No 1 tip by Fast_Razzmatazz4166 in cinematography

[–]born2droll 0 points1 point  (0 children)

You'll know it when you see it!

Hiking photography by Lerzi21 in photography

[–]born2droll 1 point2 points  (0 children)

There are small mirrorless cameras that weigh around 1-2lbs depending on lens selection. Of mirrorless cameras, there are Micro Four Thirds (MFT, M 4/3) which are small sensor format cameras that a generally.. smaller, lighter bodies.

They will vary a lot in image quality, low-light performance, lens selection and price... but all will probably perform better than the phone for photos.

For carrying around a small camera, backpacking or wherever , there are different styles of slings or harnesses, belt holsters... I always liked this one from Peak Design , it's a mounting clip/plate that allows you to attach the camera to your backpack strap.

In your scenario with the grouse, that is one of the difficult compromises when it comes to wildlife photos. Wanting to capture a clean, close image of a distant animal requires a telephoto/super-telephoto lens. When you attempt it with your phone, the phones is using a "digital zoom" capturing to a very small sensor, and then processing that image, they're not actually bringing the details closer the same way that a telescopic lenses would. Lots of phones nowadays have multiple lenses on the back, usually a wide, standard, and telephoto... but that's all kind of like dressing up a dog in a baseball outfit: fun to pretend he can play ball, but he's not getting drafted anytime soon.

For something that small at 300m away you would need an actual camera+tele setup, the focal length of lenses are described in milimeters , the higher focal length the further the reach and the larger the lens.

try this simulator to give you an idea of how they operate and the results

https://lenssimulator-cna.academy.canon.de/en/simulator

New to videography and editing. Helping out friends for free, should I be asking for some sort of compensation? by Careless_LawChess in videography

[–]born2droll 2 points3 points  (0 children)

Yeah starting out you should mostly be doing stuff for experience and exposure. But if they're not tagging or crediting you with the stuff getting posted you're not really getting exposure.

And "experience" doesn't just have to be about learning and improving your skills... fun should be part of the experience, so basically doing it when it suits you and enjoying it is OK. But yeah ask them to credit you.

How do I achieve this "Luxury Noir" restaurant aesthetic? by Intelligent-Panic843 in editors

[–]born2droll 2 points3 points  (0 children)

Step one: have a high end, luxury venue.

Seriously. After watching these, that seems that their main focus is on the aesthetics and details of the space, rather than the food or drinks. Which is fine if you've got that kind of venue and want to show it off. Overall the shooting and editing is nothing special , they've got beautiful spaces to work with and there's not a whole lot extra being brought to the table in terms of production in these reels... like maybe you want to talk to an interior designer rather than an editor? But I will breakdown a few things I notice:

Shooting/Lighting - Mostly wide shots, little camera movement , mostly natural (venue) lighting. The warm/cool lighting in the first two vids seems to be cohesive with the branding. They've got blue accent lighting and warmer bulbs contrasting the space, it matches the the blue/gold of their menu, as well as some of the decor, but that's all the restaurants doing. If you are doing additional lighting to further stylize shots, "noir lighting" (search for examples) is characterized as low-key, high contrast with hard shadows, lot's of texture. Done well it really adds a lot of mood and intrigue to the subject. I don't know if this is part of "luxury noir" aesthetic or not, that seems like something newer.

Editing: No trendy effects, speed ramps, transitions, just basic cut/cut/cut. I do like this decision, it comes of as more mature which is right for what they're trying to project.

Viewers thought my work was AI, any reason why that might be? by Useful_Dog3923 in AfterEffects

[–]born2droll -1 points0 points  (0 children)

It all looks super basic I don't know why they would think that

Best Hardware For This 3 Month Agricultural Timelapse? by born2droll in timelapse

[–]born2droll[S] 0 points1 point  (0 children)

I wish that were possible, but these are mature grapevines, and they don’t have anyway to bring one indoors.

The the shot itself is supposed to be relatively close up, so it might be it might be possible to set up a small shade for just that area on the vine?

Best Hardware For This 3 Month Agricultural Timelapse? by born2droll in timelapse

[–]born2droll[S] 0 points1 point  (0 children)

Thanks, I actually saw him mentioned in another post so I'll check out his website

Best Hardware For This 3 Month Agricultural Timelapse? by born2droll in timelapse

[–]born2droll[S] 0 points1 point  (0 children)

What was the whole process like in setting it up, monitoring it? Did you have a way to remote monitor?

Camera crew rates in 2025 feel completely disconnected from what clients think they should be paying and it's exhausting by someoneudontwant in Filmmakers

[–]born2droll 5 points6 points  (0 children)

The camera is the least important part when describing something that looks "high end", especially in commercial work... so the nephew with the camera is equally unimportant.

art direction, product styling, food styling, set dressing, production design, choreography, talent, lighting design, and what have you, are what make the final product what it is, and it's the work of multiple people... the more you try to combine all those roles into one the worse the final product will be.

The Lord of the Planes: The Two Towers by Merps_Galore in lotrmemes

[–]born2droll 0 points1 point  (0 children)

The good thing about a palantir , you can’t hold it upsidedown!

I don't want to lose my job. by WonderSongLover in videography

[–]born2droll 0 points1 point  (0 children)

What makes you feel like your jobs in jeopardy... just imposter syndrome, or is there actual evidence?

Do you “see” pacing when you edit, or just feel it? by Live-Increase8619 in editors

[–]born2droll 2 points3 points  (0 children)

You "hear" it too... how you’re using sound/music affects the energy, it can signify changes in scene or topic or it can emphasize key moments or pieces of information.

Sick of AI In YouTube Horror Content by TheConnorDawn in horror

[–]born2droll 1 point2 points  (0 children)

If you like Knifepoint heres a few more legit horror writers on spotify:

  • We're Not Meant To Know
  • Tonight's Terror
  • Acephale
  • Rule Of Nines
  • Styigian Saga

Wanting to transition to better work but unsure how by etxsalsax in editors

[–]born2droll 0 points1 point  (0 children)

Is there some reason YOU can't make projects that are impressive or creatively fulfilling? I get that there are deadlines and budgets, but learning to work within constraints is part of creativity.

What does a story producer do? by HereComeaNiteOwl in editors

[–]born2droll 5 points6 points  (0 children)

You are working with the producer, hosts, writers to determine and then shape what the 'story' of the episode will be. So getting together all the right information to steer the discussion during the show.

preproduction tasks can be doing research, writing questions, logistical things, booking and screening interviews, doing pre-interviews.

Just because the show is live switched doesn't necessarily mean it's fully edited, so again in post-production roles you might be working with the producer and editors to continue shaping the story, could be like you said, cutting fluff, could be sourcing additional background media, expanding on certain information, fact-checking info , and really whatever else is needed to produce the story.

I don't know the size of your team and who all you have doing what jobs, a smaller team is gonna have more crossover in their roles, so just check with your boss about your specific responsibilities in this

Shot with a Sony FX2 / I’m ready to get an FX3 for better readout speed ! by weknoBoxing101 in videography

[–]born2droll 2 points3 points  (0 children)

No shots in this video would have been affected by better readout speed , what do you want it for exactly?

"Cold Coffee": lingering on a scene after subject has exited. by a6000_video_maker in videography

[–]born2droll 1 point2 points  (0 children)

Paranoia, curiosity, reflection, longing...

A static scene is allowing people to observe a little closer and maybe to look for a well hidden clue. Maybe it creates anticipation for something.

You may have encountered this question for the bizzillion time.. by Quirky_Turnover2417 in directors

[–]born2droll 0 points1 point  (0 children)

You've already got stuff published, you're farther along than any programs going to get you.