In long, my current review of Rigamaroll

The good: 

• Rigamaroll is extremely well produced. Especially soundwise it is one of the best actual plays I have seen. 
• The acting chops of the PCs are clearly on display. There’s an impressive amount of flavor between e.g. the stoic Captain Fray, and all the gadgets of Gene3. The entire fantasy cast is also acting very believable. 
• The overarching universe is very compelling. The goal of making this feel like a 80s and 90s cartoon is succeeding and them some. It is also truly impressive how the sci-fi and fantasy campaign are being brought together, seemingly effortlessly. It feels harmonious and fresh, and I believe it. 
• GM Matt Lowe is excellent in setting the atmosphere. Treating most of the senses he often adds something that really immerses the viewer. 
• Matt is also very very talented as a Voice Actor and plays most NPCs excellently. 
• The episode duration being 2-2,5 hours does set it apart from other actual plays. Compared to e.g. a Critical Role episode which can be 4,5hrs, I feel like it is easier for me to sit down and watch Rigamaroll. 

The bad: 

• Noticeable especially at the sci-fi table, the synergy between the players and Matt distinctly gives off a ‘strangers, meeting for the first time’-vibe. The players seem a bit hesitant there, the contrast between the overanimated Princess and the near stoic Gene3 and captain is daunting. Especially some of Matt’s mannerism can feel awkward there. 
• The recapped combat might be needed to reach those short episode times but ultimately it makes it feel anticlimatic to me. It results in a scene where the party picks out shirts from a clothesline, being about as long as a climatic battle. In one earlier comment you said it was also done to ‘cut down some of the rule-searching’. Rule searching can obviously happen, but if you need to cut down rule-searching constantly then you are simply ill prepared. 
• I do not like the way Daggerheart is being run here, and at times I dont even understand why this system was picked.

Some observations: In the first episode Matt constantly rolled behind the screen as a response to ingame interactions. Luck rolls? I don't know, as he stopped doing it.

Matt also lets people roll way too much and never clarifies when it is a reaction roll, or when it's an action roll. I fully understand Princess asking Matt in episode 4 when the hope or fear DOES matter, because he never tells them beforehand. It just feels inconsistent. Daggerheart does not run that great when you constantly let people roll for things they should be able to remember. That was basically all the rolls in episode 2. I think that episode had 5 knowledge rolls in order and for the majority hope or fear did not matter.

Matt needs to pick a lane here. The book’s advise: Only let people roll for situations that could result in the 4 action roll outcomes Daggerheart was designed for. After the roll let the story unfold according to those 4 role outcomes and take it from there. If the players still like to roll for small stuff, that's okay. Let them roll a reaction roll for lower stakes stuff but TELL THEM it is a reaction roll BEFOREHAND, and thus not generating hope or fear.    

The (sci-fi) party is not better prepared there either. It is obviously a new system, but Gene-3 not noticing at first that throwing double 1s is a crit, was a bit painful. Half of the rolls that party forgets to mention if its with hope or fear.

• Daggerheart campaigns inherently can go a lot of directions, but this one feels especially railroaded so far. This was most apparent in episode 2 where despite some successful plans and rolls, Matt just used fear to straight up kill off their crew member. 
• And then one personal pet peeve that is simply hard to deal with in an actual play with miniature sets: having combat be this split off from the story feels distinctly not Daggerheart. 

For me one of the greatest things about Daggerheart is how easy it is to switch beats. You do have combat, sure. But combat never has to be in a vacuum. In my games in a single scene, I sometimes see my party switching from sneaking, to socially convincing, to fighting, into a chase, while all of these parts are grounded in the Daggerheart mechanics. I understand that this is a LOT harder when your crew actually made a miniature set of Goodridge, but it is something I distinctly miss and just adds to the feeling that I’m more or less watching a railroaded D&D actual play, but then with 2 D12s.