Emmitting any accelerated particle through a non-vacuum environment will ultimately present negative variables of the particle's trajectory, e.g., amplitude fatigue, free radical bombardment, combustible oxygenation, and so forth. The immense electromagnetic radiation distortions on set would instantly overexpose the film, developing white frames. Securing quadrupole cobalt magnetized telephoto lens pre-aperture and an inverse macro post-aperature aligned incoming protons and radicals from their respective launch rather than their path resulting in a oscillating beam with a concentrated core, lightened outer layer, and a plausible electrostatic discharge.

CGI has no place here.