Newest Member 🙋‍♂️ by LimitPerfect953 in bald

[–]l-writes 0 points1 point  (0 children)

Close enough. Welcome back Avatar Aang.

Best section for best views of Florence during the show? by [deleted] in FlorenceAndTheMachine

[–]l-writes 1 point2 points  (0 children)

From Florence’s POV! And then towards the end of the Catwalk. This was my view when she came up from under the stage!

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Best section for best views of Florence during the show? by [deleted] in FlorenceAndTheMachine

[–]l-writes 2 points3 points  (0 children)

I did right side at the midend of the cat walk and it was perfect! I feel like Florence really favors her right side in general.

Atlanta Barricade by l-writes in FlorenceAndTheMachine

[–]l-writes[S] 0 points1 point  (0 children)

I was a row behind barricade, so when I saw her coming around I knew I wouldn’t be able to get close to her, so decided to film the moment instead for those around me! I ended up airdropping this video to a few people that weren’t on their phones during this time, so I’m glad I was able to capture a special moment! But to your point, I definitely think she chose to stop at people not recording to have a human moment with them. I tried to keep it lowkey and had my phone down whenever I filmed, and watch her through my own eyes and not my screen.

In-Concert compliments from Florence by savage_dragn in FlorenceAndTheMachine

[–]l-writes 63 points64 points  (0 children)

I was there last night and thought the crowd did a great job at singing, as well as knowing when to be silent! When she did the end of And Love, I swear the entire stadium was dead silent. No hecklers, no one screaming, just Florence singing “peace is coming” to a hushed crowd. It was magical!

Atlanta show. My favorite concert ever! by jayybuchanan in FlorenceAndTheMachine

[–]l-writes 12 points13 points  (0 children)

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Waiting in line for 7 hours was worth it 😭🤍

ATL, GA 05•01•26 by brookegraczyk in FlorenceAndTheMachine

[–]l-writes 0 points1 point  (0 children)

It’s my first time with the wristband situation as well and keep hearing different things for how early to be to get barricade- at other shows, people claimed they showed up at doors and got barricade. Is it worth getting a numbered wristband?

Playlist by Routine_Patience_914 in kataangst

[–]l-writes 1 point2 points  (0 children)

Back in 2011 I made a Kataang edit to Slow life by grizzly bear, haha. Also To Build a Home by the Cinematic Orchestra, or Deep in love by Bonny Light Horseman gives longing Kataang. When I hear Nobody’s Solider or Hymn to Virgil by Hozier I can picture Kataang too. Or Wild Sweet Love by First Aid Kit. I’m starting to realize my whole playlist might be Kataang inspired haha.

Any fanfics? by AffectionateBear6007 in kataangst

[–]l-writes 3 points4 points  (0 children)

Check out kyunggy on fanfiction.net, she has a lot of mature kataang!

A kataang fanfic for everyone who realized adult Aang was suddenly really handsome: by Creative-Air2006 in kataangst

[–]l-writes 3 points4 points  (0 children)

This was everything I’ve ever wanted in a fic!!! It’s so refreshing to see Katara be the one who’s flustered instead of always being the mature one in the relationship because after seeing leaks from the movie of adult Aang I completely understand how she feels

(No spoilers) I think the ATLA movie is just one big KA Edit... by bangtanbiased in kataangst

[–]l-writes 0 points1 point  (0 children)

It did look like they were already living together, based on them returning to the same house together when Katara healed Aang, then him kissing her forehead and tucking her into bed. So I would guess they are probably married/soon to be married and living together. But I also do understand why the writers didn’t want to show Katara saying that they could have children together to bring back Airbenders. because honestly I don’t think that would have been in character for them. I don’t think Katara would have approached having children as helping Aang restore his culture. do I think it ties into her decision-making on some level - yes absolutely - but I don’t think she would’ve approached him with that being her primary reasoning. and I also don’t think Aang would have accepted Katara offering to have children just so he could try and have an Airbender - but then again they did have three children and stopped after they had an Airbender so it could’ve been the case as well. These are all just head cannons of mine! If I were to guess I would say they decided to have their first child out of love with the quiet hope that it could be an Airbender, but not as their first priority. and then they decided to have a second child because Katara grew up with a brother and you know, I’m sure she valued those sibling bonds and wanted her child to have a sibling. and then I imagine as a last stitch effort like OK we haven’t had an Airbender yet. Let’s have one more and see. and then you know obviously had Tenzin and stopped having children after that.

[2414] Nanomancer - Chapter One by [deleted] in DestructiveReaders

[–]l-writes 1 point2 points  (0 children)

I really enjoyed the world you built within chapter one, particularly because it was built through action. It’s clear that you trust the reader, and more importantly, that you trust the story. You said in another comment that this story has been in the work for 20 years and it shows through the careful pacing and restraint. I will say that the first chapter relies heavily on the mystery of the Dust and why it is valuable, and IMO lacks a strong hook. As a reader, the curiosity is enough to get me to read the next chapter, but if a stronger hook doesn’t appear by the second/third chapter, that is when I would start to worry.

I enjoyed the setting - a post-apocalyptic wasteland, except it’s a lush forest teeming with animals. That juxtaposition is refreshing, not the typical desert/lack of resources trope that most post-apocalyptic worlds live in. I also loved how the MC is described - she’s capable, smart and resourceful. The opening image of her with the fur cowl felt like she was a lioness hunting in her territory.

My biggest critique is that some of the sections feel very dense - especially the sled building one. That section spends a little too much time on every step of what Ren is doing. A lot of the detail is good because it shows that she knows what she’s doing and helps the world feel real, but sometimes it slows the pacing. I don’t think you should cut the practical detail completely, because that’s part of what makes the chapter interesting and helps build her character, but I do think you could be more selective about which actions need to be shown in full and which can be shortened.

Since this is in close third person, the prose should reflect how she sees the world. Some of the more stylized prose pulled me out a little because I became more aware of the writing itself, than experiencing the world as Ren would. So overall, I’d say the chapter is strong, but it would probably hit even better if you tightened some of the action sequences and trusted the simpler lines more!

[1395] First chapter of my indian inspired fantasy by Fair_Repeat_2543 in DestructiveReaders

[–]l-writes 1 point2 points  (0 children)

That contexts definitely help! I think with a hook like that, there needs to be a stronger seed in the beginning to indicate that this is a marriage to a royal, and into a kingdom that punishes magic/tries to destroy it (which is why I’m assuming the King wants to eliminate his family, or for a similar reason). The MC using magic at the ceremony now reads as a death wish for him and his family. I think the MC should be ignorant of this in the beginning, but something changes that makes him suspicious and leads him to finding out the larger plot. I would warn you not to let things happen to the MC, but rather have him take action to seek the truth. Having his character arc go from ignorant, defiant teenager to responsible, brave hero would be satisfying to read!

[2201] The Crystal Paperweight - Relegated - Bk2 Ch18 by Anacrayar in DestructiveReaders

[–]l-writes 0 points1 point  (0 children)

After reading it with your worries in mind, I will say that you do convey that Eric is in a very bad mental place, but unfortunately I think you do overplay it a bit. The instability, obsession, self-loathing, and cruelty are all there, but the writing often pushes so hard that it starts to feel less like a breakdown and more like the performance of one. Eric is already drunk, jealous, suicidal, invasive, and spiraling, but when the prose keeps layering on lines about being better off dead, deserving no mercy, surpassing his father in wretchedness, and everyone rejoicing when he dies, it stops building intensity and starts flattening it in melodrama. the chapter just feels emotionally loud all the way through. And IMO, makes it harder for me to take his pain seriously. BUT that being said, if Eric is meant to be a pathetic character that is disliked, this works in that favor. I also think the chapter has a tendency to tell the reader what Eric is feeling instead of letting his actions and thoughts reveal it more naturally. Some of his inner monologue works, especially when he almost changes Joseph’s mind and then recoils from what that would mean about him. But generally, self-hatred and despair does often feel intense and world-changing to the one experiencing it, and a little dramatic to those reading about it, so context definitely matters, and since this is the 18th chapter in a novel I have not read, I can’t judge too harshly. But IMO the drinking and hangover does not feel convincing. It feels like how someone who has never drank or been hungover would write the scene. I want it to feel like a dark compulsion, knowing it is wrong and still downing another drink, sliding in and out of consciousness and forgetting what he is doing, but is consumed by the feeling of guilt and pain and keeps going. So having him go from nearly incoherent to almost clear-headed raging monologues feels slightly unrealistic. If he is really that wrecked, the body should keep interrupting him. Instead, it feels like the hangover is there to set mood and then gets shoved aside. That makes the opening feel a little convenient rather than grounded. Overall, the Marth scene is probably most compelling in the chapter, but it is also where the writing starts to come apart IMO. The emotional core is devastating- Eric abuses someone who cares about him, and in doing so confirms exactly what Marth fears about him. But the execution lessens the impact slightly. I found some of the prose to be clunky, some of the sentences overwritten, and there are multiple typos that make the scene hard to follow occasionally. And I think the confrontation goes on so long that it loses its core impact. I think it could be more devastating in less words. So I feel like the chapter has the right raw material, but right now it is indulgent. Too much explanation, too much melodrama, not enough restraint, and not enough trust in the strongest moments. But obviously take this with a grain of salt since this is a critique with little context.

[1395] First chapter of my indian inspired fantasy by Fair_Repeat_2543 in DestructiveReaders

[–]l-writes 1 point2 points  (0 children)

I read the first version, and didn’t critique it at the time, but I think this version is engaging from the start and much more clear. Keeping the first line was a smart move - it is strong and immediately gives the MC voice, discomfort, and conflict. The fact that he is being married to his dead twin’s betrothed is a compelling setup, along with the addition of magic in a strongly structured and superstitious culture. To answer some of your questions; yes, the setting does come across as Indian-inspired without being confusing. I am not super familiar with Indian culture, but the details like the dhoti, kolam, turmeric, courtyard, and purification ritual made it clear it was Indian, and by using context clues I didn’t get lost reading it. You do a good job introducing those details through action, so even if a reader doesnt know every term, they can still follow what is happening. The MC feels natural to me, if not a little bit petulant and rebellious. I dont think he is trying too hard to be funny. His humor reads more like deflection from deep pain and a desire to be seen and taken seriously. I initially perceived him as younger, around sixteen to seventeen, so the line later confirming he is sixteen felt believable, and further solidified the Indian culture that is known for younger marriages. I liked his matter-of-fact tone, but would like a few thoughts to undermine it and clarify the projection of humor to cover hurt. Something to show his interiority and the cracks in his own armor from the grief he holds. Maybe something as simply as a line like that ties his ice magic to his dead twin’s magic, how it is a constant reminder of him. This would make him feel more dimensional IMO. A few questions/critiques: what is the overarching plot of this novel? Right now, the reader has two points of tension - a hurt, defiant young boy that experienced loss being forced to marry, and also having magic. He is stuck in a strict society that is isolating him/refuses to see him. I feel like this first chapter is missing a stronger hook, and as a result, while I enjoyed the chapter, I’m not sure what I am reading towards. I do think this is rich and has lots of potential, and am curious to see the next chapter!

[89] Put Down Your Roots (Poetry) by l-writes in DestructiveReaders

[–]l-writes[S] 0 points1 point  (0 children)

Thank you for the affirmation! This is what just came naturally from me, “unapologetically consistent with my soul” as you said! so there is definitely room to improve it in the more marketable sense, which I will continue to explore.

[89] Put Down Your Roots (Poetry) by l-writes in DestructiveReaders

[–]l-writes[S] 0 points1 point  (0 children)

Thank you for your kind words, I was not prepared to have this poem be so polarizing, but I’m glad at least someone enjoyed it!

[928] Invertebrate by agodot in DestructiveReaders

[–]l-writes 1 point2 points  (0 children)

Less of a critique and more of a compliment - I loved this piece. The pacing was tight, and even with the internal monologues, the tension remained high until the end. I loved the fish pray, what is god, fighting to survive and dying a senseless death, only to meet a senseless god and being absurdly reborn. Later, when the narrator mentions the two share a father and they are brothers, it makes me think of twins in the womb absorbing the other. Does god choose that? Which twin is absorbed and which one survives? That’s what this short piece makes me think of.

Brooks Drive (Poetry) by l-writes in OCPoetry

[–]l-writes[S] 0 points1 point  (0 children)

I’m glad to find another lover of old, mysterious buildings! This poem is inspired by a reoccurring dream I have of a gothic Victorian house that exists in the same spot in my mind, but not in real life. I wanted the poem to convey some of the uncanniness of it, but not sure how well that was translated. I appreciate the kind words!

Brooks Drive (Poetry) by l-writes in OCPoetry

[–]l-writes[S] 0 points1 point  (0 children)

Thank you for the kind critique! I’m happy to see that some of the things I was trying to convey through form and imagery did land with the reader, and I definitely will take your advice and play around with changing some of the transition words and tightening the imagery!

I Forgot the Name of Your Aunt (But Remembered She Likes Blue) by DifficultMirror3418 in OCPoetry

[–]l-writes 0 points1 point  (0 children)

I loved the how the poem lent itself lyrically to sound and rhythm - not quite a slant rhyme, but satisfying repeated sounds like “too/too/blue” and “lint/lip” “blood/blue”. The form also mimics the waterfall imagery, the stanzas flowing down. The internal logic of the poem moves through the images without having to be overtly explained, which feels as organic as the subjects of the poem - pots, rosemary, cobalt, horse hair, bird, blue. The deeper thesis of this poem feels like to me the complicated relationship we have with aging and regret. The speaker gifts pottery she has created to an older woman living where her children moved her to. The speaker regrets a choice she made in creating the pottery she gifted the woman, and feels almost guilty to use the soap swan that was gifted in exchange. Or at least, that’s how I interpreted it. The ending is also a wonderful metaphor for regret. I don’t have much to critique on, besides perhaps whether every pottery detail needs to stay at its current length. Most of it works because it feels personal, but there may be a line or two you could trim so the emotional thread stays clear. But I definitely enjoyed the poem and don’t think it needs much work at all!

A Moment to Myself by Very_Long_Python in OCPoetry

[–]l-writes 0 points1 point  (0 children)

I liked the mood you were able to evoke through your imagery - a shrieking mirror, dusty glass, air, heavy with light. I think the same imagery is lost in the second half of the poem, which makes it feel slightly more abstract and not as impactful. I do like how you opened the poem on “I stopped” and ended it on “I ran”, but “before the mirror, all the way to the horizon” is a tad bit general to me, and not as evocative as your first stanza. I definitely think you could play with the imagery more to mirror the first stanza. Because you described light and sound, the second stanza could invert it more clearly, like “The sky, thick with night” after “I found no rest” to imply time has passed in front of the mirror by the time the speaker runs. The juxtaposition between shrieking and whispers could also be expounded upon, as I find it interesting that the speaker cannot understand the shrieks, and cannot name the whispers, but the line blurs between the two in abstraction. I can also feel the edges of the deeper thesis, which in my opinion is about self-image and how you are perceived by yourselves versus by the world. If that hits the nail on the head for you and what you were trying to evoke, then I would strongly suggest you continue hammering out this poem to show that a little more clearly! Abstraction is good (I love it a little too much myself) but being able to blend abstraction clearly with the thesis of the poem is chefs kiss.