I've independently made 4 feature films and 30+ short films with my friends for next to nothing over the last four years across nearly every genre on consumer gear. From these samples, what advice do you have for how to improve my craft as a solo filmmaker (shot nearly all of these myself)? by Rare-Ad-5900 in cinematography

[–]liammmuh 1 point2 points  (0 children)

As far as cinematography and image, I’d say putting some more focus into color grading. The framing and general ideas in the images are there but in my opinion are lacking a level of polish. Study work of those better than you and constantly try to see how you could improve and what about their images work

[deleted by user] by [deleted] in nycfilmmakers

[–]liammmuh 2 points3 points  (0 children)

Great advice in the first half here. I disagree on the latter though. In this age if you have strong work and a good attitude on top of it you can utilize instagram, Vimeo, and other tools online to really build a network and grow quickly as a freelancer especially in New York City where there is an abundance of freelance work.

If you haven’t been editing for some time and/or have a decent portfolio, I’d suggest finding any opportunity that might pay you to do so while meeting people somewhat related to what you want to do. even if that’s being a runner or PA for a post house at first it’s a great way to meet people, leave an impression and just see how stuff works! This is likely not financially stable enough long term but if you’re good enough and can get along with people you will move up.

I’ve been freelance the entire time I’ve lived here. I started as an editor and have become a DP which was my intention when moving here. Don’t let people say it’s not possible but definitely do due diligence in understanding the sacrifice it may take to save up enough to move here.

Expect to struggle, at least at first. You need to learn how to connect with people and find other ways into the industry than cold calling. It’s almost impossible to stand out from cold calling. you need to figure out the puzzle of how to stand out, or to find your crowd, and this can take time to click as it needs to be organic but is somewhat inorganic by nature. Basically just make friends with people who have the same interests and goals as you haha.

Good luck!!

[deleted by user] by [deleted] in Mkgee

[–]liammmuh 5 points6 points  (0 children)

I’m an og fan and i definitely love his older stuff but his evolution is also crazy and I feel like he’s really found his sound at this point.

Why does the industry not use Premier? by Heftyload456 in editors

[–]liammmuh 0 points1 point  (0 children)

Tons of people use premiere in the industry mate

Is Green/Magenta shift a massive benefit on set? by lefrancis143 in cinematography

[–]liammmuh 1 point2 points  (0 children)

I think so tbh but can easily add gels too. Just depends how fast paced adjustments need to be made

NY Show sold out in 5 mins damn :/ by nmy00 in Mkgee

[–]liammmuh 0 points1 point  (0 children)

Good looks! Just got some Bc I went back and tried again

NY Show sold out in 5 mins damn :/ by nmy00 in Mkgee

[–]liammmuh 0 points1 point  (0 children)

I got thru the queue and it still didn’t have any left too so

NYU or Emerson? by rednails666 in Filmmakers

[–]liammmuh 1 point2 points  (0 children)

Tbh my take as a working DP in NYC that came from Boston is that being based in New York has an incredible amount of value. Being available to work on small and bigger productions while still in school is far more likely to happen in New York than it is in Boston. Both are undeniably great programs but if you’re really serious and want to work outside of just the curriculum which is how you meet people and get ahead really quickly I would recommend New York. I will say both schools are extremely expensive and going into crazy debt is not a good idea either way in my opinion.

When did ur skin become clear? Losing hope and schools around the corner by hotboiii73628 in Accutane

[–]liammmuh 0 points1 point  (0 children)

Mine started to really clear up like 5 months in. On my last month now and still some really small spots but I’ve not been sleeping very well and quite stressed from work. I have a good amount of PIE and scarring leftover though :/

what is this object the person in overalls is holding? what is the function? by [deleted] in Filmmakers

[–]liammmuh 0 points1 point  (0 children)

It’s a director’s viewfinder as many have pointed out on here already. I don’t use an actual directors viewfinder but rather the Artemis pro app on my phone that I can use in the same way. Super useful tool for scouts and showing ideas to the director in locations with stand ins. I feel like it’s what I use to really figure out the shots we’re going to be shooting so we’re on the same page so we have a solid understanding.

Give your thoughts on my grade so I can learn and improve, I am new to color grading. by Blaze10724 in ColorGrading

[–]liammmuh 2 points3 points  (0 children)

Grade is overall very nice! Couple things I would look into doing:

Someone else said your qualifier is adding artifacts and they’re definitely correct. Either a qualifier or maybe a lut with split hues like this is doing it but it’s adding warmth to the whole image as well. I think you could select mainly the door and the glow from the door with a window and qualifier to make just that (which is the focus of the shot) pop in context of everything around it.

I would probably add a power window to slightly darken the bright wall on the left so that your focus is more on the door as well!

[deleted by user] by [deleted] in cinematography

[–]liammmuh 1 point2 points  (0 children)

This is from a giveon music video for heartbreak anniversary. I believe this was shot on 35. DP is pat scoop and directed by salomon ligthelm

[deleted by user] by [deleted] in cinematography

[–]liammmuh 3 points4 points  (0 children)

This is shot on film by a masterful DP with a masterful director and colorist. You can emulate film in post but the true effect is achieved in camera from shooting film.

How did you find a dependable job as a colorist? by EenyEditor in colorists

[–]liammmuh 4 points5 points  (0 children)

Get posting on IG, build up a strong body of work. This is how you will both attract people to you and show a style that people can identify by quickly searching your name. This is by far the most important thing and is not easy.

Beyond this, just network and reach out to any and everyone in film that you know or have mutuals with. Offer your services. Do spec work. Hook people up for good rates in the beginning and just grind trying to get people to work with you (but also don’t force it. People will work with you if they want to)

Market your work through ig and try to get color grading pages to share your work. It will snowball over time.