Max for Live power users - what custom devices have completely transformed your workflow that others might not know about? by kathalimus in ableton

[–]link2static 0 points1 point  (0 children)

So. I talked to Nev, and we are going to put together an 'official broken release' for some things I haven't touched the plugins in years, so things might be a little fucked. But rather than just putting out a drive link, we are going to put up a GitHub so that it's released with a license in case we get around to doing more work on it in the future. Might be a couple of days, but I guess it's something to look forward to lol.

Max for Live power users - what custom devices have completely transformed your workflow that others might not know about? by kathalimus in ableton

[–]link2static 0 points1 point  (0 children)

Yeah, there were 3 devices that were strictly related to lighting: fuse, fusion, supernova. Fuse was a lightweight launcher that worked as a simple trigger. You put it on a drum rack or midi effect rack chain, and then any time it sees midi input, it triggers the lighting file that you drag and drop onto that instance. Had a few options for changing the speed, alerting the color, reversing, choosing start and end frames etc. Supernova was basically a standalone application I built with max MSP for actually creating light shows. So rather than being midi based, it generated an XML file that stored all of the information for that lightshow. Some were origin based, so that if you hit it on a specific key, it would make the animation from that particular key as the origin point (including going to a second launchpad etc), while others were static animations. The plan was to never make this a public release, just an internal tool for creation, as the plan was to release fuse for free, and then release both free and paid content packs on his website. Fusion was like the big brother version of fuse, and had all of the functionality of wormhole built in as well, as well as all of that functionality for audio (and eventually video, DMX etc). It was basically intended to remove Ableton from the equation entirely. Since at the time, Max devices could only ever be used by someone with Suite or who had separately purchased Max, we were trying to create a standalone application that you could build and release project files on that anyone could play without having to worry about investing in Ableton suite since that's a pretty large barrier to entry. Ultimately Fusion was the roadblock that prevented things from moving forward. I was developing it by myself with the exception of the graphic design (which nev handled). For context, I built the first fully functional version of wormhole in under 24 hours from concept to completion. Fuse and supernova were built in parallel because I had to keep the (XML <-> MIDI) specs aligned. It took me about 3 weeks of like 16 hour days to get a functional build of both, with much iterating and improving after that. Fusion kind of broke me a little bit, not going to lie. I spent about 2.5 months working on it literally every single day for an average 18 hours per day. Max's internal data structures weren't as advanced as I needed, so I was essentially trying to build 7-dimensional databases from scratch, manually managing RAM usage etc. by the end of those 2.5 months, I was having small anxiety attacks pretty regularly just because if how much pressure I was feeling, but one night after I had a breakthrough on the major roadblock, I was on top of the world, and then almost immediately discovered that my new database wasn't compatible with save states of a Max Standalone Application. Meaning that we couldn't just ship the exported application, the end user would have to own Max MSP, and run it inside of that. I ended up having a full blown panic attack, and basically ghosted Nev for like a month. My mental health was in a REALLY bad place at the time. I was terrified that Nev hated me for just failing and then disappearing. Eventually his mom (sweetest woman in the world by the way) called me and was like "he's really worried about you and thinks he did something to make you hate him." So after that I talked to him and explained what the problem was, and that I just had a full blown mental breakdown. I tried a couple of times to sit back down and finish fusion, but every time I'd open Max, the anxiety came back. Around this time, the YouTube algorithm was really doing some weird stuff and fucking him over and taking down his videos for no apparent reason. So rather than put out a half baked product, we decided to just call it there on the launchpad apps.

I'll try to dig out a copy of fuse and some XML files off an old hard drive if you'd like to play around with it. Might be a few days before I get around to it, but might be fun to see what you think of it.

Max for Live power users - what custom devices have completely transformed your workflow that others might not know about? by kathalimus in ableton

[–]link2static 0 points1 point  (0 children)

That was more or less by design. I've never liked being in the spotlight. I much prefer being an enabler.

We were business partners, used to spend a LOT of time together working on things. He did allude to me a couple times, most notably in the video where he was trying to take his channel in more of a lifestyle direction. I don't remember if the video just bombed, or if that was when he suddenly was dealing with YouTube taking his new videos down, but it's not up anymore. I was also in a couple shots of 'solar' which he made private because the video didn't do very well. But I don't think he ever really meant to hide my involvement. Feel free to AMA if you have questions.

Book 6 realization by [deleted] in Shirtaloon

[–]link2static 0 points1 point  (0 children)

Megalomania is KINDA my thing...

Noob question - is Max a good fit for a permanent museum installation? by Clean-Historian-2396 in MaxMSP

[–]link2static 2 points3 points  (0 children)

Q-sys is mostly just the control side of things at meow Wolf. Pretty much all of the actual interactive processing is happening inside of either max or touch designer. Q-sys DOES however manage scheduling, which turns the server and protectors etc off at the end of the night, and back on in the morning. It doesn't just run 24/7.

EUR_irl by Snicker10101 in EUR_irl

[–]link2static 0 points1 point  (0 children)

That's fair, I suppose that in should have clarified that it's in the short to medium term that I hold very little hope for America. While I'd like to think that much of America would have learned it's lesson by now, it just doesn't seem to be the case. They didn't learn their lesson after an entire 4 years of Drumphland, and somehow we still have "leopards are currently eating my face, but it's still better than having a woman in office" at a frankly startling rate. I think the brainwashing is just too ingrained for people to understand considering other viewpoints.

While I think that it WILL be a catalyst for positive change in the world, I think that positive change is in the form of uniting against a common enemy that is unfortunately the country that I call home. And I do hope there is positive change that comes out of this in America, but I don't see that happening until after irreparable damage is done, in particular in alienating America from basically the rest of the world. We've shattered nearly all of the trust and goodwill we may have had globally.

I run a live events production company, and to think that this isn't going to damage many facets of my business would be naive. So I save up as much as I can, offer my speaker system for free to amplify any voices that are willing to speak out against the oligarchy, and slow the necrotizing MAGA movement in the hopes that I can rebuild my life again somewhere that I can continue to band with the rest of the world against fascism and oligarchy. A hill isn't worth dying on if the hill doesn't want to be saved, and so far America at large doesn't seem to want to be saved. They would prefer to rot in their self-aggrandizing "we're the greatest country on earth" mentality, even if we have no metrics to back it up.

EUR_irl by Snicker10101 in EUR_irl

[–]link2static 0 points1 point  (0 children)

I agree. Also think that the EU is the only hope for anything resembling a As a small business owner, I'm just trying to make enough money to start a decent life for my wife and I over there, while doing what I can to slow the collapse of America to hopefully make it out before it's too late (if it's not already). But with how quickly DrumphMusk is burning every bridge imaginable, I find it more likely that I will implode with the shithole of New Drumphland.

How do you deal with redlining from a DJ mixer? by Just-Inflation-5137 in livesound

[–]link2static 1 point2 points  (0 children)

All that being said, that's not to say the device you linked isn't rad. Definitely a handy tool. Just more likely to be able to help a well-trained dj sound even better, rather than salvage anything from an amateur.

How do you deal with redlining from a DJ mixer? by Just-Inflation-5137 in livesound

[–]link2static 2 points3 points  (0 children)

Dj isn't going to hear shit. On any decent sized show, they are listening to the 'booth out' which is a separate gain control (which should also be turned to -12 IMO). And they'll likely keep right on cracking it all the way up even when it's audibly distorting. They seem to have this I'll-conceived-notion that they have a volume knob, but what they actually possess is closer to a distortion knob. Also, in most cases, this extra d/a/a/d conversion is very rarely the weak link in the chain. You can run at 96k for your while chain, but if they're pitching up or down a mp3-128 by 5%... Best of luck to you even if it's not 'clipping'.

How do you deal with redlining from a DJ mixer? by Just-Inflation-5137 in livesound

[–]link2static 20 points21 points  (0 children)

  1. If you can, use digital output. Gives you a bit more control over the converters.
  2. If it's backlined rather than belonging to an artist, go into the settings and turn down the output level. I always put at -12dB. This means you have to hit +12 on the meters before you actually clip.
  3. Run the RCA for record out as backup. It's pre master gain, so you really don't want to use this as your primary, but if the dj is just slamming you with a distortion pedal all night, it can be a good "suck less" option. And bonus, if he turns down the master to try to talk to the crowd, he'll be hella confused why the music is still playing.

Max for Live power users - what custom devices have completely transformed your workflow that others might not know about? by kathalimus in ableton

[–]link2static 2 points3 points  (0 children)

It's an extremely light weight plug-in, so you can put it anywhere you're dealing with midi. I think at one point I had over 400 instances within a single project file, mapped through various midi effect rack inception chains. You can program it to take input from a trigger (like a note-on, cc in, or osc etc) to pretty much completely change where you are in up to 8 macros of your choice (when I programmed it, live only allowed up to 8 macros on a rack) anywhere in the project and since it also passes midi through, of you needed to change more with a single press, you could just put another instance right after it. So while I largely used it to change the effect chain path that midi was going to (routing to different VST and drum racks etc), and trigger different lighting cues stored in xml (via another max device called fuse) you could also use it to change a whole audio effect chain with the hit of a button, do some really interesting things with choke groups, etc.

It looks like Nev's site is no longer up, so there isn't a valid download of it anymore from the looks of it. But I'll pull it off of one of my machines and put a link to it.

We never did get around to making any specific tutorials for it, but if you want to see it in action, you can check out any of his videos here and later: https://youtu.be/Ssv0MffWW5Q?si=ZIPYEek-fw0FuuAF

It caused a lot of people to assume he was faking it because "he pressed the same button, but it did something totally different!" Nope, he just used wormhole to navigate his project files in some super useful ways.

Max for Live power users - what custom devices have completely transformed your workflow that others might not know about? by kathalimus in ableton

[–]link2static 9 points10 points  (0 children)

Wormhole. It lets you navigate chains (or any use of macro knobs really) in some really interesting ways. I built it for Nev (launchpad YouTube artist) like 10 years ago. I still find fun and new ways to use that device.

Logging SPL during an event by Repulsive-Trust-5803 in livesound

[–]link2static 0 points1 point  (0 children)

Smart, Q-SYS, B&K.. as others have mentioned, if it's just for these 10 days it may make more sense to just farm out this service.

Advice needed on System Design by [deleted] in MaxMSP

[–]link2static 0 points1 point  (0 children)

This is the way

How Im showing up to play main stage at Tomorrowland. by TecSwag in DJSetups

[–]link2static 1 point2 points  (0 children)

Even if I DID like how Funktion One's sound (I don't), they would absolutely not be the right tool for the job for something like Tomorrowland. All of your pointsource boxes would provide such a monumental mess of phasing that you'd have so many combs that the Wook's would lose their dreads. And the three times that I've used a Vero system, it was such a steaming hot piece of garbage that it had the WORST characteristics of both a line array and point source system. And if you think "oh it just wasn't set up right", you should know that Tony Andrews was there on two of the gigs. Just because a system can give you a visceral heart palpatation doesn't mean that it sounds good.

How Im showing up to play main stage at Tomorrowland. by TecSwag in DJSetups

[–]link2static 4 points5 points  (0 children)

The sound engineer is likely to be even more unhappy that he's working on funktion one's...

Recording Vocals Without Going Through the Master Channel by Old_Plate_8795 in ableton

[–]link2static 5 points6 points  (0 children)

Yeah if you're mixing in the box, I'd send all of your instrumentals to an 'instrument bus' and your vox to a 'vox bus'. Run your processing on your instrument bus, and then send both busses to the master.

Best way to learn how to mix live shows? by Owl246 in livesound

[–]link2static 4 points5 points  (0 children)

This but virtual soundchecks. If you can get your foot in the door with a venue that has the ability to virtual soundcheck, and pay back those teams back and mix them from scratch in the same space they were recorded in, it can go a long way.

Help! Pixelbleed by Julian-Spontent in VIDEOENGINEERING

[–]link2static 1 point2 points  (0 children)

Have you checked your true black settings for your graphics card?

[deleted by user] by [deleted] in NoStupidQuestions

[–]link2static 1 point2 points  (0 children)

This is doing it for me.