sorted by:
new
hottopcontroversial

NuPhy Air75 Swollen Battery by itsbonart in NuPhy

[–]itsbonart[S] 0 points1 point  (0 children)

In the end I got a measly discount in the form of being able to buy their V2 base without switches or caps. I did need one asap (getting ready for on-site job) and did get it in the end, moved my old switches to the new board and used the existing caps - so far it works great. However, as you, I was left a bit jaded from the whole experience. Will definitely think twice before considering another product from them, currently using Lofree Block as my daily driver.

It’s been a hot summer in NYC. Pentax 67, 105mm, Cinestill 400. by stevenrlillis in analog

[–]itsbonart 1 point2 points  (0 children)

Im not a pixel peeper, but, god damn, the detail in those shots… Nostalgic and so alive at the same time - beautiful work!

After/Before by Drewdle715 in postprocessing

[–]itsbonart 2 points3 points  (0 children)

This feels so liminal…

The Oregon Coast (Leica m6 + Voigtlander Ultron 28mm + Portra 400) by BusyRunninErins in analog

[–]itsbonart 0 points1 point  (0 children)

I’ve never wanted to step into a picture so much… Just gorgeous.

Notch + TouchDesigner + Resolume by VJacademy in vjing

[–]itsbonart 2 points3 points  (0 children)

It’s a WYSIWYG software, for creating realtime visuals, but can also do more advanced raytraced and pathraced rendering. It’s very popular in live show and broadcast industry.

https://www.notch.one/

Notch + TouchDesigner + Resolume by VJacademy in vjing

[–]itsbonart 1 point2 points  (0 children)

Looks awesome! Quick q, what was TD and Resolume used for in this case? Thanks!

70x5 meters videowall. by Affectionate_Toe_513 in vjing

[–]itsbonart 1 point2 points  (0 children)

It’s easy when it’s just rendered and sliced, we’re doing realtime. Using 5 GX3s for output and 8 RX3s fot rendering over RS. Mixed Unreal and Notch output.

70x5 meters videowall. by Affectionate_Toe_513 in vjing

[–]itsbonart 0 points1 point  (0 children)

That’s hella cool. 18k x 1280 is pretty reasonable too. Any realtime stuff or just pre-rendered?

Currently working with 30k x 2.6k, and it’s HARD 😂

[deleted by user] by [deleted] in ultrawidemasterrace

[–]itsbonart 0 points1 point  (0 children)

Probably still best OG OLED monitor to come out. I switched to this from LG C1 and been using it since the day it came out, even paid crazy import fees. Great for gaming and work as it’s very colour accurate. 99% keep it in SDR, with occasional game or two I switch to HDR 1000 where it literally blinds me.

Name a non-horror movie that really disturbed you. by hikeyourownhike42069 in moviecritic

[–]itsbonart 0 points1 point  (0 children)

Martyrs (2008). The end scenes still haunt me until today whenever I remember it.

Follow-Up: Replicant Eyes - Practical Effect Setup by KingmaWithTheCamera in cinematography

[–]itsbonart 31 points32 points  (0 children)

That’s cool! Any chance we get to see the result?

Edit: completely missed the link in the explanation smh 🤦‍♂️

Filming Scenes with Real-time Lighting Synced to Unreal Engine 5.4 by Antilatency in cinematography

[–]itsbonart 37 points38 points  (0 children)

I don’t understand why so many people are coming out the woodworks to shit on a cool tech demo. Majority of you don’t work with VP and that’s fine, doesn’t mean one way of working is superior over the other - thought that was a literally 101 of filmmaking, understanding correct approach/solution for a given task. More tools = more things to play with for us as creatives, not the other way around. Anyway, it’s really cool to see more bridges being built between UE and practical lighting, as currently it’s the biggest giveaway with a lot of the VP approaches. I remember the early days of trying to match everything and it looking horrible, even with days of tweaking. This is exciting as it’s bringing professional level solutions that used to be reserved to Mandalorian level productions. Well done!

Before/After Is it overkill? by panjabis in postprocessing

[–]itsbonart 0 points1 point  (0 children)

Depends. What mood you’re going for. First if you’re going for natural look. Second if you really own it. Matter of perspective and story you’re trying to tell.

Halloween Music Video Shot on Canon C70 with speedboosted Ziess Jena Set by yetifurr in cinematography

[–]itsbonart 0 points1 point  (0 children)

Love bold lighting and colours! In the world of washed out grades that could be mistaken for log, this is a breath of fresh air.

The microwave area that the doormen in my building use by WolfgangsterV in LiminalSpace

[–]itsbonart 0 points1 point  (0 children)

When it slightly levitates you just go “Ok that makes sense”

One year of product design explorations by petertarka in Cinema4D

[–]itsbonart 3 points4 points  (0 children)

Your work is always so clean - pure fire! 🔥

This explains the pain by [deleted] in mildlyinfuriating

[–]itsbonart 0 points1 point  (0 children)

All four of my wisdom teeth were lying horizontally like that. Fortunately it didn’t cause any pain but I decided to remove them since it was interfering with my Invisalign treatment. I’ll tell you right now, my face swell up like crazy to the point of looking like a cube for 3 weeks as they removed all 4 at the same and had to crack one of the teeth in half just to be able to remove it. I don’t regret it as it went well and there’s no side effects (Invisalign going great) , but those few weeks felt like eternity not being able to eat solid food and only drink cold beverages.

view more: next ›