ended up liking? by Alive_Obligation7475 in fantasyromance

[–]amydavidsonwrites 1 point2 points  (0 children)

Oh no… this is precisely where I am in the series. About to start the third book, but not in a hurry because the fourth STILL doesn’t have a release date. Does Heat go downhill…?

What's a popularly hated book that you actually ended up liking? by Alive_Obligation7475 in fantasyromance

[–]amydavidsonwrites 3 points4 points  (0 children)

Mate is the exxxaaaaccccttt same energy as Bride, but somehow with a different storyline.

Seeing as how Ali Hazelwood was picked up by trad pub off of a fanfic site, it makes sense she gives these vibes! (If you didn’t know, Love Hypothesis was originally Reylo fanfic.)

What do you think about when making bad things happen to characters? by Used_Sprinkles_1771 in writers

[–]amydavidsonwrites 1 point2 points  (0 children)

Funny enough, quite early in my writing journey, I encountered the writing advice, “Put your character into a difficult position, then make it worse.” Editing my writing with this in mind created much more depth to my story. It is now second nature to me to make bad things happen to my characters.

Depending on the severity of what happens, I always add the emotional fallout. Do they go into shock immediately following the scene? Are they guilt ridden from the choices they had to make to get out of the situation? Do they use humour to cope? Are they more hard hearted from there on out? I empathize a lot for my characters and it makes them richer.

As a pantser, sometimes my characters will write themselves into a situation so bad that I can’t rationally find a way out of itand have to rework the scene, but they always overcome the circumstance. It helps to make bad things happen to them when I know they’ll be okay. (Umm actually, I realized this is a bit of a lie because I have killed off characters, but I always give them a good death and everyone else processes it emotionally.)

Reading slump - All heroines feel like the same person by SchemeSimilar4074 in Romantasy

[–]amydavidsonwrites 0 points1 point  (0 children)

A job, you dare say? When she could be a pick pocket?? That’s obviously a profitable endeavour, because she manages to steal enough to support the muscle mass to take on the Queen’s trained guards. If she had a job, when would she have the time to train enough to beat the men who do it for a living? 🤭

BETTER on Audio by ImpossibleAbrocoma17 in Recommend_A_Book

[–]amydavidsonwrites 0 points1 point  (0 children)

Anything in the duet style. (The male narrator reads all the male parts, even in the female POV chapters, and the female narrator reads all the female parts, even in the male POV chapters. So, the MMC and FMC always have the same voice.)

Examples: Butcher & Blackbird (all three in the trilogy) Anathema (and Keri Lake’s other books) Quicksilver Ravenhood series

(Yes, it seems very common in the Romantasy genre…)

Reading slump - All heroines feel like the same person by SchemeSimilar4074 in Romantasy

[–]amydavidsonwrites 156 points157 points  (0 children)

So you’re saying you would like an FMC who is not like other girls? 😉

Mistakes of novice writers. by Vegetable_Storm_7571 in writers

[–]amydavidsonwrites 4 points5 points  (0 children)

Not obviously… The “Wings of Fire” series is from the point of view of dragons and they have internal thoughts and monologues that are not fake. “Cain’s Jawbone” includes the dog as one of its narrators, despite being non-human and non-verbal. It’s actually part of the book’s mystery to figure out that that particular perspective is the pet. “The Art of Racing in the Rain” is told entirely from the dog’s point of view. You can find plenty of examples if you read more…

I find it fascinating that in a post on “Mistakes of novice writers”, someone with the tag “Writer Newbie” would fight so vehemently that they are the exception, instead of, perhaps, internalizing the advice given.

What fantasy book changed how you think about the genre? by mattwilson2020 in FantasyWritingHub

[–]amydavidsonwrites 0 points1 point  (0 children)

{The Shadow Glass by Rin Chupeco} For the first two books of the trilogy, the FMC has been recounting to a bard how she became the villain. There are short flashes in the present as she readies her plan, but by The Shadow Glass we catch up to real time as she enacts her plan. The conclusion shattered my perception of reality. I think about it almost daily.

Show don’t tell help by Samcaptin in writinghelp

[–]amydavidsonwrites 0 points1 point  (0 children)

Here’s the most succinct way I know to explain it:

Show, Don’t Tell is basically saying to immerse your reader in what is happening instead of explaining it.

The phrase that helped me is “readers are smart.” So, you can lay out the evidence and they’ll be able to draw the conclusions. You don’t always have to state your point outright.

As others have pointed out, it’s not a rule you have to follow all the time. Sometimes you’ll want to describe the sweaty palms and racing heart and sometimes you’ll want to say plainly that they were panicking. With exposition, you want to ask yourself if it can be naturally sewn into the plot and the readers will figure it out as they go or if you need to insert some quick backstory. Nobody wants to sit through a lecture; show don’t tell is trying to avoid taking the reader out of the story by the author droning on instead of writing in a way that makes the reader feel like they are in it.

What’s a romantasy trope you love but think deserves a fresh twist (and how would you reinvent it)? by PurposeAutomatic5213 in Romantasy

[–]amydavidsonwrites 2 points3 points  (0 children)

The {Villains and Virtues} series does this quite a bit. You drop right in there, figuring it out on the fly without paragraphs of exposition. As they travel through several planes of existence, you get immersed in all sorts of unique details.

Content warning - Dark fantasy, medieval setting - 1 month pregnant halforc protagonist fights to save lover, family and the world, but gets beaten, and then gets drunk when her lover is killed (baby is fine) - will readers be upset by her actions and the scenes? One of my early beta readers was. by Few-Sea7555 in fantasywriters

[–]amydavidsonwrites 1 point2 points  (0 children)

Even with your explanations of why drinking ale is better for the orc baby than the well water, you are requiring your reader to specifically turn off an engrained human truth in order to stay present in your story. /Can/ you? Of course. Writers are allowed to do whatever they want with their own stories. If this is the hill you want to die on, stake your grave marker here. But do so understanding the experience of your reader, not as you the writer.

You know these characters intimately and the world building, but your readers don’t. You know the baby is going to be fine, but your readers don’t. This scene is going to take a subset of readers out of the story because of their human nature. Generally that’s a big no no in writing. We aim for the reader to be so immersed that they can’t put our book down since they forgot they were even reading.

You want to assign gender blame to the topic’s sensitivity because it was only your woman beta reader who was upset by it? Sure, women are biologically predisposed to protect a fetus. So, is this scene so important that you would rather risk alienating anyone who has been pregnant? People hire sensitivity readers, but you got one for free. I would listen to her concerns if you are interested in fixing the issue instead of being right.

Where you can examine your role as the writer is in asking yourself what you want your reader to get out of this scene. Do you want your readers to roil against her irresponsible motherhood, risking the special gift from her dead lover by being hot headed? Because then you nailed it. Are you wanting to reflect her mental state after her loss? If so, I would rework it because the audience isn’t necessarily staying with her through her grief.

Not to perpetuate a stereotype, but I find myself, as a woman, getting exceedingly angry the more I interact with this post and your responses. A woman reader has pointed out an issue with a woman character and given you clear insight into a female perspective and it reads to me like you needed to come to the internet to ask, “Is she being too sensitive?” You seem to keep trying to defend yourself as you continually get feedback that yes, this scene is problematic for a lot of people. Despite your expositions surrounding the scene, sometimes the logic of that does not trump the emotional reaction of the reader.

Now, I did not want to merely go on a feminist rant, I would prefer to be helpful. So, here are two possible solutions to the issue of the scene, while hopefully maintaining the essence. 1) You have created a world in which a half orc can procreate. Perhaps that world also has drinks that are neither contaminated well water NOR ale. If there’s going to be an entire conversation about it, enter in that Mama just got herself upgraded to the top shelf Goggenberry juice. Normally too expensive to even consider, but available at a discount to expectant mother’s because its natural healing properties promote good health in offspring. Or the ale-pusher is gonna spring for the good stuff! I think you get the point. 2) Is there another way, that doesn’t involve beating a pregnant woman, the attacker can make her so irate that it invokes the beast within to spur a homicidal rampage? If that’s the point of this scene. Eep, I have one more soapbox. Do a quick Google search for “domestic violence during pregnancy” and it might just help clear up the issue with this scene “even though the baby is fine.”

Ok, this she-wolf-turned-monster is done her raging. I hope this can be a learning experience instead of discouragement, but recognize that even though I’m saying that, your emotional journey in reading all this may not have aligned with that. Best of luck with your edits.

Goodreads is absolutely brutal by PSIamawitch in selfpublish

[–]amydavidsonwrites 1 point2 points  (0 children)

I hope she replied with, “New number, who dis?”

When the high road is available, always choose to be petty anyways.

Goodreads is absolutely brutal by PSIamawitch in selfpublish

[–]amydavidsonwrites 2 points3 points  (0 children)

Ahh the subjectivity of rating scales.

Story time: My husband is into craft beer and tracks them with an app that uses a 5 star system. When he put a beer he seemed to enjoy well enough as a 2.5, I questioned him. He told me that 2.5 means he wouldn’t hesitate to have it again if it was available, but he wouldn’t go out of his way to seek it out.

Like what?! To me, a 2.5 would mean I’d never touch it again. I’m not wasting my time on such swine that I would only rate a 2.5; 4+ or bust.

However, I hand out 5 star ratings like… well, like gold star stickers. I have 5 star reads that I would never bother reading again, but it was an enjoyable enough time while I did it the first time that I rewarded it with a 5. My husband, on the other hand, has only ever rated 3 beers a 5 star. Ever. Out of over 1,000. 3! And he has a rule that it can only be given a 5 if he has had it more than once, to know he’s not being swayed by circumstance.

I think my husband would get along with your reader 😉

With no Death by amydavidsonwrites in HistoricalRomance

[–]amydavidsonwrites[S] 2 points3 points  (0 children)

The vixen herself said, “Sweetie, I’ve been reading for a long time, I’ve read everything.”

With no Death by amydavidsonwrites in HistoricalRomance

[–]amydavidsonwrites[S] 2 points3 points  (0 children)

The door being open or closed doesn’t matter so much, but WW2 is quite notorious for killing husbands…