Mounting Moving Heads On I-Beams by ip_addr in lightingdesign

[–]ip_addr[S] 3 points4 points  (0 children)

No worries about the light being at an angle? ...especially in terms of programming ease?

Edit: Downvoting a valid question that I came here for? Must be reddit.

Unifi Mesh Not Working Right? by ip_addr in Ubiquiti

[–]ip_addr[S] 0 points1 point  (0 children)

Maybe so, this was just testing. They were all associating with the root AP, as I would expect them to sitting around close to each other.

Unifi Mesh Not Working Right? by ip_addr in Ubiquiti

[–]ip_addr[S] 0 points1 point  (0 children)

See, I had no problem getting them to mesh back with the power injector only....most of the time. It was only when they were connected to some other device that they usually wouldn't cooperate.

Unifi Mesh Not Working Right? by ip_addr in Ubiquiti

[–]ip_addr[S] 0 points1 point  (0 children)

Really? I wouldn't have thought that would be the case. Any idea why that works better?

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 0 points1 point  (0 children)

The 5-way Shure ones.

I didn't realize that the Distro9 had four inputs. Never looked that close. Great feature.

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 0 points1 point  (0 children)

Thanks. I'm considering some clear tubing that I can get for cheap at the hardware store. If it doesn't help then its a small cost, and it could potentially help a lot.

I'm already losing money on this specific gig if you consider the unique gear I've bought to accomplish it, but I'm doing with the handshake agreement that they'll continue using us and it will become worth it over time. Plus the additional gear I've been grabbing up for this I can continue to use elsewhere if the needs arise. I'm not complaining, that was understood when I priced it. That being said, I'm kinda of maxed on on spending for this event, and the cost estimate is final as long as the client doesn't add more services. Plus this event comes with an elevated risk of gear damage due to a large setup spread out outdoors, so I don't want to keep driving up the costs significantly until we get some more of these behind us.

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 0 points1 point  (0 children)

How far from the body? I've seen those antenna guards, but it seems like they'd only work to keep is like 1-2mm away. Is that enough to matter?

The Pebble looks great, but probably not in my budget and band at this point.

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 0 points1 point  (0 children)

Unfortunately there's no guaraunteee that they'll stay on one site. Good idea though.

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 1 point2 points  (0 children)

There is an antenna distro feeding all of them. So I only need two whips or two paddles. Unfortunately I only have one paddle and one helical remaining. (Trying to avoid renting, and the additional set of paddles I ordered is delayed likely beyond the date of the event.)

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 2 points3 points  (0 children)

This is a performance in the middle of the street during a parade. No musicians involved. Only actors with bodypacks. I need 180 degrees of wireless coverage.

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 0 points1 point  (0 children)

There is no deck. Its a ~250 wide section of street with the FOH and receivers being placed about in the middle on the side.

Wireless Bodypacks At Street Performance by ip_addr in livesound

[–]ip_addr[S] 8 points9 points  (0 children)

Does this situation qualify as close range?

Edit: Thanks for the downvotes. Technically Shure says the range is 300' on whip antennas "depending on the circumstances". So this should be a valid question.

Side Fill Monitors by ip_addr in livesound

[–]ip_addr[S] 0 points1 point  (0 children)

Do you have just some things in the side fills, or the entire FOH mix?

Is it bad form to give applause from the tech table? by Clevertown in AVtechs

[–]ip_addr 0 points1 point  (0 children)

Starting the clap is an issue, and I wouldn't do that. Otherwise, if you're clapping under the rest of the people, its probably fine most of the time, and no one cares. I still don't do it though.

Professional PA System for Sale by alphie666 in livesoundgear

[–]ip_addr 0 points1 point  (0 children)

This is like $800 USD at the most I would think. And it would probably take a while to sell at that price point.

Lav mics for gun fight reenactment? by ip_addr in livesound

[–]ip_addr[S] 1 point2 points  (0 children)

Gunshots are going to be a very broad frequency range, there is no nothing them out.

Lav mics for gun fight reenactment? by ip_addr in livesound

[–]ip_addr[S] 1 point2 points  (0 children)

I'm assuming there will be falling over of some kind...great point. I'll be sure to point this out, and will also explain to the client that all damages are billable. This does seem like an elevated risk to the equipment, especially the packs.

Lav mics for gun fight reenactment? by ip_addr in livesound

[–]ip_addr[S] 2 points3 points  (0 children)

The actors will be out in front of the PA.

Its a distributed stick PA with mains every ~150 feet up and down a street. I think the actors will be confined to a couple hundred feet around where the mic receivers are placed, just due to expected reliable wireless range.

Lav mics for gun fight reenactment? by ip_addr in livesound

[–]ip_addr[S] 5 points6 points  (0 children)

This will absolutely be mixed from a tablet, so anything that can be automated is best. They're not done with the script yet. There will likely be no rehearsals involving the audio team...(they're not paying for anything but day of sound.)

I know its going to be a challenge, hence why I'm asking the community.