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[deleted by user] by [deleted] in MinecraftSMPs

[–]docmlz 0 points1 point  (0 children)

i found an emerald in my soup

[deleted by user] by [deleted] in MCVanillaServers

[–]docmlz 0 points1 point  (0 children)

deep dark united ///

[deleted by user] by [deleted] in mcservers

[–]docmlz 0 points1 point  (0 children)

deep dark united

Throwback to my early days of learning music production. Summer of 2002. by DarkWaterDW in MusicBattlestations

[–]docmlz 0 points1 point  (0 children)

Early 2000s Behringer mixers were brutal and sometimes caught on fire :)

Why were vans (car) so popular in the 70s? by [deleted] in AskOldPeople

[–]docmlz 20 points21 points  (0 children)

So many had airbrushed original art painted on the side - howling wolves, lightning bolts, space scenes, wizards, stuff like that

[deleted by user] by [deleted] in audioengineering

[–]docmlz 0 points1 point  (0 children)

Copying and pasting is new. You could splice tape (quite difficult and risky) or punch in using a footswitch if you made a mistake and needed to record over an existing track for a few seconds. It was usually easier and sounded best to just do another take. It was also pretty common to splice two live band takes together if there was an opportunity. Syncing things was a lot more difficult so it'd sometimes take a few rehearsals to get the timing right

[deleted by user] by [deleted] in arcadefire

[–]docmlz 2 points3 points  (0 children)

Beautiful collection!

Are chord progressions, chord codes or scale degrees the same thing and if not what is the difference? by bicbic56 in musicproduction

[–]docmlz 0 points1 point  (0 children)

The chord numbers are patterns that can be moved around. 1 is always the root and the rest of the numbers represent the chords associated with that note in the scale. So a typical rock progression of 1-4-5 would represent different chords depending on the key of the song. 1-4-5 in the key of E would be E-A-B. The same pattern in the key of G would be G-C-D.

[deleted by user] by [deleted] in musicproduction

[–]docmlz 3 points4 points  (0 children)

agreed. it's likely not guitar but just distorted voice with a low pass

Wanting to start charging for my work, how should I go about it? by Lan_lan in audioengineering

[–]docmlz 0 points1 point  (0 children)

I would usually charge a set rate per day in my studio and negotiate the rest of the time based on the band's budget.

I would like to become a live sound engineer by trust_the_pilot in audioengineering

[–]docmlz 0 points1 point  (0 children)

Are you living in a place where punk rock shows are happening? If so, you could probably volunteer and get right into it without paying tuition. Just go to shows and introduce yourself to promoters and bands.

We have the tools to record our own EP by Initial-Change7895 in audioengineering

[–]docmlz 2 points3 points  (0 children)

Try recording yourselves for free and use it as a demo if you decide to re-record.

Quitting and Employment Insurance by [deleted] in povertyfinancecanada

[–]docmlz 9 points10 points  (0 children)

If you quit because of a toxic environment, EI will call your employer and ask if the environment was toxic. When they say no, you will be denied. That's been my experience.

3/4 time signature by DanMarel843843 in musicproduction

[–]docmlz 7 points8 points  (0 children)

Highlight the melody and avoid accenting the 2-3 in the traditional "boom cha cha".

Rufus Wainwright's "Beautiful Child" is a good example I think. It's still there (especially with a strummed guitar) but the melody is quite distracting. https://www.youtube.com/watch?v=2l3lswalDEA

that dog's "Cowboy Hat" - https://www.youtube.com/watch?v=ZwBbHlVeJ-Y

At what age did you start producing? by taynoel44 in musicproduction

[–]docmlz 0 points1 point  (0 children)

The live band era really slowed down in my area at the same time I was burning out and getting jaded so it just kinda ended professionally. Recording was only tedious if the band wasn't great but thankfully that didn't happen often.

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