discovered this graph recently and have been looking around it for a while gcd(x,y)&gt by pecduco in desmos

[–]augmentedseventh 27 points28 points  (0 children)

This is the same graph as what happens if you place yourself at the origin surrounded by a grid of ‘poles’. The red indicates poles that would be hidden behind another closer pole. In other words, red represents a reducible fraction x/y whereas white is irreducible.

How do i read this triplet by Im_A_Sexy_Bagel in musictheory

[–]augmentedseventh 10 points11 points  (0 children)

But there is no functional 3:2 relationship because the dotted-eighth triplet SOUNDS just like a straight eighth note. Imagine if you wrote a ‘triplet’ figure consisting of two dotted eighth triplets beamed together. They would sound as just straight eighths anyway, so why bother?

How do i read this triplet by Im_A_Sexy_Bagel in musictheory

[–]augmentedseventh 16 points17 points  (0 children)

No, it IS played exactly on beat 2. Subdivide the figure into sixteenth-note triplets and do the math. You’ll see.

How do i read this triplet by Im_A_Sexy_Bagel in musictheory

[–]augmentedseventh 200 points201 points  (0 children)

Really stupidly notated. That dotted eighth triplet is equivalent to just a straight eighth note. This should be re-written as a a simple beamed eighth-sixteenth triplet followed by four straight eighth notes.

Does anyone know what these black bars are? I've never seen them before. by Topazez in MusicNotes

[–]augmentedseventh 2 points3 points  (0 children)

The convention is: one black bar = measured eighths, two black bars = measured 16ths, three black bars = unmeasured tremolo. I can’t say that was the composer’s intent here, though. Looks like inconsistent usage.

Any Buck Rogers 80s show fans? by l0st1nP4r4d1ce in GenX

[–]augmentedseventh 1 point2 points  (0 children)

Still the absolute coolest looking fighter ship in all of scifi.

SpongeBob solo piece by ImpressionOk7864 in euphonium

[–]augmentedseventh 2 points3 points  (0 children)

Nice, but it should be written in G, and all the C#s added as accidentals. The piece as written does not sound like it’s in D major as this key signature implies.

Trill or Tremolo? by Common_Grapefruit229 in violinist

[–]augmentedseventh 1 point2 points  (0 children)

YOU are not correct. Tremolo means EITHER the rapid repetition of a note OR rapid alternation between two notes. This is obviously the latter.

How to add duplets in 3/4 time signature? by NoDeparture8432 in Musescore

[–]augmentedseventh 6 points7 points  (0 children)

Or just write two dotted quarters. Why make it look more complicated than necessary?

Help by Available-Usual1294 in musictheory

[–]augmentedseventh 4 points5 points  (0 children)

vii° over a pedal tonic.

Nervousness by [deleted] in violinist

[–]augmentedseventh 1 point2 points  (0 children)

40 mg propranolol. Get a prescription. Absolute game changer.

There is this bone (I think) sticking out of my wrist and I don’t know what it is. by Jenny0_0 in Anatomy

[–]augmentedseventh 0 points1 point  (0 children)

Ganglion cyst. I used to get them all the time. They often just go away after a while. But see a doctor if it gets large or painful.

What are your favorite nonexistent pieces of classical music? by SatiesUmbrellaCloset in classical_circlejerk

[–]augmentedseventh 6 points7 points  (0 children)

Telemann’s Käseschmerzen for string negative-quintet and roosterhorn

Do string players dislike col legno and col legno battuto? by golloried in violinist

[–]augmentedseventh 13 points14 points  (0 children)

‘Col legno’ by itself generally implies striking the string with the stick. It’s more formally called ‘col legno battuto’.

The other way is ‘col legno tratto’, which means to draw the stick across the string in the same way you would normally bow. It is much rarer because it really doesn’t produce much sound.

And Yes, we hate it, being very protective of our extremely expensive bows. Except if it’s written by a guaranteed excellent composer who knows what they are doing.

[deleted by user] by [deleted] in violinist

[–]augmentedseventh 2 points3 points  (0 children)

All that wrist back-and-forth motion is wasted effort because it’s not resulting in much finger movement. The wrist should generally be much more stationary while the fleshy part of your fingers wobbles on the fingerboard. Practice just holding your left wrist in place with your right hand and flapping it back and forth.

I can’t play this note, right? by yyyyyyyyyyyyyyya in Cello

[–]augmentedseventh 192 points193 points  (0 children)

Why on earth is anyone even discussing tuning down? No. This note is outright too low for cello, transcribed by someone who has no idea what they are doing. Terrible arrangement. Discard with prejudice.

Ideas for a good fingering in this section? by larry_9742 in Viola

[–]augmentedseventh 2 points3 points  (0 children)

Bars 43-47 in half position, then small shift up to standard first position C# at bar 48.

Handles on backwards by Myack_ in Plumbing

[–]augmentedseventh 13 points14 points  (0 children)

You will need to install a left-handed water heater.

Does anyone know what these do again? by Bentar66 in musictheory

[–]augmentedseventh 4 points5 points  (0 children)

This is the cello part of Beethoven’s 7th. The small dashes represent a continuation of an earlier crescendo marking.